Spin's Scores

  • Music
For 4,305 reviews, this publication has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Music review score: 70
Score distribution:
4305 music reviews
    • 58 Metascore
    • 75 Critic Score
    Has moments of cheese-ball grace. [Mar 2006, p.95]
    • Spin
    • 78 Metascore
    • 83 Critic Score
    Unerringly lovely, but best when the drums heat up. [Feb 2006, p.87]
    • Spin
    • 68 Metascore
    • 83 Critic Score
    By staying on his uniquely off-kilter game, he's become an unlikely career artist. [Mar 2006, p.95]
    • Spin
    • 81 Metascore
    • 80 Critic Score
    An eclectic vanguard sound. [Jul 2006, p.88]
    • Spin
    • 62 Metascore
    • 40 Critic Score
    [He] has a goofy sense of humor and an excellent feel for the dance floor but virtually no knack for song form. [Sep 2006, p.114]
    • Spin
    • 79 Metascore
    • 75 Critic Score
    It's so London-specific that it almost requires an England-to-English translation for us Yanks. [Feb 2006, p.92]
    • Spin
    • 80 Metascore
    • 100 Critic Score
    After only a few spins, The Greatest sounds like another [masterpiece]. [Feb 2006, p.84]
    • Spin
    • 63 Metascore
    • 58 Critic Score
    It's weird how this spiral of genial melodic plaints can sound so weak and self-pitying when it's sung by a pushy dude and not a smart, empathetic woman with a voice. [Feb 2006, p.87]
    • Spin
    • 71 Metascore
    • 83 Critic Score
    Twisted, quirky pop gems. [Feb 2006, p.86]
    • Spin
    • 66 Metascore
    • 67 Critic Score
    The frail bodyslams on the band's debut album throb and stagger as if throbbing and staggering were against the grain. [Feb 2006, p.88]
    • Spin
    • 72 Metascore
    • 91 Critic Score
    Gut-wrenching, foot-stomping punk. [Feb 2006, p.87]
    • Spin
    • 55 Metascore
    • 75 Critic Score
    P.O.D. too often fall back on vanilla "bang boogie." [Feb 2006, p.85]
    • Spin
    • 59 Metascore
    • 42 Critic Score
    It's too tepid to be offensive. [Feb 2006, p.87]
    • Spin
    • 67 Metascore
    • 67 Critic Score
    Like your favorite dive bar, it feels uncomfortably familiar. [Feb 2006, p.87]
    • Spin
    • 67 Metascore
    • 75 Critic Score
    Nix the emo sea-chantey stuff and these two CDs... would be pretty excellent. [Mar 2006, p.95]
    • Spin
    • 55 Metascore
    • 67 Critic Score
    Their gutsy spirit, while not "soul" exactly, does allow the band to dodge flippant dismissals of poseurhood. [Jan 2005, p.90]
    • Spin
    • 77 Metascore
    • 67 Critic Score
    These pop dirges are comforting until they get preachy about sins and healing. [Jan 2005, p.91]
    • Spin
    • 69 Metascore
    • 67 Critic Score
    First Impressions may not be the best Strokes album, but damn if it doesn't feel like the last. [Jan 2006, p.88]
    • Spin
    • 76 Metascore
    • 67 Critic Score
    Too often, Blige's voice doesn't get the space it needs to cut loose with emotion. [Feb 2006, p.85]
    • Spin
    • 66 Metascore
    • 75 Critic Score
    Cut Mr. Hansen up, and he reassembles nicely, but weirdly enough, it's tough to out-Beck Beck. [Jan 2006, p.92]
    • Spin
    • 68 Metascore
    • 91 Critic Score
    [A] more toned-down, at times strikingly sincere, follow-up. [Dec 2005, p.104]
    • Spin
    • 67 Metascore
    • 91 Critic Score
    An impressive balancing act that name-checks Ween and cracks wise about Stevie Wonder's vision while spinning bighearted melodies and harmonies over quirky beatscapes. [Jan 2005, p.89]
    • Spin
    • 78 Metascore
    • 75 Critic Score
    For what it's worth, Hypnotize is the project's better half. [Dec 2005, p.102]
    • Spin
    • 79 Metascore
    • 75 Critic Score
    The best bummer-country band of this sucky century. [Dec 2005, p.107]
    • Spin
    • 68 Metascore
    • 75 Critic Score
    His agile attack still lacks Jigga's precision, 50's swagger, or Kanye's cocky confessionalism. [Jan 2006, p.92]
    • Spin
    • 74 Metascore
    • 42 Critic Score
    Flavorless chamber pop. [Jan 2006, p.91]
    • Spin
    • 80 Metascore
    • 67 Critic Score
    With its surges and dips, Confessions mimics the rising/falling action of, say, a DJ set, a hit of Ecstasy, or Madonna's own career. [Dec 2005, p.106]
    • Spin
    • 85 Metascore
    • 100 Critic Score
    Not since Grateful Dead's Europe '72 has there been a live double album in which intimacy and expansiveness, guitar mess and piano reflection commingle this sweetly. [Dec 2005, p.107]
    • Spin
    • 77 Metascore
    • 83 Critic Score
    Instead of updating psych garage folk, they allow its corpus to fester in skronky breakdowns, churning feedback, and... a wicked spirit-medium session. [Jan 2006, p.91]
    • Spin
    • 63 Metascore
    • 91 Critic Score
    Whether Eleanor echoes her grandmother or provides a less mature counterpoint, her gravity melds with Sarantos' gusto for a dissonance that's never entirely discordant. [Nov 2005, p.100]
    • Spin