For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ross McIndoe
Like a well-executed heist, the film knows how to get in and get out with minimal fuss.- Slant Magazine
- Posted Aug 1, 2024
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Soi Cheang richly draws the city as both prison and refuge, where brutal exploitation sits alongside the residents’ deep sense of solidarity and cooperation.- Slant Magazine
- Posted Aug 1, 2024
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Reviewed by
Chris Barsanti
By setting up such a potentially cataclysmic scenario and not convincingly illustrating how it could be resolved or stopped from occurring in the first place, War Game undercuts the very reason it was made.- Slant Magazine
- Posted Jul 30, 2024
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Reviewed by
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- Slant Magazine
- Posted Jul 30, 2024
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Reviewed by
Rocco T. Thompson
The most consistent recurring theme across the work of the Adams family—parenthood as a siphoning off of the life giver’s vitality in a protracted, eternal cycle of decay and renewal—finds its most literal, alien expression here.- Slant Magazine
- Posted Jul 30, 2024
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Reviewed by
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Reviewed by
William Repass
The film has little to add on the subject of the interplay of politics and infectious disease, then or now.- Slant Magazine
- Posted Jul 30, 2024
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Reviewed by
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Reviewed by
Steven Scaife
The craft brought to bear on Only the River Flows is captivating, but when it comes to matters of story, it cultivates a frustrating air of disinterest.- Slant Magazine
- Posted Jul 26, 2024
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Reviewed by
Justin Clark
Deadpool & Wolverine doesn’t flinch from speaking some measure of truth to power.- Slant Magazine
- Posted Jul 23, 2024
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Reviewed by
Derek Smith
The film speaks unflinchingly to the unique anxieties and frustrations of early teenhood.- Slant Magazine
- Posted Jul 21, 2024
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Reviewed by
Jake Cole
My Spay: The Eternal City is derailed by how readily it succumbs to the ludicrousness of a plot that generates stakes that are far too heavy for the threadbare structure to support.- Slant Magazine
- Posted Jul 17, 2024
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Reviewed by
Mark Hanson
The film proceeds as a jumble of poorly sketched backstories and subplots, half-hearted topical references, and tepid fan service.- Slant Magazine
- Posted Jul 16, 2024
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Reviewed by
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Reviewed by
Steven Scaife
Chris Skotchdopole’s feature debut is a tantalizing mix of the absurd and the mundane.- Slant Magazine
- Posted Jul 16, 2024
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Reviewed by
Steven Scaife
Thanks to its expert staging, the film doesn’t lose much in the way of immediacy.- Slant Magazine
- Posted Jul 15, 2024
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- Critic Score
Ann Hui’s investment in her characters and their passions bleeds through every frame.- Slant Magazine
- Posted Jul 15, 2024
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Reviewed by
William Repass
Crossing is never less than nobly intent on showing trans people as worthy of dignity, safety, and love.- Slant Magazine
- Posted Jul 15, 2024
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Reviewed by
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Reviewed by
Jake Cole
Fly Me to the Moon’s sudden shift toward the weighty throws off the pace of what had been a formulaic but charming rom-com, as the heavy-handed look at both Cole’s and Kelly’s past demons fails to mesh cohesively with the antic silliness that preceded it.- Slant Magazine
- Posted Jul 9, 2024
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Reviewed by
Gregory Nussen
In its depiction of actors flourishing through artistic struggle, Sing Sing ultimately argues that the most effective liberation happens through the freeing of the body as well as the soul.- Slant Magazine
- Posted Jul 8, 2024
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Reviewed by
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Reviewed by
Chris Barsanti
The film lays out an impassioned case for the nearly unique greatness of Michael Powell and Emeric Pressburger’s body of work.- Slant Magazine
- Posted Jul 8, 2024
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Reviewed by
Derek Smith
All of the time spent on Thomas Munro’s various campaigns for reconciliation and harmony between two Māori tribes hampers the film, which would have been better served had it expounded on the grander conflicts that it only superficially acknowledges.- Slant Magazine
- Posted Jul 8, 2024
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Reviewed by
Marshall Shaffer
This is a sturdily constructed horror film with a foundation sneakily built on shifting sands.- Slant Magazine
- Posted Jul 7, 2024
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Reviewed by
Ross McIndoe
It’s a film of familiar pleasures, but like Harold Faltermeyer’s still infectiously enjoyable synth-pop theme, they do remain highly pleasurable.- Slant Magazine
- Posted Jul 2, 2024
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Reviewed by
Chuck Bowen
The humanity of Demi Moore’s performance, the greatest of her career, gives Coralie Fargeat’s boldest ideas an emotional backbeat.- Slant Magazine
- Posted Jul 2, 2024
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Reviewed by
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Reviewed by
Jake Cole
Carson Lund treats the power of a shared interest with profound, elegiac empathy.- Slant Magazine
- Posted Jul 2, 2024
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Reviewed by
Wes Greene
The Nature of Love engages with the stylings and bubbly tonality of the classic rom-com in ironic fashion, along the way exploring complex aspects of human behavior.- Slant Magazine
- Posted Jun 30, 2024
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Reviewed by
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Reviewed by
William Repass
Other than a sort of wistful quirkiness, it’s not clear what Mother, Couch gains by skewing away from a more straightforward, streamlined family drama.- Slant Magazine
- Posted Jun 30, 2024
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Reviewed by
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Reviewed by
Ryan Coleman
First with X, then with Pearl, and definitively with MaXXXine, West has buried his unique style and forward-thinking vision under an astroturfed surface of compulsory cinematic references and cliché cultural signifiers.- Slant Magazine
- Posted Jun 30, 2024
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Reviewed by
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Reviewed by
Ross McIndoe
Kill continually finds clever ways to defy our expectations through the particular placement of dramatic beats, surprising shifts in tone, and even just the way it keeps flipping the geography of the action.- Slant Magazine
- Posted Jun 30, 2024
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Reviewed by
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Reviewed by
Ross McIndoe
Ultimately, Richard LaGravenese’s rom-com is a little too packed with soul-searching speeches.- Slant Magazine
- Posted Jun 27, 2024
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Reviewed by
Justin Clark
Like most of this series’s best action, the big bombastic noise is often a distraction from something far more intimate, and in Day One’s case, something far more existentially beautiful.- Slant Magazine
- Posted Jun 27, 2024
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Reviewed by
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- Critic Score
The film is as tedious and predictable as its traffic-clogged Long Island Expressway setting.- Slant Magazine
- Posted Jun 27, 2024
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