Slate's Scores

  • Movies
  • TV
For 2,130 reviews, this publication has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 One Battle After Another
Lowest review score: 0 15 Minutes
Score distribution:
2130 movie reviews
  1. Howard the Duck, the movie, is as bad as you've heard. Actually, it's worse. But its failings as a film have overshadowed the frequently brilliant 1970s comic book that inspired it. Using only the most superficial elements of its source material while discarding most of what made the comic interesting, the film serves as a textbook example of how to turn something into nothing.
  2. He's (Reeves) not as good as he was playing a menacing Georgia wife-beater in The Gift, but he's an awfully convincing jerk.
  3. A joyless, soulless slog, wasting the efforts of co-stars Melissa McCarthy and Elizabeth Banks.
  4. And it's true that this movie's absolute tone-deafness, its complete disconnection from our current economic and geopolitical reality, by moments achieves a perverse Warholian profundity.
  5. So vanilla yet so transcendentally sleazy that its target audience seems to be pubescent girls and dirty old priests.
  6. Kaufman proves again how miraculously in synch with his material he can be. Directing a fourth-rate, maladroit, derivative mystery, he becomes a fourth-rate, maladroit, derivative director--worse even than a TV-movie hack.
  7. The problem with Because I Said So isn't that it's formulaic and predictable; fans of romantic comedy can get around those qualities, and even appreciate them. It's that the film keeps missing out on its own opportunities for comic gold.
  8. It’s a travesty, a disaster, a blight on the history of superheroes and cinema itself. I enjoyed the hell out of it.
  9. There’s a hint of a fugue state about it too, as if Rambo, and whatever audience for his movies remained, is trapped in an endless loop, savoring past traumas as a way to avoid facing the present.
  10. The script plays goofy games, stopping the action for Tarantino-style small talk; piling on alternate, "Rashomon"-style flashbacks; and divulging its characters' secrets in no particular order.
  11. With its low-stakes chase scenes, obvious-from-the-get-go villains and nonsensical plotting, this feels more like a 96-minute-long episode of Scooby-Doo that's been laboriously translated into another language and then back into English.
  12. Linda Hunt's spooky nun speaks of "a hundred levels of consciousness" between death and full, earthbound awareness: Where on that continuum do the executives who green-lighted Dragonfly reside?
  13. This is another of those post-Saturday Night Live vehicles in which ineptitude and laziness are supposed to be taken as irony: It's not bad, it's "bad." Actually, it's "terrible":
  14. Turns into a moronic, psycho-on-the-loose picture pretty quickly.
  15. Turns into a pea-brained hodgepodge of "The Omen" (1976), "The Sixth Sense" (1999), and about 30 Grade-Z Bela Lugosi mad-scientist movies.
  16. This tale of a guru who brings joy to all who meet him is the most joy-draining 88 minutes I've ever spent outside a hospital waiting room.
    • 23 Metascore
    • 20 Critic Score
    "Why don’t you watch my film before you judge it?” Sia tweeted in November, when outrage about the movie’s casting started to percolate. Well, I have watched the film, I am judging it, and it’s awful.
  17. I must admit that I find those motifs -- and the Farrellys' universe in general -- more sweet than offensive, and I liked Say It Isn't So just so. So there.
  18. 8MM
    The moral contortions of 8MM seem especially bogus, a sadomasochistic peep show booth pretending to be a confessional.
  19. The commitment of its all-star cast — which includes Oscar Isaac, Annette Bening, Mandy Patinkin, Antonio Banderas, Olivia Wilde, Olivia Cooke, and Samuel L. Jackson — can’t divert from the fact that its quills droop and sag, where they haven’t fallen off altogether. Behold the other North American flightless turkey.
  20. At least Kudrow won't get the blame for Marci X: What really sinks the movie is Wayans.
  21. Like being run over by a garbage truck that backs up and dumps its load on top of you. It's a sloppy and vulgar burlesque, one of the most repulsive kiddie movies ever made.
  22. The movie is bafflingly boring and ridiculous. Its loginess is exacerbated by the pacing of the writer-director, Martin Brest.
  23. This non-balletic adaptation by the Russian director Andrei Konchalovsky is something gnarled and stunted and wrong, something that should never have been allowed to see the light of day. How's that for a holiday-ad pullquote?
    • 17 Metascore
    • 50 Critic Score
    I'll say this for Human Centipede 2: Tom Six has done the impossible. He's created a sequel that's several orders of magnitude more vile, more nihilistic, and more repellant than the original. And he didn't even need to change the premise.
  24. Lordy, what a stinker.
  25. The most appalling comedy of the millennium after "Joe Dirt," which is so supernaturally terrible that it levitated me out of the theater after 40 minutes.
  26. There's something reassuring about the fact that The Avengers is so rotten: proof yet again that people with piles of money can hire wizard production designers but can't fake class.
  27. A picture that will be hailed without controversy as the worst of its kind ever made.

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