Slant Magazine's Scores

Select another publication »
For 7,769 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,345 out of 7769
  2. Mixed: 1,491 out of 7769
  3. Negative: 1,933 out of 7769
7769 movie reviews
view
per page
  1. The Keeping Room
    Director Daniel Barber uses a bleak and unresolved portion of American history to justify indulging typical genre-film nihilism.
  2. The Assassin
    The film carves out a rich emotional sphere concomitant to its stunning production design, finding delicate poetry in the dispassionate pursuit of revenge.
  3. Ashby
    The film displays little ability to utilize Ashby's violent actions for means other than high-concept fodder and out-of-place bloodshed.
  4. The Green Inferno
    The savagery here is rooted in retrograde myths that might have been easier to stomach had the cannibalism been positioned as a fantastical unleashing of retribution.
  5. Everest
    It feels less like an cautionary adventure movie or the classy Hollywood equivalent of a Reader's Digest "Drama in Real Life" and much more like a disaster epic.
  6. Black Mass
    Like any crime saga without a more potent thematic hook, the film's relentlessly insular script dwells on themes of loyalty and fraternity.
  7. Maze Runner: The Scorch Trials
    Every set piece brings to mind an Epcot Center attraction built from borrowed parts, geared toward reinforcing the young audience's belief that adults just don't understand them.
  8. Pawn Sacrifice
    It's best appreciated as a tragicomic profile of a man whose extraordinary talent was undermined by the farcical political reality in which he was enmeshed.
  9. Cooties
    It makes an occasionally spirited pretense of injecting the tensions of the United States's educational system into a familiar zombie-siege scenario.
  10. The Cut
    Fatih Akin falls back on convenience and contrivance to streamline the thornier specificities of his grand-scale narrative.
  11. Prophet's Prey
    One watches the film with an escalating sense of disbelief and horror, as Warren Jeffs is steadily revealed to be an even greater monster than we initially take him for.
  12. The New Girlfriend
    François Ozon is never willing to fully engage with the ridiculousness of his material, resulting in an uneasy mix of wry distance and unearned emotion.
  13. Freeheld
    The filmmakers, for better and for worse, stay out of the actresses' way, as Freeheld's artistry is so unadorned that the performances somehow feel more naked as a result.
  14. The Fool
    It takes place entirely at night, and the dingy color palette, washed-out and intentionally drab, presents Russia as an almost alien landscape.
  15. Tired Moonlight
    It's to Britni West's credit that she's yoked the film's experimental sequences with the hard reality of characters trying to figure things out.
  16. Songs from the North
    North Korean culture is lensed in part through a South Korean perspective, with the final chapter asking: “Is reunification possible?”
  17. Sicario
    Denis Villeneuve's film views life in the age of the modern-day drug war as an ever-crescendoing existential nightmare.
  18. The Perfect Guy
    It uses convention to its advantage through an intriguing play with casting choices and bizarrely effective allusions to film history.
  19. The Moving Creatures
    Caetano Gotardo's triptych of short tales features a sense of experimentation and poetic license mostly seen in European cinema.
  20. Wolf Totem
    It becomes difficult to separate the natives from their communist masters in terms of their treatment of their natural surroundings.
  21. The Visit
    When the trademark Shyamalan twist finally arrives, it doesn't synthesize anything other than the director's devotion to his signature gimmick.
  22. Home from Home: Chronicle of a Vision
    For all of its evident toil in recreating historically accurate environments and researching the precise conditions in varying regions, it has little force as a work of cinema.
  23. Sleeping with Other People
    This is exactly the kind of movie at which David Wain took aim with his sublime rom-com parody They Came Together.
  24. Meet the Patels
    In this picaresque documentary, the lightly comic musings of a likeable, somewhat nerdy Indian-American actor go surprisingly deep.
  25. Coming Home
    Coming Home is a film in which everyone's dreams are irrevocably broken, the pieces too small to grasp, let alone pick up.
  26. A Brilliant Young Mind
    The film focuses on Nathan's emotions and backstage dramas in ways that generally feel forced or inauthentic.
  27. Breathe
    Aside from the innate understanding of female friendship dynamics, it's hard to see exactly what else Mélanie Laurent brings to this overly familiar story.
  28. The Transporter Refueled
    The titular Transporter is now but a blank slate serving the characters and mayhem surrounding him, a walking metaphor for a franchise that's run out of gas.
  29. A Sinner in Mecca
    What the film lacks in narrative unity and aesthetic splendor it makes up in moral grandeur and ethical purpose.
  30. Before We Go
    The setup is so familiar that frustration sets in before the title has barely faded from view.
Page:

Top Trailers

See all »
See all trailers »