For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Christopher Gray
Dan Stevens navigates the film’s literal and thematic alleyways with the same enthusiastic befuddlement that convinced many to soldier through Legion‘s more impenetrable stretches.- Slant Magazine
- Posted Jun 11, 2017
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Reviewed by
Kenji Fujishima
Paisley and McGuinness's intellectual back and forth is rendered so compellingly that one wishes the filmmakers didn’t feel a need to resort to a surfeit of momentum-killing plot contrivances.- Slant Magazine
- Posted Jun 11, 2017
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Reviewed by
Derek Smith
Like Lisa and Kate’s pendular swings between hope and despair, Johannes Roberts’s film can’t help alternating between the genuinely terrifying and the just plain dumb.- Slant Magazine
- Posted Jun 11, 2017
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Reviewed by
Keith Watson
After a while, the enigmatic nature of Rachel Weisz's character starts to feel less like an enticing mystery than a narrative trick.- Slant Magazine
- Posted Jun 7, 2017
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Reviewed by
Chuck Bowen
One may wonder if Night School's most revealing material has been left on the cutting room floor, so as to offer the sort of uplift that inadvertently marginalizes the very inequalities that drive the film.- Slant Magazine
- Posted Jun 7, 2017
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Reviewed by
Jake Cole
Too much is at stake throughout, leading to formulaic plot filler and exposition that snuff out the spark of the early scenes.- Slant Magazine
- Posted Jun 7, 2017
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Reviewed by
Chuck Bowen
Throughout, direcgor Bill Morrison mixes documentarian detail with an ecstatic sense of poetry.- Slant Magazine
- Posted Jun 6, 2017
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Reviewed by
Carson Lund
Fiona Tan’s comprehensive project discriminates against no particular era or pedigree of imagery.- Slant Magazine
- Posted Jun 6, 2017
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Reviewed by
Keith Watson
Sam Elliott’s calmly affecting performance is overwhelmed by a doggedly conventional screenplay that often plays like end-of-life wish-fulfillment fantasy.- Slant Magazine
- Posted Jun 5, 2017
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Reviewed by
Clayton Dillard
The documentary mistakes its access to quotidian behaviors as evidence of the need for comprehensive educational and financial reform.- Slant Magazine
- Posted Jun 5, 2017
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Reviewed by
Christopher Gray
The film’s minimalism is rigorous, but its every moment of barebones craftsmanship is accompanied by plodding drama and an unsustainable heap of unanswered questions.- Slant Magazine
- Posted Jun 4, 2017
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Reviewed by
Derek Smith
The Hunter’s Prayer packs its brisk 85 minutes with an impressive array of car chases, gun fights, hand-to-hand combat, and foot pursuits, all cut with a precision and an economy that heightens the impact of every hit.- Slant Magazine
- Posted Jun 4, 2017
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Reviewed by
Henry Stewart
The filmmaker has a bad habit of dropping the psychological inquiries to dully go through the genre motions.- Slant Magazine
- Posted Jun 2, 2017
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Reviewed by
Christopher Gray
Despite its gestures toward nuance, the very broadness of the dichotomies in the film prove to be its undoing.- Slant Magazine
- Posted Jun 1, 2017
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Reviewed by
Keith Watson
The film is packed with mirthful pranksterism, a vigorous anti-authoritarian streak, and literal potty humor.- Slant Magazine
- Posted Jun 1, 2017
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Reviewed by
Chuck Bowen
The film simplifies Winston Churchill's legacy for the dubious purposes of narrative momentum and emotional lift.- Slant Magazine
- Posted Jun 1, 2017
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Reviewed by
Keith Watson
Wonder Woman is a strong, at times even rousing, application of the superhero film formula, but it ultimately can’t transcend the constraints of the genre.- Slant Magazine
- Posted May 31, 2017
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Reviewed by
Chuck Bowen
Errol Morris films Dorfman and her work with a rapt attentiveness that maps the nostalgic and regretful stirrings of her soul.- Slant Magazine
- Posted May 30, 2017
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Reviewed by
Kenji Fujishima
Everyone here, from fellow marines to Iraqis, is merely a supporting player in Megan Leavey's emotional journey.- Slant Magazine
- Posted May 30, 2017
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Reviewed by
Wes Greene
At its most honest, the film wrestles with the reluctance or unwillingness of women to fulfill ostensibly requisite roles.- Slant Magazine
- Posted May 29, 2017
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Reviewed by
Kenji Fujishima
One has to wade through a lot of eye-rolling comic marginalia to get to the film's pained beating heart.- Slant Magazine
- Posted May 29, 2017
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Reviewed by
Peter Goldberg
Its improbable story gives breath to the burden of fate on those living with a past unreconciled.- Slant Magazine
- Posted May 29, 2017
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Reviewed by
Derek Smith
Its gory conclusion is presented with an ostentatious grandiosity that the rest of the film simply doesn’t justify.- Slant Magazine
- Posted May 28, 2017
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Reviewed by
Christopher Gray
David Leveaux's film cannily incorporates elements of spycraft and sheer trash into a familiar formula.- Slant Magazine
- Posted May 28, 2017
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Reviewed by
Carson Lund
It may be Piñeiro’s most inspired and thrilling work to date, exhaustive in its means of keeping the viewer off balance and yet rich in its emotional implications.- Slant Magazine
- Posted May 25, 2017
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Reviewed by
Keith Watson
Adios may deepen our understanding of these musicians and their world, but it never quite stands on its own.- Slant Magazine
- Posted May 25, 2017
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Reviewed by
Jake Cole
Johnny Depp’s perfunctory gestures and flailing pratfalls befit a film that brings the franchise’s theme-park roots full circle.- Slant Magazine
- Posted May 24, 2017
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Reviewed by
Chuck Bowen
Writer-director David Michôd's film renders existential crises of American entitlement dull and tedious.- Slant Magazine
- Posted May 23, 2017
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Reviewed by
Derek Smith
Its incoherent turn of events attempts to stupefy us into mistaking its deeply flawed internal logic for ingenuity.- Slant Magazine
- Posted May 23, 2017
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Reviewed by
Keith Watson
In terms of body objectification, Baywatch is an equal-opportunity exploiter, but when it comes to comedy, it's a total boys' club.- Slant Magazine
- Posted May 23, 2017
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