Slant Magazine's Scores

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For 7,768 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,345 out of 7768
  2. Mixed: 1,490 out of 7768
  3. Negative: 1,933 out of 7768
7768 movie reviews
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  1. The Kill Team
    This is a rare War on Terror military exposé, one almost exclusively interested in the hearts and minds of low-ranking soldiers.
  2. Cannibal
    It keeps us at a remove that becomes telling of the filmmaker's reticence to explore whatever feelings of isolation and yearning may inform his main character's grisly compulsion.
  3. Beneath
    The film is impersonal and populated with wisps of characters who spend most of the running time wandering around in the dark yelling at one another.
  4. Alive Inside
    The doc is heartwarming, but it doesn't delve deeply into the backstories that inform the ailing patients' connection to the music that stirs their memories.
  5. Planes: Fire & Rescue
    It's not even made clear whether the machines can feel pain. But after sitting through Fire & Rescue, interminable even at a lean 83 minutes, I sincerely hope they do.
  6. Sex Tape
    By the time a blackmailing plot is introduced, the film seems to be surviving solely on the fumes of curse words and frequent shots of Jason Segal and Cameron Diaz's backsides.
  7. The Purge: Anarchy
    DeMonaco may doubly, sometimes triply, underline the story's governing theme of social power and how it's exchanged, but the rage and lucidity of these ideas resonate.
  8. Double Play: James Benning and Richard Linklater
    Between their wildly different bodies of work, a shared appeal emerges: to stop, look, listen, and consider not just what's in front of you, but also where it came from and where it might be going.
  9. Wish I Was Here
    It's hard to see the fiscal woes at the center of Zach Braff's second feature as anything more than a fashionable depiction of first-world problems.
  10. Persecuted
    There's no attempt to convince us that the world is being corrupted by people who haven't accepted the Gospel; it merely assumes we agree with that idea.
  11. Fanny
    The characters, the sets, and the scenes all exist to propagate the notion that pleasure derives from repetition and remediation.
  12. I Origins
    It treats its characters as placeholders for philosophical arguments and spends the majority of its running time trying to "solve" existential mysteries without adequately exploring them.
  13. A Five Star Life
    The director diligently keeps her heroine's ego in check, and that's awfully principled of her, but her audience may feel as if they've inadvertently booked a trip with no destination.
  14. Video Games: The Movie
    Jeremy Snead's doc comes off more as a commercial for a grand, overarching product that isn't finished being developed.
  15. Mood Indigo
    Michel Gondry bungles his adaptation of the Boris Vian novel by indulging in homespun craftwork at the expense of plot and character detail.
  16. Affluenza
    The film is like an episode of Gossip Girl that's mistaken itself for one of the great satires by Evelyn Waugh.
  17. Dawn of the Planet of the Apes
    This is a summer blockbuster contingent on grand bargains, tactical retreats, and a ferocious, inevitable shock-and-awe campaign.
  18. Made in America
    What could have been a spirited dissection of Jay-Z's optimistic enterprise is instead merely an advertisement for it.
  19. Rage
    Paco Cabezas's film is little more than a revenge relic pretending that the ethical treatise of David Cronenberg's A History of Violence never happened.
  20. Closed Curtain
    The next step in Jafar Panahi's personal cinema of captivity, a fully fictionalized, wildly bewildering work which imagines a man at war with his own creative impulse.
  21. The Empty Hours
    Aarón Fernández captures one of the most heartening elements of sex: that it doesn't always oblige our rules or expectations.
  22. Honour
    Paddy Considine's benumbed ambiguity at least works against writer-director Shan Khan's reduction of honor killings to grist for the cheapest of pulpy thrills.
  23. A Long Way Down
    An inept trifle, Pascal Chaumeil's film reduces Nick Hornby's novel of the same name to a series of smug self-help gestures.
  24. Tammy
    Ben Falcone's film is an almost plotless doodle, with low stakes made even lower thanks to the bratty passivity of its titular antiheroine.
  25. America: Imagine a World Without Her
    Beholden to the same plethora of taboos, half-truths, and outright lies traded en masse by mainstream conservatism for the last seven years.
  26. Earth to Echo
    The constant foregrounding of so much well-executed incident only works to shortchange the heroes' yearnings and anxieties.
  27. Wrinkles
    In its visionary dream and flashback sequences, the film becomes a comment on the rapidly diminished state of traditional animation.
  28. Me and You
    Not even Bernardo Bertolucci's choice of a lead actor with visible facial acne scars, in a welcome gesture toward authenticity, is enough to overcome the gaping hole of psychological nuance at the center of the film.
  29. Gabrielle
    Writer-director Louise Archambault's neatly affirmative denouement is at odds with the more uncertain reality occurring at the edges of the film's drama.
  30. Deliver Us From Evil
    A jump scare isn't just a jump scare in the films of Scott Derrickson, which isn't to say this wannabe master of horror has entirely perfected the art of sudden dread.
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