For 7,792 reviews, this publication has graded:
-
33% higher than the average critic
-
3% same as the average critic
-
64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
-
Positive: 4,362 out of 7792
-
Mixed: 1,496 out of 7792
-
Negative: 1,934 out of 7792
7792
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Chris Barsanti
These are desperate times, but if Jon Stewart wants to tack toward a more Frank Capra vein, that’s just fine. We already have one Adam McKay.- Slant Magazine
- Posted Jun 23, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Dan Rubins
Steven Spielberg's West Side Story is at its best when it zooms in and settles down into character study.- Slant Magazine
- Posted Dec 2, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Steven Scaife
The film has an exciting, lived-in quality that elevates what are otherwise some markedly unsteady attempts at horror.- Slant Magazine
- Posted Oct 19, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Pat Brown
The film’s orderliness of plot somewhat undermines the sense that the family at its center is steeped in a truly messy situation.- Slant Magazine
- Posted Dec 6, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Carson Lund
The film’s reminder of the fragility of agrarian traditions in the face of a merciless profit motive is delivered with tact and subtlety.- Slant Magazine
- Posted Sep 17, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Steven Scaife
The film heralds the arrival a bold and formidable voice in horror cinema.- Slant Magazine
- Posted Jul 7, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
William Repass
More than effective in visualizing its protagonist’s disorientated state of mind, the camerawork may leave viewers feeling like they just stepped off of a merry-go-round.- Slant Magazine
- Posted Sep 20, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Pat Brown
The film justly draws attention to the perpetual work that must go into preserving democratic institutions.- Slant Magazine
- Posted Jul 27, 2020
- Read full review
-
Reviewed by
-
- Critic Score
In the end, Verhoeven’s greatest irony, and the often pedestrian narrative’s most brilliant stroke, isn’t to decide in favor or against Martin. He’s of a piece with his nature, and he leaves the story as he entered it: unchanged and unbowed by the carnage he’s both witness to and agent of- Slant Magazine
- Read full review
-
-
Reviewed by
Keith Watson
A methodical, if largely allegorical, exploration of its main character’s psyche, the film smooths out the enduring mysteries, opaque psychology, and narrative idiosyncrasies of its source material.- Slant Magazine
- Posted Jul 28, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Chris Barsanti
The film functions as a handsomely mounted biopic that tells a little-known story with considerable passion.- Slant Magazine
- Posted Mar 21, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
Dolls is still ultimately minor-key Gordon, exhibiting nowhere near the level of ambition or invention of many of his hot-house splatter classics, but it has been rendered with an artisanal level of craftsmanship that distinguishes it as an almost-hidden horror gem, ready for rediscovery.- Slant Magazine
- Read full review
-
Reviewed by
-
-
Reviewed by
Keith Watson
C’mon C’mon admirably doesn’t indulge in heartstring-tugging pathos, but the film suffers from a certain shapelessness.- Slant Magazine
- Posted Nov 14, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
Lost in so much bombast is the kind of story about its main characters’ lives that could’ve affirmed Spike Lee’s critique of America.- Slant Magazine
- Posted Jun 12, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
The film has a weird, ghostly, even beautiful pull, but it functions mostly on theoretical terms because Charlie Kaufman has thought it to death.- Slant Magazine
- Posted Aug 28, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
David Robb
The film’s insistence on keeping the stakes low throughout is probably its key strength.- Slant Magazine
- Posted May 5, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Smith
While the film certainly lays out the dangers of technology run amok, it also sees its power to connect people.- Slant Magazine
- Posted Apr 21, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Chris Barsanti
Jia Zhang-ke’s film is a quietly reflective, intermittently rambling rumination on an explosively momentous period in Chinese history.- Slant Magazine
- Posted Sep 10, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Smith
Eytan Fox’s film is a low-key observance of two men finding the beauty in each other’s mysteries and contradictions.- Slant Magazine
- Posted Jun 6, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
Simon Pegg occasionally fulfills the nightmarish potential of the film’s fairy-tale premise.- Slant Magazine
- Posted May 19, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
Perhaps as a result of her attempting to avoid all matter of clichés, not just of genre, Amy Seimetz revels in vagueness.- Slant Magazine
- Posted Jul 27, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Clayton Dillard
Despite the pretense of commentary, the film asks no underlying questions about the society that produces slasher films and revels in its narrative’s basic premise to numbing ends.- Slant Magazine
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Smith
The film gives palpable expression to the sense of hopelessness felt by those who fall under the control of cults.- Slant Magazine
- Posted Apr 20, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
The film’s early scenes turn the stuff of paying bills and managing kids into manna for an unsettlingly intimate domestic thriller.- Slant Magazine
- Posted May 3, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Eric Henderson
Has the time come to ask if the pendulum has swung too far in the other direction?- Slant Magazine
- Posted Jun 10, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenji Fujishima
It isn’t without its pleasures and insights, but it’s ultimately little more than an excuse for Hong to try out a new stylistic color in his auteurist palette.- Slant Magazine
- Posted Jun 11, 2020
- Read full review
-
Reviewed by
-
- Critic Score
If not the screen’s ultimate portrait of space travel, For All Mankind remains a peerless planetarium show.- Slant Magazine
- Read full review
-
- Slant Magazine
- Read full review
-
-
Reviewed by
Pat Brown
The film never feels as satisfying or as haunting as its bow-tying epilogue strives for.- Slant Magazine
- Posted Jul 20, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
Dave Franco has a mighty command of silence as a measurement of emotional aftershock.- Slant Magazine
- Posted Jul 20, 2020
- Read full review
-
Reviewed by