Slant Magazine's Scores

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For 7,768 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,345 out of 7768
  2. Mixed: 1,490 out of 7768
  3. Negative: 1,933 out of 7768
7768 movie reviews
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  1. Beneath
    Its stance toward every dipshit slasher and creature-horror flick that's come before it never feels less than casually hostile.
  2. Israel: A Home Movie
    A prismatic meditation on an entire nation, Eliav Lilti's documentary is history as abstraction.
  3. Fruitvale Station
    Sensitively performed and laced with some forceful quotidian grit, the film evades the larger questions behind a scandalous shooting death.
  4. The Look of Love
    With its softened edges, bland aftertaste, and watered-down distillation of Raymond's life and career, Michael Winterbottom's film represents the house champagne of biographical cinema.
  5. The Lone Ranger
    The movie, of course, barrels toward climax upon climax, and while possibly better photographed, the crashes, bangs, and booms are no less numbing than anything else you've seen in this summer of garbage blockbusters.
    • 41 Metascore
    • 38 Critic Score
    A Girl and a Gun
    Had director Catheryne Czubek focused on just one or two of the several interesting or lesser-explored topics under the umbrella of her debut film's subject matter, A Girl and a Gun might have amounted to a sharper, more interesting documentary.
  7. Big Star: Nothing Can Hurt Me
    A rock-doc that mythologizes the tragicomic flame out of power pop's seminal band, and the fan-made afterlife that brought them long-delayed success.
    • 44 Metascore
    • 12 Critic Score
    Hammer of the Gods
    An unbearably stupid exercise in gore that deserves to die the same cruel, soulless death that nearly every character does at some point in the film.
  9. Absence
    The tension almost immediately leaks out of the narrative once we realize we're watching a found-footage horror movie.
  10. The Way, Way Back
    Praises the electric carelessness of teenage angst while depicting it as if it were ultimately no more exciting, though no less pleasant, than an hour in the wave pool.
  11. Despicable Me 2
    The script's jumble of plot asides and family-friendly pandering is enough to make you want to root for a hero.
  12. Crystal Fairy & The Magical Cactus
    There's so much baggage involved in the kind of dilettantish games Jamie and Crystal are playing that it's a shame that the film never fully engages with these enticing issues.
    • 72 Metascore
    • 75 Critic Score
    Un Flic (re-release)
    As far as swan songs go, Jean-Pierre Melville's Un Flic is a fascinatingly garbled tune that teems with formal inconsistencies and yet still manages to carry a pained melody.
  14. The Heat
    With the film, Melissa McCarthy definitively cements her status as a legitimate comic talent, leaving her co-star stumbling behind in her wake.
  15. White House Down
    Roland Emmerich makes love of country into a thing of unabashed hokum, which bleeds through every nook of this overstuffed jumble and leaves no character untouched.
  16. Some Girl(s)
    Like most of Neil LaBute's work in the field of "emotional terrorism," the film protests that bad behavior isn't only good, but also essential to art.
  17. A Band Called Death
    The film is made impetuously watchable and disarmingly emotional by the filmmakers' strong command of docudrama and nonfiction narrative style.
  18. 100 Bloody Acres
    One sees a film called 100 Bloody Acres expecting the requisite allusions to The Texas Chainsaw Massacre, but an homage to the best scene in Melvin and Howard comes as something of a shock.
  19. Copperhead
    Ron Maxwell's film, from beginning to end, exudes all the excitement of a textbook history lesson.
  20. How to Make Money Selling Drugs
    The film employs a flashy text-and-graphics aesthetic that immediately brings to mind the satirical undercurrent of a Grand Theft Auto video game.
  21. I'm So Excited
    Pedro Almodóvar's diverting pop-art bauble firmly placing the "relief" in comic relief and the "cock" in cockpit.
  22. Museum Hours
    Jem Cohen's film finds its most salient tension in the fraught relationship between known and unknown objects.
    • 56 Metascore
    • 63 Critic Score
    The Secret Disco Revolution
    Jamie Kastner bows fully to hedonism in lieu of all the scholarly theories on disco's lasting impact--a tidy but gutless way of tying together so many disparate arguments by such disparate people.
  24. Laurence Anyways
    It takes cojones for a filmmaker to chase Fassbinder's ghost, but it takes heart and talent to damn near catch up with it.
  25. Stuck in Love
    The movie aims for an admirable balance, but fatally upsets that equilibrium in its hurried resolutions.
  26. World War Z
    The zombies twitch, leap, gnash, and destroy, but the film has all the thrill and surprise of a model U.N. summit.
  27. Unfinished Song
    Part end-of-life romance, part grossly manipulative mush, the film tries to stare grief and mortality in the face while practically shitting rainbows.
  28. Monsters University
    Unfortunate proof that the animation studio previously known for its brains is now resting a little too heavily on its nominal brawn.
  29. Kuichisan
    These myriad impressions never quite add up to anything coherent by the end, but perhaps the incoherence is precisely the point.
  30. Three Worlds
    A little too deliberately balanced in its depiction of its three leads, but it largely makes up the difference with its informed grounding in the economic and social terrain of contemporary France.
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