For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Wes Greene
Together’s dramaturgy perfectly, if unintentionally, underscores the suffocating nature of pandemic living.- Slant Magazine
- Posted Aug 23, 2021
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Reviewed by
Jake Cole
On the screen, Shang-Chi is rotely defined by the same “gifted kid” impostor syndrome as so many other self-doubting MCU heroes before him.- Slant Magazine
- Posted Aug 23, 2021
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Reviewed by
Wes Greene
Reminiscence’s noir adornments inadvertently feel closer to parody than loving homage.- Slant Magazine
- Posted Aug 19, 2021
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Reviewed by
Derek Smith
The film upends the clichés that practically define the ghost story in surprising and intriguing ways.- Slant Magazine
- Posted Aug 19, 2021
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Reviewed by
William Repass
The film raises pertinent questions about Mexico’s mixed cultural heritage and the contested representation of reality.- Slant Magazine
- Posted Aug 18, 2021
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Reviewed by
Chuck Bowen
Like District 9, the film is a genre outing with big ideas that’s more committed to the power of arsenals and pyrotechnics.- Slant Magazine
- Posted Aug 16, 2021
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Reviewed by
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Reviewed by
Jake Cole
Dash Shaw’s deceptively simple animation regularly descends into phantasmagoria that delivers on his story’s strange premise.- Slant Magazine
- Posted Aug 16, 2021
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Reviewed by
Derek Smith
The film’s gore is just as likely to invoke fear as to serve as a killer punchline to one of Rodo Sayagues’s set pieces.- Slant Magazine
- Posted Aug 12, 2021
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Reviewed by
Mark Hanson
Despite the film’s narrow scope, it’s hard to not be impressed by the political and civic engagement of its teen subjects.- Slant Magazine
- Posted Aug 11, 2021
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Reviewed by
Chuck Bowen
In Wang Nanfu’s extraordinary documentary, contemporary political structures are as much of a disease as Covid-19, and, in the long run, the deadlier foes.- Slant Magazine
- Posted Aug 10, 2021
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Reviewed by
Diego Semerene
Though uneven, the film is clever about avoiding age-old conundrums regarding the disavowal of the language of horror.- Slant Magazine
- Posted Aug 10, 2021
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Reviewed by
Keith Watson
When Jennifer Hudson is singing her heart out, not so much approximating Aretha’s voice as channeling her soul, the effect is transportive.- Slant Magazine
- Posted Aug 9, 2021
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Reviewed by
Jake Cole
The film synthesizes the nihilistic tone of The End of Evangelion with the more hopeful terms of the anime’s original intended finale.- Slant Magazine
- Posted Aug 6, 2021
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Reviewed by
William Repass
It’s thanks to a kind of tug of war between background and foreground that Beckett succeeds as a piece of entertainment.- Slant Magazine
- Posted Aug 5, 2021
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Reviewed by
Chuck Bowen
At its best, Matt Yoka’s documentary vividly captures how personal demons shape creative output.- Slant Magazine
- Posted Aug 5, 2021
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Reviewed by
Derek Smith
There’s so much discernible IP baked into Shawn Levy’s film to make its calls for artistic ingenuity feel hypocritical at best.- Slant Magazine
- Posted Aug 5, 2021
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Reviewed by
Mark Jenkins
Lucy Walker’s absorbing study of California’s 2018 wildfires consistently goes in illuminating and surprising directions.- Slant Magazine
- Posted Aug 4, 2021
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Reviewed by
Mark Hanson
The disconnect between the realities of different generations of gay men is one of Swan Song’s most unexpectedly joyful through lines.- Slant Magazine
- Posted Aug 3, 2021
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Reviewed by
Chuck Bowen
Rarely do the filmmakers show people mutually affecting one another in cycles of pain and control, rather than blaming phantom figures.- Slant Magazine
- Posted Aug 3, 2021
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Reviewed by
Jake Cole
Throughout the film, James Gunn renders the half-grim, half-absurdist nature of the Suicide Squad with delightfully bloody abandon.- Slant Magazine
- Posted Aug 3, 2021
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Reviewed by
Chuck Bowen
The film is an obsessive rumination on the little squabbles and inconveniences and pleasures that add up to the bulk of our lives.- Slant Magazine
- Posted Aug 1, 2021
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Reviewed by
Pat Brown
Juho Kuosmanen’s film interestingly thrives off of an ironic juxtaposition of character and environment.- Slant Magazine
- Posted Aug 1, 2021
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Reviewed by
Keith Watson
A methodical, if largely allegorical, exploration of its main character’s psyche, the film smooths out the enduring mysteries, opaque psychology, and narrative idiosyncrasies of its source material.- Slant Magazine
- Posted Jul 28, 2021
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Reviewed by
William Repass
With Never Gonna Snow Again, Malgorzata Szumowska presents a charm against apocalyptic despair but also willful ignorance, insisting that, with sufficient imagination, we can face a climate crisis of our own making.- Slant Magazine
- Posted Jul 27, 2021
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Reviewed by
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Reviewed by
Mark Hanson
In spite of the film’s strikingly lived-in sense of place, the script’s melodramatic storytelling works against that verisimilitude.- Slant Magazine
- Posted Jul 27, 2021
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Reviewed by
Jake Cole
Jaume Collet-Serra’s deft touches elevate what otherwise feels like another formulaic contemporary Disney blockbuster.- Slant Magazine
- Posted Jul 27, 2021
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Reviewed by
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Reviewed by
Wes Greene
Writer-director Edson Oda never really puts a unique spin on the familiar story of otherworldly figures peering in on the lives of the living.- Slant Magazine
- Posted Jul 26, 2021
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Reviewed by
Chris Barsanti
The film’s concession to the fungible nature of presented reality comes across not as indecisive but courageous.- Slant Magazine
- Posted Jul 26, 2021
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Reviewed by
Mark Jenkins
The film’s terseness could make it too cryptic for some, but that doesn’t blunt the impact of its most visceral or tender moments.- Slant Magazine
- Posted Jul 26, 2021
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Reviewed by
Derek Smith
Stillwater gives itself over to drastic plot twists that derail what was already a film over-stuffed with narrative incident and ideas.- Slant Magazine
- Posted Jul 25, 2021
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