Slant Magazine's Scores

For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7772 movie reviews
  1. Like Hitchcock, De Palma reveals himself to be guided by an unusual mixture of intuition and intellectualization.
  2. His Three Daughters sneaks up on you, for as chatty, monologue-forward as Jacobs’s screenplay may be, it conveys so much through absence and suggestion.
  3. As star-crossed lovers resolve to battle their demons rather than surrender, this at times intensely creepy horror tale reveals itself to also be a potent and poignant teen romance.
  4. Custody is concerned with the failure of process to discern human need and perversion, and Xavier Legrand rather ironically follows in the footsteps of bureaucracy by reducing people to statistics.
  5. The film's horror is spookily and movingly expressive of the tenuous position of women in 1980s Iran.
  6. Its utter indulgence in esoterica paradoxically leaves it most vulnerable to the beating heart of this great artist of self-therapy.
  7. The fact that people don’t talk like this in real life isn’t a flaw in the film: It’s a tragic social deficiency.
  8. Chaitanya Tamhane gives full dimension to the rich, complex, and sometimes contradictory nature of the relationship between disciple and guru.
  9. Director Mike Nichols exploits rather than interrogates Ben’s anxieties, so that his ennui is reducible to his accomplishments, which keep getting repeated by the adults as badges of vicarious honor. Nichols also plays Ben’s socially awkward tics for laughs, whether Ben’s literally whimpering in Mrs. Robinson’s presence or in a cold sweat as he arranges what appears to be his first sexual encounter.
  10. Childhood in Peter Lataster and Petra Lataster-Czisch's documentary is the terrain of contradiction and ambiguity.
  11. A wealth of contrasting stimulation gives the film a singular and intimate atmosphere, in which scenes can last little eternities while still leaving you feeling as if you’re struggling to keep up with a stream of secrets and in-jokes.
  12. Even if Hayao Miyazaki's career is complete, a work like this serves to remind us of the shining beacons he's left behind him, the testaments to pursuing beauty in the face of so much ugliness, themselves lasting reminders of the quiet rewards of determination.
  13. A comedy about the migrant crisis is more daring than a coming-of-age story, and Limbo, wanting it both ways, dilutes its best instincts with sops to formula.
  14. It’s in certain characters’ trajectories that the Ross brothers locate the tragic soul of the bar.
  15. While most Pixar films pride themselves on presenting rich, fantastical responses to real-world wonderings, Soul keeps conjuring up visions that don’t correspond precisely enough to anything in the real world.
  16. The sense of repetition that the film leans into in order to acknowledge the inescapable grip of the state is as much a feature as it is a bug.
  17. It evolves into an intimate reverie on family and aesthetics, while remaining sporadically attuned to the reflexive and ethical dimensions of ethnographic discovery.
  18. The film's rough-hewn naturalism belies an exquisite sense of pace and a sneaky breed of gallows humor.
  19. Inherent to director Theo Anthony's misappropriation of the essay form is a conflicting account of precisely which history his documentary seeks to investigate.
  20. Geeta Gandbhir’s trenchant documentary takes incendiary material and aims it at a larger target.
  21. In its depiction of actors flourishing through artistic struggle, Sing Sing ultimately argues that the most effective liberation happens through the freeing of the body as well as the soul.
  22. At its core, 20 Days in Mariupol is a testament to the citizens of Mariupol.
  23. After a first hour that may well hit Zoomers and their millennial parents in the feels, Turning Red gradually runs out of steam.
  24. The material realities of being a woman in Chad are expressed with profound sympathy in Mahamat-Saleh Haroun’s film.
    • 83 Metascore
    • 88 Critic Score
    Elegiac and yet ruefully funny, Hal Ashby’s Being There is at once a profoundly philosophical fable about how we become truly human only in the face of our ineluctable mortality, as well as an incensed satire intent on skewering the mass media’s unhealthy sway among the corridors of wealth and power.
  25. Sergei Loznitsa continues to mine the archives for what amount to living documents of a past that, as is all too clear, reverberate into the present with devastating force.
  26. '71
    It distinguishes itself from Pual Greengrass's films by virtue of its close attention to political and moral ambiguities.
  27. Its depiction of the perpetual terror of living in a war zone will stick with viewers long after The Cave’s doctors have left Ghouta.
  28. The Frankensteinian rebellion of orcas against their corporate captors turns this doc into a sort of showbiz horror film.
  29. The Guilty is a taut chamber thriller dominated by the flinty yet highly emotive visage of actor Jakob Cedergren.

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