For 7,786 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,357 out of 7786
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Mixed: 1,495 out of 7786
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Negative: 1,934 out of 7786
7786
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Clayton Dillard
Alex Gibney uses archival and Broadway footage so seamlessly that telling the difference between reality and recreation becomes not only difficult, but one of the film's central metaphors.- Slant Magazine
- Posted Jul 28, 2014
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Reviewed by
Carson Lund
Never once does it project an intuitive understanding of how humans would behave or react in the midst of such a shattering misfortune.- Slant Magazine
- Posted Jul 28, 2014
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Reviewed by
Bill Weber
The result isn't drama so much as a waking nightmare of play-acting and predestined doom.- Slant Magazine
- Posted Jul 27, 2014
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Reviewed by
Chuck Bowen
Joe Swanberg's films have grown into a reliable relief from the competitive, dehumanizing freneticism of much of American culture, marked by an affirming and understated sense of decency.- Slant Magazine
- Posted Jul 27, 2014
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Reviewed by
R. Kurt Osenlund
James Franco's general aesthetic is ugly and ambling, not so much because of its brownish-gray monochrome, but because it registers like the jerky result of a college kid wielding a DV cam.- Slant Magazine
- Posted Jul 27, 2014
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Reviewed by
Chuck Bowen
This is less a movie than a dutiful renewal of a recognizable title's licensing rights.- Slant Magazine
- Posted Jul 27, 2014
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Reviewed by
Nick Prigge
Falls back on the trappings of the film's innumerable teenage gross-out forefathers with tiresome vulgarity and rote misunderstandings in place of genuine insight.- Slant Magazine
- Posted Jul 27, 2014
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Reviewed by
Rob Humanick
The film fluctuates haphazardly between semi-serious reverence and tongue-in-cheek camp, with no shortage of opportunities for the inevitable Rifftrax accompaniment.- Slant Magazine
- Posted Jul 26, 2014
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Reviewed by
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- Critic Score
Breillat's scripting of Maud as fatally distant from her family, willfully independent, but more believably abandoned, is haunting.- Slant Magazine
- Posted Jul 24, 2014
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Reviewed by
Abhimanyu Das
Vulgar auteurist Luc Besson finally commits wholeheartedly to his decades-long preoccupation with waifish young women discovering their inner Shiva, spinning the concept out to its most delirious possible extremes.- Slant Magazine
- Posted Jul 23, 2014
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Reviewed by
David Lee Dallas
A film of obvious characterizations and even more obvious plot machinations that render its moment-to-moment charms moot.- Slant Magazine
- Posted Jul 21, 2014
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Reviewed by
Eric Henderson
Just as Michael Douglas doesn't have it in his guts to make Oren a real son of a bitch (a grandpa Gekko), Diane Keaton's jangled neurotic tics lack any dramatic import.- Slant Magazine
- Posted Jul 21, 2014
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Reviewed by
Chuck Bowen
Jonathan Demme makes loving sport of the trust his actors have clearly placed in him, erecting for them a monument to the joys and terrors of walking an emotional high wire.- Slant Magazine
- Posted Jul 21, 2014
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Reviewed by
Wes Greene
It offers a realistic portrayal of Momo's emotional state, but this comes at the expense of a deeper exploration into both the story's lush supernatural landscape and its inhabitants.- Slant Magazine
- Posted Jul 21, 2014
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Reviewed by
Jesse Cataldo
Anton Corbijn constructs a stifling world of shadowy surveillance and intersecting national interests, building on John Le Carré's sense of moral and emotional exhaustion.- Slant Magazine
- Posted Jul 21, 2014
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Reviewed by
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Reviewed by
Clayton Dillard
Most disheartening is how the female leads aren't given ample space to develop as dynamic characters beyond the most urgent confines of the script's scenarios.- Slant Magazine
- Posted Jul 20, 2014
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Reviewed by
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Reviewed by
Christopher Gray
This is a rare War on Terror military exposé, one almost exclusively interested in the hearts and minds of low-ranking soldiers.- Slant Magazine
- Posted Jul 20, 2014
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Reviewed by
Ed Gonzalez
It keeps us at a remove that becomes telling of the filmmaker's reticence to explore whatever feelings of isolation and yearning may inform his main character's grisly compulsion.- Slant Magazine
- Posted Jul 20, 2014
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Reviewed by
Chuck Bowen
The film is impersonal and populated with wisps of characters who spend most of the running time wandering around in the dark yelling at one another.- Slant Magazine
- Posted Jul 20, 2014
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Reviewed by
Nick McCarthy
The doc is heartwarming, but it doesn't delve deeply into the backstories that inform the ailing patients' connection to the music that stirs their memories.- Slant Magazine
- Posted Jul 17, 2014
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Reviewed by
Eric Henderson
It's not even made clear whether the machines can feel pain. But after sitting through Fire & Rescue, interminable even at a lean 83 minutes, I sincerely hope they do.- Slant Magazine
- Posted Jul 17, 2014
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Reviewed by
Chris Cabin
By the time a blackmailing plot is introduced, the film seems to be surviving solely on the fumes of curse words and frequent shots of Jason Segal and Cameron Diaz's backsides.- Slant Magazine
- Posted Jul 17, 2014
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Reviewed by
Ed Gonzalez
DeMonaco may doubly, sometimes triply, underline the story's governing theme of social power and how it's exchanged, but the rage and lucidity of these ideas resonate.- Slant Magazine
- Posted Jul 16, 2014
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Reviewed by
Steve Macfarlane
Between their wildly different bodies of work, a shared appeal emerges: to stop, look, listen, and consider not just what's in front of you, but also where it came from and where it might be going.- Slant Magazine
- Posted Jul 15, 2014
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Reviewed by
Chris Cabin
It's hard to see the fiscal woes at the center of Zach Braff's second feature as anything more than a fashionable depiction of first-world problems.- Slant Magazine
- Posted Jul 14, 2014
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Reviewed by
Tomas Hachard
There's no attempt to convince us that the world is being corrupted by people who haven't accepted the Gospel; it merely assumes we agree with that idea.- Slant Magazine
- Posted Jul 14, 2014
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Reviewed by
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Reviewed by
Clayton Dillard
The characters, the sets, and the scenes all exist to propagate the notion that pleasure derives from repetition and remediation.- Slant Magazine
- Posted Jul 14, 2014
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Reviewed by
David Lee Dallas
It treats its characters as placeholders for philosophical arguments and spends the majority of its running time trying to "solve" existential mysteries without adequately exploring them.- Slant Magazine
- Posted Jul 14, 2014
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Reviewed by
Chuck Bowen
The director diligently keeps her heroine's ego in check, and that's awfully principled of her, but her audience may feel as if they've inadvertently booked a trip with no destination.- Slant Magazine
- Posted Jul 14, 2014
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Reviewed by
Justin Clark
Jeremy Snead's doc comes off more as a commercial for a grand, overarching product that isn't finished being developed.- Slant Magazine
- Posted Jul 13, 2014
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