For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
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| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Glenn Heath Jr.
The film ultimately fails to treat history as anything but a string of melodramatic reference points for moody characters haplessly trying to find love.- Slant Magazine
- Posted Aug 13, 2012
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It plays out like a series wet-dream scenarios, performed by a cast of vintage action figures battered and broken from overuse, bleached and slightly molted from sitting in the sun too long.- Slant Magazine
- Posted Aug 13, 2012
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Reviewed by
Chris Cabin
The tagline for the film reads "You Don't Become a Hero by Being Normal," and the film mostly lives up to that assertion, but only up to a point.- Slant Magazine
- Posted Aug 12, 2012
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Reviewed by
Elise Nakhnikian
Disney draws a big fat bullseye on the fast-growing infertile-couple demographic with this airless misfire.- Slant Magazine
- Posted Aug 12, 2012
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Reviewed by
Andrew Schenker
It seems as if Craig Zobel wants to implicate the audience in these proceedings, but he doesn't have a very clear idea how to go about it.- Slant Magazine
- Posted Aug 12, 2012
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Diamond-hard and dazzlingly brilliant, David Cronenberg's film plays like a deeply perverse, darkly comic successor to Videodrome.- Slant Magazine
- Posted Aug 12, 2012
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- Critic Score
Christopher Neil's film is more location-scouted and photographed than directed and acted.- Slant Magazine
- Posted Aug 9, 2012
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Reviewed by
Bill Weber
A lumpy spoof of electoral mudslinging that offers some bracing bipartisan contempt amid the lowbrow, labored slapstick.- Slant Magazine
- Posted Aug 9, 2012
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Reviewed by
Chuck Bowen
Ultimately plodding and resolutely old-fashioned, a corporate thriller for folks too square to indulge the possible existence of hungers so strong they must be satisfied at any cost.- Slant Magazine
- Posted Aug 8, 2012
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Reviewed by
Jesse Cataldo
Fervently passionate and formally meticulous, the latest stunning coup for a director who's made a career of repurposing archetypal storylines.- Slant Magazine
- Posted Aug 7, 2012
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Reviewed by
Jaime N. Christley
Regarding Michel Piccoli's Max, Claude Sautet's film resists judgment, neither condoning nor signposting the despicable nature of his choices.- Slant Magazine
- Posted Aug 7, 2012
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Reviewed by
Jaime N. Christley
One successful set piece in 135 minutes, and it involves very little running, no parkour, and no genetically enhanced superheroes from clandestine government projects.- Slant Magazine
- Posted Aug 7, 2012
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Looks and sounds considerably better than nearly every other independent documentary of its kind, forming an argument that's clear and cogent and virtually free of obvious manipulation or pandering.- Slant Magazine
- Posted Aug 6, 2012
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- Critic Score
Unlike Waltz with Bashir, it only seems to be using animation in an effort to make blog diaries by twentysomethings appear cinematic.- Slant Magazine
- Posted Aug 6, 2012
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Reviewed by
Eric Henderson
Documentary director Victor Magnatti is more comfortable with loud and proud, and perhaps a tad suspicious of insinuation and circumspection.- Slant Magazine
- Posted Aug 6, 2012
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Reviewed by
Andrew Schenker
Everado González isn't above capturing some striking landscape shots, seemingly for the shear desolate prettiness of it, but they always double as a reminder of the very real plight facing the subjects.- Slant Magazine
- Posted Aug 6, 2012
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Reviewed by
Joseph Jon Lanthier
Few recent studies of commercialized sex have been character profiles, so Rob Schröder and Gabrielle Provaas's documentary is an unusual and welcome polemic.- Slant Magazine
- Posted Aug 6, 2012
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Reviewed by
R. Kurt Osenlund
A decidedly adult drama about love and sex, wherein the comedy is largely incidental.- Slant Magazine
- Posted Aug 6, 2012
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Reviewed by
Glenn Heath Jr.
The seamless juxtaposition of faith and pain, innocence and guilt, allows the film to transcend Spike Lee's occasional bombastic moments and become a strong examination of internal suffering.- Slant Magazine
- Posted Aug 6, 2012
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Reviewed by
Elise Nakhnikian
It keeps the entrances, exits, and misunderstandings rolling while rooting the action in emotions and character traits that are only slightly exaggerated for comic effect.- Slant Magazine
- Posted Aug 5, 2012
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Reviewed by
Nick Schager
While the Nitro Circus's many achievements are impressive, they pale in comparison to those of Knoxville and company's.- Slant Magazine
- Posted Aug 5, 2012
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Reviewed by
Elise Nakhnikian
A fable about the damage done when a young couple is forced to part, Chicken with Plums is deeply melancholic, yet so full of humor and humanity that it pulses with life even while tracing the trajectory of a slow suicide.- Slant Magazine
- Posted Aug 4, 2012
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Reviewed by
Andrew Schenker
A half-hearted morality tale about taking responsibility for your actions as a sign of impending maturity.- Slant Magazine
- Posted Aug 2, 2012
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Len Wiseman's Total Recall's a trifling mess, as superfluous as a third breast.- Slant Magazine
- Posted Aug 1, 2012
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- Critic Score
Most of what transpires between the two girls feels as internal as something you only keep to yourself.- Slant Magazine
- Posted Aug 1, 2012
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Reviewed by
R. Kurt Osenlund
Directed by Fernando Meirelles from a dusty script by Peter Morgan, 360 is all superficial stimulation, hollow and stiff as it beats the dead horse of we're-all-connected narratives.- Slant Magazine
- Posted Aug 1, 2012
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Reviewed by
Chuck Bowen
The documentary is ultimately a dry endeavor that feels closer in spirit to an Afterschool Special than a full-blooded movie.- Slant Magazine
- Posted Jul 31, 2012
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Though Anthony Baxter seems driven by empathy rather than greed, his film is ultimately as reductive and misleading as the expensive Trump PR campaigns he righteously rails against.- Slant Magazine
- Posted Jul 30, 2012
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Reviewed by
Andrew Schenker
Dreams of a Life succeeds in making its point about the unkowability of the people in our lives, but there isn't quite enough substance here to fully sustain the film.- Slant Magazine
- Posted Jul 30, 2012
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Reviewed by
Glenn Heath Jr.
Isaac Florentine's film is maligned with gaping plot holes, terrible expository dialogue, and obvious moments of foreshadowing.- Slant Magazine
- Posted Jul 30, 2012
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Reviewed by