For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Christopher Gray
Through its energy and inherent beauty, Brimstone & Glory hits concurrent notes of peril and bliss, but even at a scant 67 minutes it can seem a bit aimless and scattershot.- Slant Magazine
- Posted Nov 18, 2017
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Reviewed by
Keith Watson
The film brings Pixar's customary emotional directness to a festive, reverent, and wide-ranging pastiche of Mexican culture.- Slant Magazine
- Posted Nov 18, 2017
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Reviewed by
Keith Watson
Director Timothy Reckart's The Star turns the greatest story ever told into just another kids' movie.- Slant Magazine
- Posted Nov 16, 2017
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Reviewed by
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Reviewed by
Keith Watson
The film has an almost pathological need to ensure that everything turns out well for every single character, while at the same time eliding any truly difficult issues.- Slant Magazine
- Posted Nov 16, 2017
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Reviewed by
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Reviewed by
Jake Cole
When the film's tone slides so firmly back into the murk, it's hard not to see DC's notion of heroism as borderline nihilistic.- Slant Magazine
- Posted Nov 15, 2017
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Reviewed by
Chuck Bowen
Akihiko Shiota's sketch-like scenes have an eccentric and volatile intensity, as the filmmaker stages subtly theoretical moments that still allow for spontaneity.- Slant Magazine
- Posted Nov 15, 2017
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Reviewed by
Diego Semerene
Cross-dressing in the story is merely a tool for survival, but such border-crossing is inevitably rife with unintended consequences beyond narrative ones.- Slant Magazine
- Posted Nov 15, 2017
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Reviewed by
Chuck Bowen
Sweet Virginia doesn’t have much of a point, as its characters are reductive variables in an inevitable equation of carnage.- Slant Magazine
- Posted Nov 14, 2017
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Reviewed by
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- Critic Score
It's funny that the film spends so much time caught up in Joe Heaney's feelings of displacement, because it produces a similar sensation in viewers by forgoing the work of narrative and character development in favor of a stark, elliptical style that becomes tiresome.- Slant Magazine
- Posted Nov 14, 2017
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Reviewed by
Andrew Schenker
As Ridgen and Rossier take pains to point out, a man so rigorously committed to putting an end to oppression ought not be so easily dismissed, even if coming to grips with such a challenging figure may be finally as difficult as getting to the bottom of the Arab-Israeli conflict itself.- Slant Magazine
- Posted Nov 13, 2017
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Reviewed by
Derek Smith
Cinema has rarely mined the consequences of being a child of a Holocaust survivor and Big Sonia adeptly explores how, in many cases, losing much of one's family led many survivors to put undue pressures on their future children.- Slant Magazine
- Posted Nov 13, 2017
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Reviewed by
Greg Cwik
The film is about the idea of Andy Kaufman, about how artists channel their influences and keep the dead alive.- Slant Magazine
- Posted Nov 9, 2017
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Reviewed by
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Reviewed by
Keith Watson
The film portrays parenting as the death of manhood, a final surrender to the castrating effects of domesticity.- Slant Magazine
- Posted Nov 9, 2017
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Reviewed by
Carson Lund
It’s as exhilaratingly honest and unshackled a work as many have come to expect from this auteur of cringe comedy, one that foresees, absorbs, and responds to all possible bile that might be directed its way, knowing full well of the muck it dredges up.- Slant Magazine
- Posted Nov 9, 2017
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Reviewed by
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Reviewed by
Carson Lund
It grapples with emotional enigma of infatuation, and the question of how such a mighty force can also be so fleeting.- Slant Magazine
- Posted Nov 9, 2017
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Reviewed by
Oleg Ivanov
Throughout the film, a promising character study is smothered beneath lazy genre machinations.- Slant Magazine
- Posted Nov 9, 2017
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Reviewed by
Henry Stewart
Once the film gets to the Orient Express, it's as if Kenneth Branagh is always itching to get off of it, even having Hercule Poirot at one point look over a list of names while standing atop the train for no discernible reason, except perhaps to enjoy the way the sun peeks out between two distant mountain peaks.- Slant Magazine
- Posted Nov 7, 2017
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Reviewed by
Diego Semerene
The film is an interminable saga full of soap-operatic plot twists involving quickly broken marriages, sexual assault, a secret porn career, terminal illness, and a quasi lesbian love affair.- Slant Magazine
- Posted Nov 7, 2017
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Reviewed by
Derek Smith
Initially offbeat, Bitch awkwardly pivots toward a more inspirational story of regret and reconciliation.- Slant Magazine
- Posted Nov 7, 2017
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Reviewed by
Henry Stewart
The outline of Miles Joris-Peyrafitte’s As You Are is certainly well-worn, but this coming-of-age film nonetheless stands out for its nuanced sense of detail and the sympathy it extends to its main characters.- Slant Magazine
- Posted Nov 6, 2017
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Reviewed by
Keith Watson
Mark Webber's stripped-down approach renders the messy, unglamorous lives at the film's center with dignity.- Slant Magazine
- Posted Nov 6, 2017
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Reviewed by
Derek Smith
Like so many shoot-‘em-up video games that repeatedly break for cutscenes, the film too often diffuses its tense energy by whipping up context.- Slant Magazine
- Posted Nov 4, 2017
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Reviewed by
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Reviewed by
Carson Lund
Stephen Cone's Princess Cyd is distinguished by a dramatic complexity that would seem to run counter to its remarkably even-tempered tone.- Slant Magazine
- Posted Nov 3, 2017
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Reviewed by
Chuck Bowen
Erik Nelson's film straddles a fine and admirable line between lurid sensationalism and sober humanism.- Slant Magazine
- Posted Nov 2, 2017
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Reviewed by
Derek Smith
The pressures of Christmas prove too great to fight off and the need for feel-good holiday cheer inevitably veers the film toward half-hearted, sentimental drama that seems purely obligatory to its seasonal milieu.- Slant Magazine
- Posted Nov 1, 2017
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Reviewed by
Diego Semerene
If the global reunion that the cruise ship presents here is such a panacea, why is there so much moping?- Slant Magazine
- Posted Nov 1, 2017
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Reviewed by
Greg Cwik
The fractured rhythm of 1945 and the desolate aesthetic are engrossing, but Ferenc Török's film doesn't linger.- Slant Magazine
- Posted Oct 31, 2017
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Reviewed by
Eric Henderson
Thor: Ragnarok is the flamboyantly roller-disco entry in an already uncomplicatedly cartoonish side franchise.- Slant Magazine
- Posted Oct 31, 2017
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Reviewed by
Chuck Bowen
Takashi Miike's film is a work of robust genre craftsmanship that's informed with a sly sense of self-interrogation.- Slant Magazine
- Posted Oct 31, 2017
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Reviewed by
Oleg Ivanov
By pairing down Lyndon Baines Johnson’s multifarious life and career to this one piece of legislation, the film fails to do justice to both the man and the fraught times he so fundamentally influenced.- Slant Magazine
- Posted Oct 31, 2017
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