Slant Magazine's Scores

Select another publication »
For 7,769 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,345 out of 7769
  2. Mixed: 1,491 out of 7769
  3. Negative: 1,933 out of 7769
7769 movie reviews
view
per page
  1. Gangs of Wasseypur
    This insane masterpiece shows the self-destructive properties of myth making and how they overlap with the downfall of a community damned from the beginning of time.
  2. Blackhat
    Michael Mann's camera elegantly collapses the spaces between bodies and objects without sacrificing spatial coherence.
  3. Medeas
    Writer-director Andrea Pallaoro's feature-film debut isn't especially beholden to plot or dialogue, impressionistically shaping its story through pervasive silence.
  4. Joy of Man's Desiring
    A chronicle the act of labor as both a universal function of life and a spectacle in itself.
  5. Black Sea
    As much as the film is primarily a genre workout for director Kevin McDonald, the script makes room for a tough-minded, psychologically corrosive depiction of vengeance.
  6. Giuseppe Makes a Movie
    Adam Rifkin's documentary convincingly portrays the sense of community fostered by Giuseppe Andrews's crazed passion.
  7. Paddington
    The film recalls its stylistic forbears at their best: flowing with whimsy, but never at the expense of the beating heart of its human (and animal) characters.
  8. Still Life
    Its fixation on life's quotidian aspects gives way to a less imaginative focus on an inevitable and overly familiar romance.
  9. Vice
    Vice takes the basic premise from 1973's Westworld and morphs it into an incoherent slog.
  10. Loitering with Intent
    It's a comedy concerned with myopia that doesn't succumb to the self-obsessed pitfalls of that subject.
  11. Match
    Patrick Stewart's performance is practically an argument for Belber to jettison everything else and take the actor on the road as a one-man spoken-word act.
  12. Taken 3
    Empowerment porn for those who long for the Cold War's clarity of purpose and American dominance in this murky age of terror.
  13. Little Accidents
    A movingly authentic exploration of a working-class milieu and the psychological and economic trauma that ripples through a town in the wake of a tragic accident.
  14. La Última Película
    The film isn't so much about "the end of cinema" as it is about the people who abuse the medium and their subjects for their own political agenda.
  15. Something, Anything
    The film turns what at first seemingly appears as Kodak moments into a study of a soul in transition.
  16. When Evening Falls on Bucharest or Metabolism
    At once a microcosmic expression of frustration and another of auto-critique, When Evening Falls devilishly recalls and riffs on seemingly shapeless conversations between its very small ensemble of characters without succumbing to soporific navel-gazing.
  17. Farewell, Herr Schwarz
    The sobering quality that informs both the documentary's aesthetic and content largely suppresses any spontaneity or much-needed moments of levity.
  18. It's All So Quiet
    There's literally no way to miss the memo that It's All So Quiet is about dealing with the encroachment of death, as it's there in every scene.
  19. The World Made Straight
    The moody lighting and the ubiquity of deciduous trees provide a canvas for bracing drama, but the film undoes itself by its desire to impart revelatory history lessons.
  20. Preservation
    Chockablock with instances of characters not shooting, running, attacking, or sneaking away when they can or should, this thriller comes off like the world's most rigged game.
  21. Dark Summer
    The cacophony of visions, broken mirrors, and mutilations only points to the ghost in the machine respecting The Craft as its spirit animal.
    • 61 Metascore
    • 38 Critic Score
    The Taking of Tiger Mountain
    Cheery and happily empty-headed, the present-day subplot adds little but sentiment to a film shot through with cliché characters, a predictable plot, and undisguised reverence.
  23. Let's Kill Ward's Wife
    Any pretense of satire collapses by the film's midpoint, leaving only the contempt.
  24. Predestination
    The film effectively underlines the one undertaking that time-travel fantasies can never truly allow: escape from ourselves.
  25. The Woman in Black 2: Angel of Death
    The film ends up cheapening its sense of empathy in its final mad rush to subject audiences to every incarnation of the jump scare imaginable.
  26. [REC] 4: Apocalypse
    Whatever scant insight the prior films offered into Spain's waning Catholic belief has now been entirely replaced by fascist, cartoonish shows of wish-fulfillment prevarication.
  27. Li'l Quinquin
    It resembles a satirical treatise of self-reflection, functioning simultaneously as a summation of Bruno Dumont's thematic interests over the previous two decades and as a bonkers remake of Humanité.
  28. The Search for General Tso
    Director Ian Cheney doesn't delve too deeply into the possibly unsettling questions the documentary raises about society at large.
  29. The Gambler
    The filmmakers delve into a fantasyland of luxe coastal casinos and neon-lit bathhouses--as shrug-worthy a stab at picturing the contemporary black market as could be requested.
  30. Into the Woods
    This PG-rated romp is, refreshingly, less notable for its happily-ever-afters than its oh-no-they-didn'ts.
Page:

Top Trailers

See all »
See all trailers »