Slant Magazine's Scores

For 7,767 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7767 movie reviews
  1. A documentary of bareknuckle fights among feuding Irish Traveller clans can't give the participants' self-perpetuating, dead-end rivalry the scope of tragedy.
    • 13 Metascore
    • 12 Critic Score
    That Red Hook Black, a strained film about two friends struggling with jobs and family in a bleak, thickly spread economic milieu, is adapted from a play is painfully obvious; that it's never able to transcend its staginess makes it unbearable.
    • 22 Metascore
    • 12 Critic Score
    The lesson to learn from watching Garry Marshall's New Year's Eve, a predictably insufferable, self-congratulatory cash cow designed to be ingested and then happily discharged without a second thought by gullible moviegoers who just don't know any better, is that we live in a time without economic dignity, a time in which we must be ready to do just about anything for a paycheck.
  2. Cédric Klapisch settles for a mixture of bland obviousness and crudely manufactured drama.
  3. Rachid Bouchareb casts his account of the horrifying aftermath of tragedy on an intimate scale, allowing the halting words and frightened faces of his two leads to tell us as much as we need to know about the uncertainties of those faced with tracking down their lost loved ones.
  4. The only thing more narcissistically indulgent than the film's repugnant protagonists is Mark Pellington's iPod-scored, visually flashy, thoroughly hollow directorial celebration of them.
  5. Fast on its feet, using 3D and motion-capture animation to kick its comedy-adventure into a superhuman gear, Steven Spielberg's The Adventures of Tintin is a wittily kineticized adaptation of the internationally loved comic books.
  6. The purpose of Lynne Ramsay's hodgepodge approach is to distract us from the flimsiness of a story that suggests a snide art-house take on "The Omen."
    • 58 Metascore
    • 63 Critic Score
    Half-formed expressions of disappointment, hope, struggle, confusion, and boyish playfulness on faces otherwise marked by youth's inexperience, and a self-consciousness brought on by the curiosity of being filmed, constitute the most memorable moments of Lads & Jockeys, a documentary on 14-year-old aspiring jockeys in France.
  7. Order may be restored to the Circus, the "bad" elements weeded out, but in the jaundiced world the film has spent the last two hours so effectively delineating, the barriers between good and evil have been shown to be essentially meaningless.
  8. Speculation is futile, as plausible, worthwhile answers are the last things Answers to Nothing is prepared to give. Not that you really cared anyway.
  9. Volker Sattel takes us on a blank-eyed tour of the country's biggest plants (plus a few from Austria), exposing both the tenuous balance of precision and innovation that has provided 20th-century Western society with its most controversial power source.
  10. The Tickells' style is a predictable grab bag of interviews with outraged experts and journalists, TV news footage, and scenes in which the filmmakers (and, during one trip, fellow activists Peter Fonda and Amy Smart) make faux-daring journeys into the fray to bring back supposed realities that corporate America seeks to hide.
  11. While The First Rasta never goes beyond the surfaces of conventional documentary making of the most average kind, its reticence becomes whimsical every time the elderly interviewees break into song soon after reminiscing.
  12. An acutely felt, altogether devastating family drama as intimate and affecting as it is sprawling and untamed.
    • 73 Metascore
    • 50 Critic Score
    The director glosses over rather than digs deep into such interesting aspects as the varied opinions of the men under Khodorkovsky who've had to flee the country because of him.
    • 61 Metascore
    • 75 Critic Score
    Julia Leigh's take on the fairy tale is a study in detachment and unspoken dissatisfaction, traits that imbue the proceedings with a barely-contained sexual energy lurking beneath a thin veneer of calm.
  13. It's a brilliant reversal that, while seemingly far less inspired than most of the director's efforts, leaves us with a film that's just as iconoclastic.
  14. Though his film's feel is pure Iraq and Afghanistan, Fiennes doesn't push those parallels unduly, and his central performances prove clear, nuanced, and incisive.
  15. Part of the issue here may be the nature of the talking heads themselves, most of whom are culled from Trungpa's inner circle and lack the objectivity needed to properly judge his philosophy or make it accessible.
    • 91 Metascore
    • 100 Critic Score
    It's in his generous, objective use of long shots and spare but startling close-ups that we see once again the influence of Robert Altman in Yang's aesthetic and the struggle of the Taiwanese people to accept their history. In essence, Yang uses his aesthetic to bring into the light that which is dark.
  16. A typically anodyne rom-com given a certain poignant piquancy by the paralyzing shyness of its romantic leads.
  17. The film uses a country-mouse-and-city-mouse template to explore morality, aesthetic sense, urban and rural savvy, and a host of other concerns.
    • 75 Metascore
    • 100 Critic Score
    A brief history of time and space, according to Bertrand Bonello.
    • 83 Metascore
    • 75 Critic Score
    Scorsese's affection for cinema is, of course, no surprise, and Hugo doesn't shy away from stumping for the cause of his Film Foundation; which isn't to say it's a vanity project, at least not any more than any film with a budget in the nine figures is.
  18. The beloved gang's sweet reunion will melt nostalgic adults into laughter and tears, and maybe kids won't mind drippy new Muppet Walter so much.
  19. Not only does its incredibly loose aesthetic challenge the traditionally controlled and slick conventions of the cop genre, it adds a certain visceral haziness that compliments Brown's own professional and personal immorality.
  20. A yuletide fable that boasts Aardman Animation's peerless mix of whip-smart comedy and cheery heart.
  21. Intended as the cinematic equivalent of an orgasm, this tirelessly hyped insta-blockbuster is loaded with OMG developments (marriage! Sex! Baby!) and seemingly regarded by everyone to include the most epic and gratifying scenes of romantic release in modern movie history.
  22. The intersection between drug-company profiteering and lobbying, and governmental and private-sector desires to protect people from deadly diseases, is navigated too cursorily by the documentary.

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