For 7,772 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,346 out of 7772
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Mixed: 1,493 out of 7772
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Negative: 1,933 out of 7772
7772
movie
reviews
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Reviewed by
Jaime N. Christley
Some accuse the director of succumbing to sentimentality, but he’s never less sublime than when he reaches for ridiculous, grandiose highs in romance, coincidence, and naked emotion.- Slant Magazine
- Posted Jun 24, 2025
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Reviewed by
Jesse Cataldo
Formally ostentatious and unrepentantly messy, the film manages to implicitly convey the overdriven, coked-up confusion that many '70s period pieces make painfully overt.- Slant Magazine
- Posted Dec 4, 2013
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Reviewed by
Chuck Bowen
Martin Scorsese captures the exquisite agony and pleasure of passion that’s forced to remain theoretical.- Slant Magazine
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Diego Semerene
While Ulrike Ottinger accesses the most consequential of decades through nostalgia, she does so with humility.- Slant Magazine
- Posted Apr 21, 2021
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Reviewed by
Derek Smith
Arie and Chuko Esiri’s film is understated in its attunement to the challenges of trying to escape a stagnant existence.- Slant Magazine
- Posted Jul 19, 2021
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Clayton Dillard
If it ultimately can't reconcile all that's presented in its too-brief runtime, that's largely because its situation, much like the dissonance between those involved, is comprehensibly irresolvable.- Slant Magazine
- Posted Oct 5, 2014
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Reviewed by
Chris Cabin
The thrill of watching Fletcher and Neyman's fray unfold is intensified by Damien Chazelle's attention to the craft and challenge of musicianship.- Slant Magazine
- Posted Sep 16, 2014
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Reviewed by
Joseph Jon Lanthier
America exploded in the ’60s; Two-Lane Blacktop is the post-apocalyptic road trip.- Slant Magazine
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- Critic Score
Throughout, the remaining participants take stock of private and career successes as well as perceived failures.- Slant Magazine
- Posted Nov 22, 2019
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Reviewed by
Chuck Bowen
Zack and Keire's stunts are action scenes that are imbued with the gravity of the participants' youth, revelry, and need to prove themselves.- Slant Magazine
- Posted Aug 14, 2018
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Reviewed by
Ed Gonzalez
The Dardennes believe in human value and social order being rooted in a sense of solidarity, a staggering consciousness of community that brims with a sensitivity to place, movement, and emotion.- Slant Magazine
- Posted Sep 21, 2014
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Reviewed by
Keith Uhlich
Killers of the Flower Moon is a three-hander on an epic canvas, a corrosive analysis of America’s colonialist and capitalist excesses as refracted through a marital melodrama in the vein of George Cukor’s Gaslight or Alfred Hitchcock’s Suspicion.- Slant Magazine
- Posted Oct 13, 2023
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Reviewed by
James Lattimer
In the style of an ambling, yet entirely focused visitor, the film continually circles back to pictures, protagonists, and situations to furnish them with new meanings, alter their perception, or even directly challenge their previous presentation.- Slant Magazine
- Posted Nov 2, 2014
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Reviewed by
Joseph Jon Lanthier
Garfield’s likably unlikable protagonist provides Force of Evil with a semblance of cohesiveness, even if the film often feels like the product of dueling fetishes and pet symbols.- Slant Magazine
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Reviewed by
Eric Henderson
White Heat’s ultimate message: love’s a bitch…even crypto-incestuous love.- Slant Magazine
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- Critic Score
Kurosawa most often did his finest work when combining his idiosyncratic and popular sensibilities into humane, broadly accessible entertainments; it just so happens that The Hidden Fortress remains more unabashedly entertaining than most.- Slant Magazine
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Reviewed by
Diego Semerene
This is a film that isn’t afraid to inhabit the maddening ambivalence of pleasure, recognizing that desire simply doesn’t recognize good manners.- Slant Magazine
- Posted Sep 19, 2016
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Reviewed by
Glenn Heath Jr.
This insane masterpiece shows the self-destructive properties of myth making and how they overlap with the downfall of a community damned from the beginning of time.- Slant Magazine
- Posted Jan 13, 2015
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- Critic Score
Lee foregoes useless speechifying, opting instead to create an epic document of New Orleans’s struggle, death, abandonment and subsequent reconstruction (a requiem in four acts) that should prove instructive for years to come, if not in facts than for its emotional scope: an up-close, deeply empathetic and soulful journey through the stories that make up this catastrophe.- Slant Magazine
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Reviewed by
Pat Brown
The film’s orderliness of plot somewhat undermines the sense that the family at its center is steeped in a truly messy situation.- Slant Magazine
- Posted Dec 6, 2020
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Reviewed by
Pat Brown
The film taps into universal truths about the passage of time, the inevitability of loss, and how we prepare one another for it.- Slant Magazine
- Posted Jul 12, 2019
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Reviewed by
Marshall Shaffer
Marty Supreme rapturously reprises a siren song that transcends any single American era, beckoning hustlers to heed its call.- Slant Magazine
- Posted Dec 1, 2025
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Reviewed by
Elise Nakhnikian
The soft colors, graceful movements, and clean lines together embody the ineffable beauty of life on Earth that is one of the film's main themes.- Slant Magazine
- Posted Oct 14, 2014
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Reviewed by
Nick Schager
Errol Flynn’s wicked, wicked charm helps keep this high seas adventure afloat.- Slant Magazine
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Reviewed by
Diego Semerene
In Great Freedom, the question of love is refreshingly never too far from bodily intimacy, irrespective of what kind of love that is.- Slant Magazine
- Posted Mar 1, 2022
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Reviewed by
Bill Weber
Despite A Star Is Born’s musty jabs at movieland decadence in the wake of satires like Sunset Blvd. and The Bad and the Beautiful, it was the craft found in Cukor’s alternately splashy and shadowy mise-en-scène, and displayed by Mr. James Mason, that most greatly aided Mrs. Sid Luft.- Slant Magazine
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- Critic Score
Without overlooking It’s a Wonderful Life‘s lapses into populist bathos, it’s necessary to rescue the Frank Capra film from its status as an untouchable American “classic.”- Slant Magazine
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Reviewed by
James Lattimer
Christian Petzold never luxuriates in all this film history, but rather channels the artifice and affect it embodies into new insights.- Slant Magazine
- Posted Jul 19, 2015
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- Critic Score
The film bluntly puts its historical horrors on display, but it’s careful not to explicitly posit their causes.- Slant Magazine
- Posted Sep 5, 2025
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Reviewed by
Keith Watson
By the time the credits roll on the film, we realize we’ve been watching not so much a sketch of the lives of farm animals as a threnody for their deaths.- Slant Magazine
- Posted Sep 14, 2020
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