For 7,798 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,365 out of 7798
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Mixed: 1,498 out of 7798
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Negative: 1,935 out of 7798
7798
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Eli Friedberg
The film’s slice-of-life scenes are generationally accurate representations of everyday life, but they aren’t given the narrative or dialectical form to actually say much about that life.- Slant Magazine
- Posted Jun 22, 2026
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Reviewed by
Jake Cole
Toy Story 5 leans into the sentimental beats that are familiar to the series, except those moments too often give the film the feel of a PSA aimed at convincing parents to monitor their kids’ screen time.- Slant Magazine
- Posted Jun 16, 2026
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Reviewed by
Rocco T. Thompson
Hugh Jackman’s take on a fabled friend of the poor may empty his veins, but the film might have meant more had he spilled his guts.- Slant Magazine
- Posted Jun 11, 2026
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Reviewed by
Eli Friedberg
Delivered from the heights of personal and professional validation, the great prophet of Hollywood’s sermonistic latest is akin to a detached, rambling, and academic exercise that treats cinema and humanity as a great and curious jigsaw puzzle.- Slant Magazine
- Posted Jun 9, 2026
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Reviewed by
William Repass
With one foot planted in documentary exposé and the other in coming-of-age drama, the film falls short of satisfying the demands of either genre.- Slant Magazine
- Posted May 17, 2026
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Reviewed by
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Reviewed by
Eli Friedberg
Arrhythmic, unfocused, and forgetting to breathe, this overstuffed film feels like a circus act, a well-dressed elephant on a unicycle juggling a dozen balls. It’s an impressive feat of dexterity, if not grace.- Slant Magazine
- Posted May 17, 2026
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Reviewed by
Chris Barsanti
At some point before the truncated-seeming finale, the film is just chasing its own tail.- Slant Magazine
- Posted May 15, 2026
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Reviewed by
Kyle Turner
The film doesn’t totally succeed in capturing the show’s scope or thematic through line.- Slant Magazine
- Posted May 7, 2026
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Justin Clark
Once it turns into a home-invasion thriller, the film becomes more sadistic than hilarious.- Slant Magazine
- Posted Apr 23, 2026
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Reviewed by
Chris Barsanti
Like the fraught relationship between its two musician characters, the film never finds the right groove.- Slant Magazine
- Posted Apr 22, 2026
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Reviewed by
Ross McIndoe
For a film that’s so well versed not only in the genre but in its tendencies to recreate and recycle itself, it’s disappointing to see Faces of Death do so in such slavish fashion.- Slant Magazine
- Posted Apr 5, 2026
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Reviewed by
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- Critic Score
This is a film that’s content to imitate its influences rather than build an identity of its own.- Slant Magazine
- Posted Mar 26, 2026
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Reviewed by
William Repass
For all its empathy, Late Shift upholds the dubious virtue of self-sacrifice that underpins the Protestant work ethic.- Slant Magazine
- Posted Mar 12, 2026
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Reviewed by
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Reviewed by
Eli Friedberg
It falls well short of providing any satisfying exploration of its weighty theme of persuasion versus violence in the face of oppression.- Slant Magazine
- Posted Mar 2, 2026
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Reviewed by
Steven Scaife
One senses that Rod Blackhurst knows that Dolly is undernourished, but his attempts to jazz it up by splitting it into transparently titled chapters only calls further attention to that dearth of imagination.- Slant Magazine
- Posted Feb 23, 2026
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Reviewed by
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Reviewed by
Kyle Turner
Like Mike’s modus operandi as a criminal, the film goes through all the pro forma motions.- Slant Magazine
- Posted Feb 11, 2026
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Reviewed by
Rocco T. Thompson
Like a particularly impressive aspic, Wuthering Heights is tantalizing to behold but not so easy to swallow.- Slant Magazine
- Posted Feb 9, 2026
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Reviewed by
Marshall Shaffer
The film gets too caught up in concern trolling about the sexual timidity of today’s youth.- Slant Magazine
- Posted Jan 30, 2026
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Reviewed by
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Reviewed by
Taylor Williams
Farce and sincerity make more odd bedfellows across Aidan Zamiri’s meta mockumentary about Brat Summer.- Slant Magazine
- Posted Jan 28, 2026
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Reviewed by
Rocco T. Thompson
The Bone Temple doesn’t pack the moment-to-moment kineticism of the prior films.- Slant Magazine
- Posted Jan 13, 2026
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Reviewed by
Derek Smith
Greenland 2 plays out as a much more generic thriller than its predecessor.- Slant Magazine
- Posted Jan 8, 2026
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Reviewed by
Rocco T. Thompson
If only the filmmakers had put the same care and thought into their human characters, then Primate might have been worth going apeshit over.- Slant Magazine
- Posted Jan 8, 2026
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Reviewed by
Ross McIndoe
There’s a thoughtful zombie tale with its own distinctive personality lurking somewhere within We Bury the Dead, but it’s overridden by the film’s more generic elements, and that identity ultimately gets lost among the horde.- Slant Magazine
- Posted Dec 30, 2025
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Reviewed by
Mark Hanson
Regrettably, the one star of Anaconda that gets the shortest shrift is the most important one: the snake.- Slant Magazine
- Posted Dec 23, 2025
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Reviewed by
Keith Uhlich
The crystal clarity of Russell Carpenter’s cinematography is often unnerving, as is the uncanny nature of Pandora’s computer-generated flora and fauna, which never truly seem alive and vital.- Slant Magazine
- Posted Dec 16, 2025
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Reviewed by
Derek Smith
Song Sung Blue is content to pendulum-swing from triumph to tragedy and back again with all the self-control of a drunk driver.- Slant Magazine
- Posted Dec 15, 2025
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Reviewed by
Wes Greene
Watching actors interact with an authentic recording of a child on the brink of death is less an invitation to audiences to wrestle with the horrors of war and more with the ethics of the film’s creative choices.- Slant Magazine
- Posted Dec 15, 2025
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Reviewed by
Taylor Williams
The optimism that Ella preserves as she takes life one day at a time is compelling enough that it’s hard to get too mad about how shallow the world around her can seem.- Slant Magazine
- Posted Dec 10, 2025
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Reviewed by
Jake Cole
On paper, anime master Hosoda Mamoru’s Scarlet sounds positively electrifying.- Slant Magazine
- Posted Dec 8, 2025
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Reviewed by
Steven Scaife
WTO/99 sets out to correct misrepresentation by corporate media about the aims of the movement, but that attempt is hampered by the recycling of much of the same news footage from news broadcasts.- Slant Magazine
- Posted Dec 1, 2025
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Reviewed by