For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Richard Scott Larson
Bill Condon's Beauty and the Beast actually delivers a remarkably optimistic balm to a festering, existential wound.- Slant Magazine
- Posted Mar 4, 2017
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Reviewed by
Chuck Bowen
Bart Freundlich alternates somewhat arbitrarily between his various plots, leaving a lot of loose ends in the process.- Slant Magazine
- Posted Mar 4, 2017
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Reviewed by
Clayton Dillard
The Institute seems constantly on the verge of dipping into spoof, though of what exactly is difficult to say.- Slant Magazine
- Posted Mar 2, 2017
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Reviewed by
Christopher Gray
Each of Table 19‘s faint glimmers of grace are overwhelmed by elements of general spatial and narrative incompetence.- Slant Magazine
- Posted Mar 1, 2017
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Reviewed by
Keith Watson
Onur Tukel attempts to connect Ashley and Veronica’s barbarity to the broader callousness of American life, but the satire is too blunt to really stick.- Slant Magazine
- Posted Feb 28, 2017
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Reviewed by
Diego Semerene
When compared to the high-stakes dramas at the center of Paris Is Burning, where sex workers dreamed of becoming supermodels, Kiki feels rather tame.- Slant Magazine
- Posted Feb 28, 2017
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Reviewed by
Ed Gonzalez
At its best, the film demonstrates that no art is more political than that which depicts the lived experience of the oppressed with accuracy, empathy, and moral clarity.- Slant Magazine
- Posted Feb 27, 2017
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Reviewed by
Chuck Bowen
The Rosses share David Byrne’s interest in the minutiae of habitats and the comforting enclosure they provide along with the discomfiting constriction of anonymity.- Slant Magazine
- Posted Feb 27, 2017
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Chuck Bowen
Writer-director Boo Junfeng casually reinvigorates the prison drama, boiling its elements down to their primal essence.- Slant Magazine
- Posted Feb 27, 2017
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Reviewed by
Derek Smith
Its main character's transformation isn't significant enough to justify her complete redemption in the eyes of those around her.- Slant Magazine
- Posted Feb 26, 2017
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Kenji Fujishima
All the film has to show for its efforts are tired platitudes about the value of altruism and living each day as it if were the last.- Slant Magazine
- Posted Feb 26, 2017
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Wes Greene
Kelly Daniela Norris and T.W. Pittman's film immediately announces itself as a modest triumph of world-building.- Slant Magazine
- Posted Feb 24, 2017
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Reviewed by
Carson Lund
The film’s default state is an ambient inertia that gestures vaguely in multiple directions without concerning itself with the hard work of constructing an argument, a convincing milieu, or even a compelling mood.- Slant Magazine
- Posted Feb 24, 2017
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Reviewed by
Keith Watson
It's difficult to begrudge a film that has the good sense to put so much stock in Ben Kingsley's hammy theatrics.- Slant Magazine
- Posted Feb 23, 2017
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Reviewed by
Jesse Cataldo
Trading on the already-resonant associations engendered by a famous face, Garrel's film responds by forging a new, deeper connection between an actress and her public, resulting in that rare moment of cinematic alchemy where the line between fact and fiction has not only blurred, but ceased to matter entirely.- Slant Magazine
- Posted Feb 23, 2017
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Reviewed by
Keith Watson
Throughout Get Out, Jordan Peele incisively probes the connection between liberal racism and good old-fashioned white supremacy.- Slant Magazine
- Posted Feb 23, 2017
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Reviewed by
Oleg Ivanov
The film is an awkward mix of swashbuckling love story and polemic, painted in very broad strokes.- Slant Magazine
- Posted Feb 21, 2017
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Diego Semerene
Like most great essay films, Paraguay Remembered is driven by associations not just with art works with which it shares a kinship, but a stream-of-conscious relationship between word and image.- Slant Magazine
- Posted Feb 20, 2017
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Reviewed by
Christopher Gray
The film circumvents bleakness with a thoroughgoing commitment to understanding and intimacy.- Slant Magazine
- Posted Feb 20, 2017
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Clayton Dillard
The film wants to have its flesh and eat it too, but even more damning is how little meat is on its bones to begin with.- Slant Magazine
- Posted Feb 19, 2017
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Reviewed by
Jake Cole
It recognizes that the thinly veiled secret of Wolverine’s loner act is that he’s always been a cog of some kind.- Slant Magazine
- Posted Feb 17, 2017
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Reviewed by
Keith Watson
This is an often beautiful film, unmistakably the work of a great director but also a clearly compromised one.- Slant Magazine
- Posted Feb 16, 2017
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Reviewed by
Keith Watson
Over-stuffed and under-conceived, Fist Fight is a clumsy mélange of clashing comedic perspectives.- Slant Magazine
- Posted Feb 16, 2017
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Reviewed by
Chuck Bowen
These shorts follow female protagonists as they wrestle with exclusion and implicit social standards that may or may not extend to their male counterparts.- Slant Magazine
- Posted Feb 14, 2017
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Reviewed by
Christopher Gray
Land of Mine's fitful jolts of suspense can't compensate for the story's wholly familiar trajectory.- Slant Magazine
- Posted Feb 13, 2017
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Reviewed by
Chuck Bowen
Bits of editorializing dialogue throughout James Franco's In Dubious Battle suggest the resonant film that might’ve been.- Slant Magazine
- Posted Feb 13, 2017
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Reviewed by
Clayton Dillard
So Yong Kim's film ultimately manages a convincing articulation of friendship between women.- Slant Magazine
- Posted Feb 13, 2017
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Reviewed by
Christopher Gray
Fifty Shades Darker takes the Dark Knight approach to franchise maintenance, taking pains to assure you that its protagonists are serious about their passions.- Slant Magazine
- Posted Feb 9, 2017
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Reviewed by
Jake Cole
John Wick: Chapter 2 remarkably balances its predecessor’s spartan characterizations and plotting with a significant expansion of scale.- Slant Magazine
- Posted Feb 8, 2017
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Reviewed by
Carson Lund
Most gratifying throughout A Cure for Wellness is the moment-to-moment anticipation of where Gore Verbinski will put his camera next.- Slant Magazine
- Posted Feb 7, 2017
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