Slant Magazine's Scores

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For 7,767 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,344 out of 7767
  2. Mixed: 1,490 out of 7767
  3. Negative: 1,933 out of 7767
7767 movie reviews
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  1. Incredibles 2
    Everything in Incredibles 2 is inexorably driven toward a big final blowout. That sequence is suitably grand and eye-popping, but haven’t we seen all of this before?
  2. SuperFly
    SuperFly is a slicked-up, tricked-out revamp that dispenses with any pretense of verisimilitude in favor of rap-video extravagance and mob-movie bloodshed.
  3. Gabriel and the Mountain
    The film seems to think that the mere recognition of Gabriel as a narcissist sufficiently complicates the character's sense of entitlement.
  4. Jurassic World: Fallen Kingdom
    J.A. Bayona's gothic flourishes suggest opioid hallucinations, and they're a welcome escape from the doldrums of the writing, but they seem at odds with the rest of the film.
  5. The Yellow Birds
    You may want for something to hold on to, but Tye Sheridan and Alden Ehrenreich slip through the fingers, both seeming uninterested and restless to move on to other projects.
    • 61 Metascore
    • 50 Critic Score
    The Year of Spectacular Men
    The film collapses on the crutch of hackneyed narration and constant music cues that formally undermine the ripe banter between Madelyn Deutch and her male co-stars.
  7. Ocean's 8
    With Ocean's 8, Gary Ross serves up a mildly engaging riff on the heist film, but he rarely strays from the established formula of Steven Soderbergh's original Ocean's trilogy.
  8. Hotel Artemis
    Hotel Artemis quickly reveals its future setting as an empty pretext for a banally convoluted and sentimentalized show of emotional rehabilitation.
  9. Araby
    A carefree life on the move is steadily and exquisitely overtaken by melancholy in writer-directors João Dumans and Affonso Uchoa’s Arábia, the portrait of a meandering journey fueled by song, anecdote, and landscape that zeroes in on the pressures of contemporary Brazil almost in passing.
  10. Hereditary
    In writer-director Ari Aster's smugly agitating feature debut, the devil is certainly in the hackneyed details.
  11. Westwood: Punk, Icon, Activist
    Lorna Tucker's documentary sustains a tone that oscillates between earnest admiration and wry exasperation.
  12. En el Séptimo Día (On the Seventh Day)
    On the Seventh Day brings a certain levity to wrenching matters of daily survival by thoroughly humanizing its characters, thus preventing them from feeling as if they're being written as stand-ins for thematic ideas.
  13. The Quest of Alain Ducasse
    The documentary provides little sense of intimacy with its subject, but it gives an in-depth look at the master chef's uniquely obsessive work habits.
  14. Hearts Beat Loud
    The steadiness with which Haley's film progresses through its dramatic beats is rather like its familiar-sounding indie pop, moving rhythmically toward a predictable climax whose emotional intensity feels unearned.
  15. Won't You Be My Neighbor?
    It captures the strength of Fred Rogers's convictions even as his gentleness and sincerity fell further out of favor.
  16. Nancy
    There's vanity in its boutique art-film brand of hopelessness, which derives from a fetishizing of "keeping it real."
  17. 211
    The film relegates Nicolas Cage to a supporting player and crowds him with considerably less charismatic performers.
  18. Adrift
    Director Baltasar Kormákur's film is a simple, acutely observed love story that also happens to be a rousingly stripped-down tale of survival.
  19. Breath
    This isn't a film about surfing so much as one about riding a wave that must eventually break and recede.
  20. American Animals
    As he showed in "The Imposter," writer-director Bart Layton knows how to spin a compelling yarn.
  21. A Kid Like Jake
    Though the film makes the important point that even the most liberal parents' acceptance of a child's difference may be repression by another name, it fails to excite sufficient sympathy for its broadly drawn principal characters.
  22. Rodin
    Jacques Doillon's shrewd ellipses emphasize time as a great and uniting humbler and thief, allowing stray moments to suddenly crystallize unexpressed yearnings.
  23. Upgrade
    Upgrade is most effective when mining the comical and bizarre love-hate chemistry between Grey and Stem and pairing that singular conflict with batshit-crazy action, but the film’s follow-through is clunky and unfulfilling.
  24. Ash Is Purest White
    It’s a quixotic and profound statement on the spatial and temporal dissonances that inform life in 21st-century China.
  25. Summer 1993
    The film's screenplay is impressive for how crucial plot points emerge as backdrops to the explicit purpose of a scene.
  26. How to Talk to Girls at Parties
    The film's tagline goes “Talk to the girl. Save the world,” but at no point does Earth's fate hang in the balance, and talking to Elle Fanning's Zan is no great challenge for anyone.
  27. The Misandrists
    The sexual outbursts in the film are tempered with a tenderness that one hardly associates with Bruce LaBruce's career.
  28. In Darkness
    Anthony Bryne's high-flown style only serves to highlight the film's icky way of exploiting real-world tragedy for kicks.
  29. Pope Francis - A Man of His Word
    It often plays like a toothless PR video designed to rehabilitate the Catholic Church's reputation in the wake of its global pedophilia scandal.
  30. That Summer
    The makers of this rescued-footage documentary ultimately understand the power of its subjects' personalities.
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