Slant Magazine's Scores

For 7,767 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7767 movie reviews
  1. Matteo Garrone’s adaptation of Carlo Collodi’s story trembles with corporeal strangeness and unpredictability.
  2. Paul W.S. Anderson has simply combined the established iconography of the popular Capcom game franchise with prefab movie moments.
  3. The film approximates the dislocation of its main character’s mind with a frighteningly slippery ease.
  4. Writer-director Shawn Linden skillfully draws us into the narrative before springing a series of startling traps—of both the narrative and literal variety.
  5. There are enough left turns here to allow us to shake the impression that we’ve been to this rodeo before.
  6. The film’s empowerment fantasy of a woman who steamrolls male egos is as stylish and fun as its portrait of gender relations is dire.
  7. The film sanctimoniously suggests that ignorance or distrust of the news is nothing new, but rather the bedrock of America’s formation.
  8. The film minimizes the tragedy of the human race’s near-complete annihilation by positioning it as the backdrop for the world’s most grandiose deadbeat-dad redemption arc.
  9. Jamie Dornan is a stiff whom Jon Hamm immediately upstages, and this dynamic underscores why the film is so tedious and unsatisfying.
  10. The film allows the scion of one of Hollywood’s most notable families to interrogate her relationship with celebrity in self-aware fashion.
    • 66 Metascore
    • 38 Critic Score
    What could have been a profound study of grief and psychological trauma is diluted with needless structural and stylistic obfuscation.
  11. The film’s orderliness of plot somewhat undermines the sense that the family at its center is steeped in a truly messy situation.
  12. Steven Soderbergh’s signature formal gamesmanship enlivens what could have been a stodgy scenario.
  13. Ryan Murphy’s vibrant film adaptation makes a closer-to-seamless whole of the story’s disparate parts.
  14. Mariusz Wilczyński’s animation style strikes an unlikely balance between the childlike and the proficient.
  15. The documentary may be the defining portrait of the dawning of the Covid-19 pandemic.
  16. While most Pixar films pride themselves on presenting rich, fantastical responses to real-world wonderings, Soul keeps conjuring up visions that don’t correspond precisely enough to anything in the real world.
  17. Julia Hart drains the crime film genre of its macho bluster without replacing it with anything.
  18. Shot through with darkly existentialist humor, the film finds Aubrey Plaza throwing a gauntlet to filmmakers who have typecast her in the past.
  19. The big disappointment of the film is that Melissa McCarthy’s performance is all Jekyll and no Hyde.
  20. In Morris’s best films, such as The B-Side: Elsa Dorfman’s Portrait Photography, there’s a sense that the director is truly simpatico with his subjects. In My Psychedelic Love Story, though, Morris lets a fading never-quite-legend blather her way into a trap.
  21. The film is affectingly poignant in its frequently uncomfortable presentation of Shane MacGowan’s physical ruination.
  22. When the distance between uncle and niece shortens, Uncle Frank ceases to be a tender portrait of outsider kinship and transforms into a histrionic road movie with screwball intentions.
  23. The film is brightly colored, inventively designed, and constantly flirting with the outright psychedelic, but it's so packed full of incident that it rarely gives its jokes the space to land.
  24. In his final role, Chadwick Boseman meticulously charts the breakdown of a man discovering, within the mirages of 1920s blackness, that pursuit and escape, fleeing from and running toward, are inextricably intertwined.
  25. The film translates the often difficult realities of a specific kind of marginalized love into a story with broad appeal.
  26. The film reminds us that without investigative reporting there’s no democracy, and that traditional expectations around impartiality and objectivity may be untenable in the face of horror.
  27. Nicolas Cage’s amusing turn as a kooky hermit with an affinity for newspaper hats often feels awkwardly spliced into the film.
  28. The film muddies its sense of moral righteousness by suggesting that violence and vengeance can only be defeated by more of the same.
  29. The film is an uncanny reflection of the jingoism that Hollywood has been wrapping in glossy spectacle and exporting to foreign markets for decades.

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