Slant Magazine's Scores

For 7,792 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7792 movie reviews
    • 74 Metascore
    • 63 Critic Score
    Robinson Devor is less interested in reconciling Sara Jane Moore’s contradictory allegiances than in exposing how they were formed.
  1. Ash
    Flying Lotus and his collaborators give Ash enough visual flair to occasionally transcend such limitations as forgettable characters with fuzzy motivations.
  2. Dream Team’s absurdist brand flirts with an art-for-art’s-sake disengagement: the meaningless void as light entertainment, yet another opportunity for burying our heads in the sand.
  3. Heart Eyes is a slasher movie first, and a gnarly one at that, with some imaginative, seat-shiftingly gruesome kills, and some particularly ominous set pieces.
    • 70 Metascore
    • 63 Critic Score
    The film trenchantly satirizes 21st-century romance while delivering the gory genre goods.
  4. The film provides Paul W.S. Anderson with a sturdy canvas for his unique brand of gaudy, campy cool.
  5. Rithy Panh’s film is hard-hitting yet illusive, much like the story its characters are hunting.
  6. We’re used to heroes who can take a licking and keep on ticking, but Novocaine takes action-movie invulnerability to brutal comic extremes.
  7. Terry Masear’s experience as a victim of childhood abuse is succinctly and broadly addressed, underscoring a largely unspoken meta-narrative about the necessity of compassion and forgiveness.
  8. Sex
    The film’s microcosm of dysfunction is convincing for how it depicts an ongoing, even never-ending, struggle to define oneself.
  9. The film is far from original, but it successfully translates game logic to the big screen.
  10. Sexy, scary, and occasionally clumsy, Carmen Emmi’s feature-length directorial debut, Plainclothes, is an anxious and unabashed gay drama about social repression and its impacts.
  11. Love, Brooklyn, especially its loftier ideas, might have benefited from more of a satirical bite.
  12. The film’s mythologizing is refreshingly measured, and it offers an appealingly earnest take on the American story.
  13. By forcing us to identify with its largely comatose protagonist, By Design arouses resentment in order to shake us out of torpor.
  14. Evan Twohy’s attempt to smuggle some sincerity into this largely absurdist tale shows that he isn’t especially committed to coherence.
    • 54 Metascore
    • 63 Critic Score
    Luz
    It’s in the VR world that the film best conveys its themes of modern intimacy and alienation.
  15. The film is a resonant depiction of the gaping holes left by Jeff Buckley’s untimely death.
  16. That Together treats its body horror as just another wrinkle in the complexities of what it means to love someone else is writer-director Michael Shanks’s smartest move.
  17. The can-do spirit of Dead Lover, as evidenced by the way it couples goofy sound effects with cuts and camera movements, takes it a long way.
  18. More than anything, this twisty dystopian thriller commits to the jittery anxiety of doomscrolling.
  19. This hybridized essay film embodies the complications and contradictions inherent within Black history—complete with all its erasures and variances.
  20. The story’s boilerplate setup gets a noticeable lift thanks to Darren Aronofsky’s style and focus.
  21. Bloodlines finds frights and fun alike in a string of gory kills.
  22. The first film was divided against itself—half a typically broad Paul Feig comedy, half imitation Gone Girl—and the sequel doesn’t fare much better as a genuine thriller.
  23. It presents all the complex and seemingly contradictory emotions of a forced life on the road.
  24. McVeigh’s ominous atmosphere is omnipresent, clinging to Timothy like a dog to a bone.
  25. If the frames of Lou’s previous work suggested that reality was something that could be unlocked and unfurled, An Unfinished Film’s presentation of reality as it basically was unfortunately gives the filmmaker, and the audience, little to discover.
    • tbd Metascore
    • 63 Critic Score
    As with a traditional documentary, The Klezmer Project is affected by forces outside the filmmakers’ control.
  26. The careful balance of “stupid and clever” that solidified the legend of the first film is less steady in its much-belated sequel.

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