Select's Scores
- Music
For 41 reviews, this publication has graded:
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31% higher than the average critic
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0% same as the average critic
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69% lower than the average critic
On average, this publication grades 12.9 points lower than other critics.
(0-100 point scale)
Average Music review score: 60
| Highest review score: | Bow Down To The Exit Sign | |
|---|---|---|
| Lowest review score: | Songs From an American Movie Vol. One: Learning How to Smile |
Score distribution:
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Positive: 10 out of 41
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Mixed: 27 out of 41
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Negative: 4 out of 41
41
music
reviews
- By Date
- By Critic Score
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- Critic Score
With 35 other albums to choose from, this is hardly a good starting point. But for diehards there's further proof that Young has neither burned out nor faded. [Jan 2001, p.101]- Select
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- Critic Score
More accesible than ever, but more fallible too, The W is the album that brings the Wu-Tang Clan down to earth. [Jan 2001, p.98]- Select
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- Critic Score
ASTH emphasizes the group's commitment to eclecticism. (Oct. 2000, p.102)- Select
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- Critic Score
[Sean] O'Hagan's over-mined aesthetic falls short of his repute. [Jan 2001, p.101]- Select
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- Critic Score
An uninspiring and unnecessary 'experimental' effort, sounding like 'Volume 1' out-takes. [Oct 2000, p.110]- Select
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- Critic Score
The record is permeated with an air of bashed-out-before-tea desperation. [Jan 2001, p.106]- Select
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- Select
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- Critic Score
A stinker of an album... a giant leap backwards in combining the overblown punk of 'Vs' with the grunge bluster of 'Ten', minus the tunes. [July 2000, p.107]- Select
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- Critic Score
There are many things in life worth avoiding... But none can compare to the horrific spectacle of Everclear attempting to lighten up and show the world their jolly side. [Sep 2000, p.112]- Select
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- Critic Score
Maybe when they abandon their arrested development and stop convincing themselves the world is aligned specifically for their personal displeasure, they'll arrive at something listenable. [July 2000, p.112]- Select
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- Critic Score
The songs suffer from a lazy approach and the relentless repetition of unengaging chord patterns. [July 2000, p.106]- Select