For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Eric Henderson
The film exists resolutely outside of salience and doggedly within the comfort of escapism.- Slant Magazine
- Posted Nov 17, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
The screenplay's enigmatic nature holds one's interest throughout, even as the film veers into pat moralism.- Slant Magazine
- Posted Nov 17, 2016
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Reviewed by
Elise Nakhnikian
Warren Beatty's portrayal of Howard Hughes has the overly polished feel of an anecdote that's been told too often.- Slant Magazine
- Posted Nov 16, 2016
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Reviewed by
Oleg Ivanov
Both a potent rendering of and cure for the holiday blues, Bad Santa 2 shows that even the most hopeless situations can be remedied and that just about anyone is capable of redemption- Slant Magazine
- Posted Nov 16, 2016
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Reviewed by
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Reviewed by
Clayton Dillard
The entirety of the film seems increasingly constructed around ill-begotten attempts at dark humor.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
Jesse Cataldo
Nocturnal Animals gets close to a double-barreled satirical thriller commenting on the historic rift between city and country.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
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Reviewed by
Diego Semerene
Its fatal mistake is to make up for blindness, instead of embracing it as something other than a liability.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
Chuck Bowen
The film has an artisanal intensity that prevents it from turning into a smug and predictable exercise in political revision.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
Carson Lund
Even more diverse than the film's historical material is its eccentric mash-up of styles and approaches.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
Keith Watson
For a film about such a singular profession, Life on the Line offers surprisingly little insight into linemen's day-to-day labor.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
Any initial gestures toward acknowledging Vinny Paz's macho egotism are eventually downplayed as the film becomes just another formulaic triumph-over-adversity saga.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
Clayton Dillard
A deliberately offbeat characterization of mental illness, Hunter Gatherer is ultimately a failed act of empathy.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
Keith Watson
For a film so interested in the public's malleability, The Take isn't particularly good at controlling its own audience.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
Chuck Bowen
The film has an eerily WTF arbitrariness that should be the domain of more films in the genre.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
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Reviewed by
Keith Watson
The film is most affecting in its simpler moments, particularly those revolving around food.- Slant Magazine
- Posted Nov 9, 2016
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Reviewed by
Andrew Schenker
An enormously effective piece of filmmaking, Incdendies unfolds as a series of eye-opening disclosures which Villeneuve plays as much for (admittedly enthralling) sensation as for any kind of wider-ranging inquiry, a questionable approach given the thorny nature of the material.- Slant Magazine
- Posted Nov 9, 2016
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Reviewed by
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Reviewed by
Sam C. Mac
The film's searching images counterpoint the hyper-articulate methodology of its characters' sense of imbalance and uncertainty.- Slant Magazine
- Posted Nov 8, 2016
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Reviewed by
Diego Semerene
Writer-director Tim Kirkman tries to peg depth of character on the character of Dean instead of having him earn it.- Slant Magazine
- Posted Nov 7, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
The sense of a film school student doing movie karaoke with his influences is evident throughout Dreamland.- Slant Magazine
- Posted Nov 7, 2016
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Reviewed by
Wes Greene
Aaron Paul possesses an innate everyman quality that lends itself well to writer-director Zack Whedon's film.- Slant Magazine
- Posted Nov 7, 2016
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Reviewed by
Chuck Bowen
The plaintive plain-spokenness of the interviewees, the way they matter-of-factly speak of atrocity, is transcendent and intensely haunting.- Slant Magazine
- Posted Nov 3, 2016
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Reviewed by
Jake Cole
Nothing that Marvel Studios has produced can compare to the visual splendor of Scott Derrickson's Doctor Strange.- Slant Magazine
- Posted Nov 2, 2016
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Reviewed by
Keith Watson
Slacker that it is, the film never seems willing to put in the necessary work to live up to its potential.- Slant Magazine
- Posted Nov 1, 2016
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Reviewed by
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Reviewed by
Wes Greene
Linas Phillips's contrived sense of follow-through betrays the truthfulness of his initial characterizations.- Slant Magazine
- Posted Nov 1, 2016
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Reviewed by
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Reviewed by
Keith Watson
Trolls is a flashy, pre-fab product, but the animators are given just enough space to create moments of genuine artistry.- Slant Magazine
- Posted Oct 30, 2016
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Reviewed by
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Reviewed by
Sam C. Mac
Loving finds little grooves of humanity to explore in its characters, and in its milieu, in between expected plot beats.- Slant Magazine
- Posted Oct 29, 2016
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Reviewed by
Clayton Dillard
Writer-director Anna Muylaert writes themes into excellent, controlled first acts that turn capricious by the third.- Slant Magazine
- Posted Oct 28, 2016
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Reviewed by
Jesse Cataldo
Paul Schrader's film scrambles for contemporary relevance and finds only nihilistic hollowness.- Slant Magazine
- Posted Oct 28, 2016
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Reviewed by
Christopher Gray
This is a work of defiantly simplistic, classically structured Hollywood storytelling, and Mel Gibson takes to its hokey plot points with some gusto.- Slant Magazine
- Posted Oct 28, 2016
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Reviewed by
Jake Cole
It's impossible to even laugh at Inferno given how Ron Howard reduces the material to a dull spectacle of earnest puzzle-solving.- Slant Magazine
- Posted Oct 26, 2016
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