For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dan Rubins
Matteo Garrone’s adaptation of Carlo Collodi’s story trembles with corporeal strangeness and unpredictability.- Slant Magazine
- Posted Dec 21, 2020
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Reviewed by
Pat Brown
Paul W.S. Anderson has simply combined the established iconography of the popular Capcom game franchise with prefab movie moments.- Slant Magazine
- Posted Dec 16, 2020
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Reviewed by
Chris Barsanti
The film approximates the dislocation of its main character’s mind with a frighteningly slippery ease.- Slant Magazine
- Posted Dec 13, 2020
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Reviewed by
Chuck Bowen
Writer-director Shawn Linden skillfully draws us into the narrative before springing a series of startling traps—of both the narrative and literal variety.- Slant Magazine
- Posted Dec 13, 2020
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Derek Smith
There are enough left turns here to allow us to shake the impression that we’ve been to this rodeo before.- Slant Magazine
- Posted Dec 13, 2020
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Reviewed by
Pat Brown
The film’s empowerment fantasy of a woman who steamrolls male egos is as stylish and fun as its portrait of gender relations is dire.- Slant Magazine
- Posted Dec 12, 2020
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Reviewed by
Chuck Bowen
The film sanctimoniously suggests that ignorance or distrust of the news is nothing new, but rather the bedrock of America’s formation.- Slant Magazine
- Posted Dec 11, 2020
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Reviewed by
Keith Watson
The film minimizes the tragedy of the human race’s near-complete annihilation by positioning it as the backdrop for the world’s most grandiose deadbeat-dad redemption arc.- Slant Magazine
- Posted Dec 10, 2020
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Reviewed by
Chuck Bowen
Jamie Dornan is a stiff whom Jon Hamm immediately upstages, and this dynamic underscores why the film is so tedious and unsatisfying.- Slant Magazine
- Posted Dec 9, 2020
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Mark Hanson
The film allows the scion of one of Hollywood’s most notable families to interrogate her relationship with celebrity in self-aware fashion.- Slant Magazine
- Posted Dec 9, 2020
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- Critic Score
What could have been a profound study of grief and psychological trauma is diluted with needless structural and stylistic obfuscation.- Slant Magazine
- Posted Dec 6, 2020
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Reviewed by
Pat Brown
The film’s orderliness of plot somewhat undermines the sense that the family at its center is steeped in a truly messy situation.- Slant Magazine
- Posted Dec 6, 2020
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Reviewed by
Chuck Bowen
Steven Soderbergh’s signature formal gamesmanship enlivens what could have been a stodgy scenario.- Slant Magazine
- Posted Dec 3, 2020
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Reviewed by
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Reviewed by
Dan Rubins
Ryan Murphy’s vibrant film adaptation makes a closer-to-seamless whole of the story’s disparate parts.- Slant Magazine
- Posted Dec 1, 2020
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Reviewed by
William Repass
Mariusz Wilczyński’s animation style strikes an unlikely balance between the childlike and the proficient.- Slant Magazine
- Posted Nov 30, 2020
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Reviewed by
Derek Smith
The documentary may be the defining portrait of the dawning of the Covid-19 pandemic.- Slant Magazine
- Posted Nov 30, 2020
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Reviewed by
Dan Rubins
While most Pixar films pride themselves on presenting rich, fantastical responses to real-world wonderings, Soul keeps conjuring up visions that don’t correspond precisely enough to anything in the real world.- Slant Magazine
- Posted Nov 29, 2020
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Reviewed by
Chuck Bowen
Julia Hart drains the crime film genre of its macho bluster without replacing it with anything.- Slant Magazine
- Posted Nov 29, 2020
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Reviewed by
Chuck Bowen
Shot through with darkly existentialist humor, the film finds Aubrey Plaza throwing a gauntlet to filmmakers who have typecast her in the past.- Slant Magazine
- Posted Nov 29, 2020
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Reviewed by
Chuck Bowen
The big disappointment of the film is that Melissa McCarthy’s performance is all Jekyll and no Hyde.- Slant Magazine
- Posted Nov 25, 2020
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Reviewed by
Chuck Bowen
In Morris’s best films, such as The B-Side: Elsa Dorfman’s Portrait Photography, there’s a sense that the director is truly simpatico with his subjects. In My Psychedelic Love Story, though, Morris lets a fading never-quite-legend blather her way into a trap.- Slant Magazine
- Posted Nov 25, 2020
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Chris Barsanti
The film is affectingly poignant in its frequently uncomfortable presentation of Shane MacGowan’s physical ruination.- Slant Magazine
- Posted Nov 24, 2020
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Diego Semerene
When the distance between uncle and niece shortens, Uncle Frank ceases to be a tender portrait of outsider kinship and transforms into a histrionic road movie with screwball intentions.- Slant Magazine
- Posted Nov 23, 2020
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Reviewed by
Keith Watson
The film is brightly colored, inventively designed, and constantly flirting with the outright psychedelic, but it's so packed full of incident that it rarely gives its jokes the space to land.- Slant Magazine
- Posted Nov 23, 2020
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Reviewed by
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Reviewed by
Dan Rubins
In his final role, Chadwick Boseman meticulously charts the breakdown of a man discovering, within the mirages of 1920s blackness, that pursuit and escape, fleeing from and running toward, are inextricably intertwined.- Slant Magazine
- Posted Nov 20, 2020
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Reviewed by
Pat Brown
The film translates the often difficult realities of a specific kind of marginalized love into a story with broad appeal.- Slant Magazine
- Posted Nov 19, 2020
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Reviewed by
Diego Semerene
The film reminds us that without investigative reporting there’s no democracy, and that traditional expectations around impartiality and objectivity may be untenable in the face of horror.- Slant Magazine
- Posted Nov 16, 2020
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Reviewed by
Steven Scaife
Nicolas Cage’s amusing turn as a kooky hermit with an affinity for newspaper hats often feels awkwardly spliced into the film.- Slant Magazine
- Posted Nov 16, 2020
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Reviewed by
Derek Smith
The film muddies its sense of moral righteousness by suggesting that violence and vengeance can only be defeated by more of the same.- Slant Magazine
- Posted Nov 16, 2020
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Reviewed by
Pat Brown
The film is an uncanny reflection of the jingoism that Hollywood has been wrapping in glossy spectacle and exporting to foreign markets for decades.- Slant Magazine
- Posted Nov 16, 2020
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Reviewed by