Slant Magazine's Scores

For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7772 movie reviews
  1. Think Michael Mann’s Heat but in East Africa and with real-world stakes.
  2. Jessica Hausner confidently expresses a thorny and disturbing theme, though perhaps with too much confidence.
  3. The most thrilling and haunting details here are actively undermined by the chief technical gimmick of the film.
    • 91 Metascore
    • 63 Critic Score
    Individual scenes are set to the rhythm of the young women’s conversations, which at times approach Gilmore Girls-level warp speed.
  4. Its sensitivity to how something as seemingly ordinary as food can have an immense emotional impact is consistently and unobtrusively profound.
  5. For a spell, Melina Matsoukas’s film exudes the concision of an old B movie.
    • 89 Metascore
    • 88 Critic Score
    Throughout, the remaining participants take stock of private and career successes as well as perceived failures.
  6. It’s difficult to imagine a worse time to release Brian Kirk’s 21 Bridges than the present.
  7. Marielle Heller takes a script that many filmmakers would turn into cringe-inducing treacle and interrogates the sentimental trappings.
  8. Woke Disney, trying to navigate a tricky representational path, steps all over itself throughout.
  9. Kim Longinotto is so eager to celebrate her hero that she also glides past thornier portions of Letizia Battaglia’s life.
  10. An airport novel of a movie, Bill Condon’s The Good Liar is efficient and consumable, if a bit hollow.
    • 73 Metascore
    • 63 Critic Score
    Todd Haynes’s film intermittently hits upon a few original ways of representing its ripped-from-the-headlines mandate.
    • 75 Metascore
    • 88 Critic Score
    This kid flick is just plain smart, packed full of imagination and surprise.
    • 52 Metascore
    • 38 Critic Score
    All the feminist virtue-signaling in the world can’t conceal the film’s creative conservatism.
  11. The documentary represents a city ground down by inequality and division, where millions of selves who have by and large given up on one another.
  12. It focuses equally on moments of shared connection and incidental loss until the two feel indistinguishable.
  13. In the end, it can’t help but sentimentalize the better angels that supposedly reside in the land of liberty’s flawed human fabric.
  14. Clarke works hard to make the messy, perpetually flustered Kate relatable, but the film surrounds the character with a community as kitschy and false as the trinkets she sells in Santa’s shop.
  15. In the film, the Battle of Midway suggests something out of a photorealistic animated film.
  16. Sergio Pablos’s film is essentially a metaphor for its own unique and refreshing mode of expression.
  17. If only the film made more of the curious tension between Timothée Chalamet’s Henry and Robert Pattinson’s dauphin.
  18. The film too often suggests an Under Siege that’s been pointlessly larded with critters from Jumanji.
  19. The film confirms that the ruthless knack of the wealthy and powerful to remain so is a universal impulse.
  20. Matthew Barney re-instills nature with some of the mystic aura that modernity, with its technologies and techniques of knowledge, has robbed it of.
  21. Like a traumatized psyche, it remains uncomfortably stuck in the past, replaying familiar events in an effort to empty them of terror.
  22. Only in focusing so thoroughly on the normal does Paul Harrill’s film stumble upon the paranormal.
  23. Viewed charitably, Logan Marshall-Green’s sketchy protagonist and vague atmosphere are meant to achieve the effect of a parable.
  24. Graham Swon undermines our expectations of horror-movie conceits, attempting to tap the primordial manna of oral storytelling.
  25. The film feels rather like listening to the arsonist calmly explain why he set the fire as we continue to watch it rage.

Top Trailers