ShakingThrough.net's Scores

  • Music
For 491 reviews, this publication has graded:
  • 51% higher than the average critic
  • 6% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.7 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Orphans: Brawlers, Bawlers & Bastards
Lowest review score: 32 Something To Be
Score distribution:
  1. Negative: 5 out of 491
491 music reviews
    • 82 Metascore
    • 80 Critic Score
    Rather Ripped is a solid collection of songs smartly executed by a band secure in its legacy and refusing to go gently into that good rock night.
    • 85 Metascore
    • 76 Critic Score
    Ultimately, those enamored with Walker's infrequent but peculiarly expressive post-'70s work (from Climate of Hunter on) will find much to enjoy here.
    • 72 Metascore
    • 68 Critic Score
    Taking the Long Way wraps its still-raw emotions in sweet satin sheets of breezy, middle-of-the-road pop. While there are still some country elements, the album mostly exists in that top-down netherworld of Sheryl Crow albums and Tom Petty's "Learning to Fly."
    • 81 Metascore
    • 82 Critic Score
    The Obliterati's first half makes 2004’s stellar comeback ONoffON seem tentative.
    • 70 Metascore
    • 74 Critic Score
    The concentrated unity of form and content that elevated sterling sophomore effort Bows & Arrows has been replaced by a footloose approach to songwriting and style that fails to mesh.
    • 75 Metascore
    • 70 Critic Score
    The moody “Together” reveal[s] what’s possible when White and Benson join forces. If only collaborations in this vein had been given greater consideration, the Raconteurs might have had something truly revelatory beyond a whimsical side project.
    • 78 Metascore
    • 74 Critic Score
    It's a murky finish for such a bracing start, but when it works, Powder burns as brightly as the most affecting moments in Dulli's catalog.
    • 83 Metascore
    • 70 Critic Score
    Frenzied throwaways like “Modern Art” and vapid observations like “popular culture no longer applies to me,” from “Bad Weekend,” keep Bang Bang Rock and Roll from attaining that rarified feel of unveiling something truly special.
    • 67 Metascore
    • 68 Critic Score
    Eyes Open shows you the elements of a successful record, without the heart that ultimately makes it a success.
    • 81 Metascore
    • 90 Critic Score
    Inspiring and masterful.
    • 70 Metascore
    • 60 Critic Score
    How We Operate earns points for stylistic adventurousness but, unlike In Our Gun, doesn’t meet its self-imposed challenge with the strongest batch of tunes.
    • 74 Metascore
    • 76 Critic Score
    It's a pleasant surprise for those who feared that the group's glory days were long gone.
    • 72 Metascore
    • 74 Critic Score
    Easy Living simply lacks the scope and gritty, lived-in detail that made Skinner’s first two efforts so appealing.
    • 82 Metascore
    • 68 Critic Score
    Springsteen sounds natural enough singing many of these songs, but we never forget that that's Bruce Springsteen -- Bruce "Born to Run," "Born in the USA" Springsteen -- singing these songs, and the necessary baggage that the rocker's voice brings with it raises unavoidable questions of intent.
    • 74 Metascore
    • 74 Critic Score
    If it ultimately feels as if it's slightly less than its predecessor, that's because there's a sense of the band's acting out more in order to try and show how outrageous it can be.
    • 78 Metascore
    • 86 Critic Score
    While there are unmistakable traces of that swampy, sweaty sound, particularly in the three-guitar sturm und twang of the title track, at other points the Truckers openly embrace their rock and punk roots, as if hoping to stomp that nettlesome Southern Rock label into the ground.
    • 69 Metascore
    • 74 Critic Score
    The Furnaces refuse to play it commonplace... which is both their greatest strength and most frustrating weakness.
    • 81 Metascore
    • 80 Critic Score
    Ultimately, You in Reverse is more a refinement than an evolution of Built to Spill’s sound. Fortunately for those inclined to guitar rock, it’s a great sound.
    • 75 Metascore
    • 68 Critic Score
    Garden Ruin’s arrangements simply don’t arrest the senses as forcefully as its intelligent and aggrieved wordplay merits.
    • 84 Metascore
    • 84 Critic Score
    Basically, this is the definitive (if incomplete) version of a landmark release.
    • 76 Metascore
    • 86 Critic Score
    The earthbound, anxious and somewhat pissed-off attitude is what stands out and makes the strongest impression.
    • 79 Metascore
    • 76 Critic Score
    A more shaded, musically expressive version of the continuing story of [Karen] O.
    • 88 Metascore
    • 80 Critic Score
    On balance, Fishscale earns its street-cred stripes and adds another worthy release to the Great Wu-Tang Best Solo Effort debate.
    • 79 Metascore
    • 74 Critic Score
    Despite isolated moments of brilliance, Drum’s Not Dead fails to mesh.
    • 68 Metascore
    • 68 Critic Score
    Subtitulo certainly appears to be an accurate representation of where Josh Rouse is in his life: comfortable, confident, and beneath-the-radar contented. Good for him; bad for fans of Josh Rouse albums brimming over with great hooks.
    • 74 Metascore
    • 68 Critic Score
    It's not earthshaking, but it manages a small cocktail of politics, jazz, and well-produced indie-rock that you can refer to as "jams" without feeling embarrassed.
    • 85 Metascore
    • 80 Critic Score
    Fox Confessor is often striking, intermittently dazzling and occasionally puzzling.
    • 78 Metascore
    • 60 Critic Score
    The back end of the album trundles along, failing to rival the opening energy or offer anything as interesting as the non-anthemic detours.
    • 82 Metascore
    • 68 Critic Score
    A high-energy smash-and-grab debut.
    • 88 Metascore
    • 80 Critic Score
    Rubies is one of the most enjoyable listens from Bejar’s solo catalog and comfortably stands with 2002’s This Night as his best effort.