Slant Magazine's Scores

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For 7,768 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,345 out of 7768
  2. Mixed: 1,490 out of 7768
  3. Negative: 1,933 out of 7768
7768 movie reviews
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  1. Blue Is the Warmest Color
    Abdellatif Kechiche reveals through his sense of composition, and collaboration with his remarkable actresses, a sensitivity to emotional nuance that's striking.
  2. The Short Game
    This window into the world of youthful competition almost entirely disposes of social awareness in favor of routine drama.
    • 60 Metascore
    • 50 Critic Score
    C.O.G.
    As an adaptation of Davis Sedaris's short essay from his acclaimed 1997 compilation, Naked, it's a letdown, as it doesn't exude the pop of the author's trademark humor.
  4. Enough Said
    Enough can't be said about how the late James Gandolfini comes so close to saving writer-director Nicole Holofcener's latest articulation of white suburban anxieties.
  5. Battle of the Year
    Remarkably, the highlight of Benson Lee's film, essentially a fiction reboot of his Planet B-Boy, isn't the scene where Chris Brown gets punched in the face.
  6. Like Father, Like Son
    The film scores all of its thematic points early, commenting intriguingly, if ultimately rather obviously, on the demands of Japanese patriarchy.
    • 62 Metascore
    • 63 Critic Score
    Newlyweeds
    Going neither in the direction of Reefer Madness nor a Cheech and Chong movie, it's both funny and serious, and its depictions of pot-smoking could be read as either promotional or cautionary.
  8. The Colony
    Greedily tries to cram every dystopian curse into one misbegotten plot, resulting in something wildly disjointed, even if its pieces arguably connect.
    • 48 Metascore
    • 38 Critic Score
    The Muslims Are Coming!
    Despite their supposedly good intentions, the comedian-filmmakers broach the doc's central subject with crass and offensive standup routines that wouldn't be out of place on the Blue Collar Comedy Tour.
    • 33 Metascore
    • 12 Critic Score
    My Lucky Star
    Yet another limp spy spoof that fails to make any interesting critiques about the genre, let alone construct a humorous gag.
    • 67 Metascore
    • 63 Critic Score
    American Promise
    The documentary's lack of a cohesive thesis may frustrate at times, but its power lies in its exposition of the mundane.
  12. Stranger by the Lake
    Alain Guiraudie's film portrays cruising as a danger-seeking and astoundingly repetitive affair, intimately linked to death itself.
  13. Ip Man: The Final Fight
    Anthony Wong does a creditable job of conveying Ip Man's reflectiveness through his twilight years, occasionally cutting through the hagiographic nature of the enterprise.
  14. Zaytoun
    It misfires in tone, depth, and political tact, dumbing down rather than providing new insights into the Israel-Palestine conflict.
  15. Prisoners
    Possibly year's most immaculate-looking drivel, a prismatically shot whodunit abundant in red herrings, but lacking in moral contemplation.
  16. Price of Gold
    While the real-time aesthetic approach sporadically enthralls, it also reveals the narrow worldview that burdens the film.
  17. Thanks for Sharing
    Is an exploration of sex addiction, in all its different manifestations, the new flavor of the week in contemporary American cinema?
  18. After Tiller
    It gives a true sense of how the forces of a hypocritically religious country has burdened countless young women with a lifetime of misplaced guilt.
  19. Herb & Dorothy 50X50
    Dorothy Vogel is less the soft-spoken housewife from the first film than a businesswoman both shrewd and mousy, and her trajectory affords the film its closest semblance to a story.
  20. 12 Years a Slave
    Steve McQueen's film practically treats Solomon Norhtup as passive observer to a litany of horrors that exist primarily for our own education.
  21. The Family
    A film whose only distinguishing characteristic is how big a mess it makes of its already meager ambitions.
  22. Insidious: Chapter 2
    A full realization of the very worst fears one could imagine when its director, James Wan, unexpectedly emerged from the torture-porn murk with its original, spiritedly directed predecessor.
  23. Mother of George
    Beautiful, poetic, and hard-hitting without the use of excessive force and deeply layered with evolving and regional nuances of feminine experience
  24. +1
    It ambitiously parodies and mourns the implications of the one coherent message that mass media manages to convey to all of its consumers in all its endlessly proliferating, ever-shifting permutations.
  25. Kill Your Darlings
    An overmatched star and a scarcity of eccentricity sink this hip-lit origin story from director John Krokidas.
  26. Don Jon
    Joseph Gordon-Levitt's directorial debut does for porn-dependence what Shame did for sex addiction by offering a surface-level look at the effects of its specific pathology on its lead male character.
  27. Mademoiselle C
    It's to Carine Roitfeld's own credit and director Fabien Constant's funky and frenetic pacing that the doc feels neither like a corporate hagiography nor like mere fashionista masturbation material.
  28. The Last Time I Saw Macao
    The essayistic remembrances provide the filmmakers with a brilliant exit strategy when the noir business has nowhere to go but in circles.
    • 70 Metascore
    • 75 Critic Score
    Informant
    It creates a useful distance between Brandon Darby and his stories that allow for us to assess them individually, reinforcing the film's suggestion that the truth is elusive.
  30. Jayne Mansfield's Car
    Billy Bob Thornton's ensemble Southern family dramedy fails to subvert its cutesy formula often enough.
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