Unholy has a good foundation for a horror game, but little is followed through to a successful conclusion to rate the game as fun. Stealth doesn't work, the story doesn't draw you in, the atmosphere doesn't capture you, the main character doesn't interest you at all and it seems unnatural.

Adrenaline racing in the wilderness shows us its muddy face again. And most racers probably won't like it very much. It is just so horribly boring and uninteresting, that it's hard to say even one single quality to try the game for.

I think Goat Simulator Remastered isn’t worth it. While the remaster competently adds multiplayer, DLC, and slightly improves textures and lighting, the game remains the same—buggy, clunky, and less fun than it aims to be. There are plenty of other games offering absurd fun with much better controls.

What could have been a truly compelling experience ends up feeling like a festival of missed opportunities and half-baked ideas. With a shallow execution of its concept and a short runtime of about six and a half hours, Tron: Catalyst disappoints. Both the franchise and the players deserved better.

The Greyhill Incident has a great creepy atmosphere, so you'll be really scared of the alien invasion. But that's about all we can praise in the game. The rest is poor quality.

Finding anything positive about the new (sic) Blade Runner is almost impossible. The time-honored legend didn't age well in the remastered edition after 25 years, and perhaps it would be better if it remained only in our memories.

Despite its vast content, the remaster is plagued by old and new bugs, crashes, and poor performance. Visual upgrades are minimal, and the controls remain as clunky as in the 2008 original. Instead of nostalgic joy, this game offers a prime example of a remaster done wrong.

Smurfs Kart itself is not a bad game, it's just very shallow and almost all the competition handily beats it. The whole situation is made worse by the fact that the game has woefully little content and has completely omitted online multiplayer, leaving you to discover all of its content in one short evening.

Taxi driving in Barcelona looks good. Unfortunately, it's also the first and last positive thing we can say about this game. As soon as you pass a few kilometers, the enthusiasm dissipates like steam over a pot.

Overall, Deadly Dozen Reloaded is a subpar remaster more suitable for nostalgic players and not current audience. The game shows how video games were made a long time ago, what design flaws they had, and what they would look like with improved graphics.

Tennis On-Court could have been a good game. The tennis is handled well here, it can really come close to simulation, the physics and hit detection are well done. But that's not enough if there's no interesting content to play.

Have you ever shovelled snow? Would you like to? It's cold outside and you don't want to freeze? Well, here's virtual snowmaking and clearing. However, it's not much fun: there's no sense of progression and better physics would be nice.

Dragon Ball: The Breakers is a shallow and boring action game that has no respect for its source material and delivers an unbalanced asymmetric experience that isn't fun for raiders or survivors.

Horror adventure full of blood, guts and bugs from a Czech author is suitable for this period, but otherwise it is disappointing.

Although we would like to support the Slovak developer, this is a debacle that we cannot give a good grade. It's really not for fanfare or champagne. In the end, the game, which is nice to look at, fails all along the line.

The short story of the jumping goat is not very attractive and can be frustrating.

A compilation of frequently used procedures and activities this time moved to the tanks. The game reprehensibly offers nothing more than shabby gameplay principles that can't be repeated indefinitely without added value.

Gungrave G.O.R.E seems 20 years out of date. The gameplay is too restrictive and without ideas, the graphics lag behind current action games, and the story is very chaotic. There aren't many reasons why you should even consider buying the game.

At first glimpse, Gray Zone doesn't looks like a bad game. It has nice visuals, a jammy soundtrack and funny voice acting. But the gameplay itself is shallow and uninteresting.

Tomb Raider Reloaded is a calculating game in which you will search in vain for any fun gameplay. Not only does the stereotype immediately kick in, but the game is also plagued with server issues and freezes.

"It could be a good game, but..." - that's the thing I kept saying to myself the whole time I was running through the bloody and muddy trenches of this indie survival horror. There are interesting ideas here, but their implementation is average and sometimes even quite bad.

Star Trek Prodigy: Supernova represents an effort to engage the children's audience not only on TV screens, but also in video games. But for that, it brings too little interesting content, and moreover, the stereotype immediately sets in. So you only have a five-hour journey across 3 planets, where you do the same thing over and over. Moreover, with glitches and a bad camera work.

The game developers wanted to bring something new, but in the end they messed up everything they could. The map is too small and simplistic, the environment monotonous. Truck driving becomes desperately repetitive. The new gameplay elements are pointles.

Sunrise GP brings the impression that we had when playing the first parts of the Need for Speed series. However, it is buried under a pile of shortcomings and the game is not helped by the fact that there is sadly very little content in it.

Star Trek: Legends quickly falls into a routine of repeating the same scheme of things in order to progress. You just want to see what the Nexus really is, but the game's free-to-play roots force you into annoying activities and repetitive grinding. Not even the huge cast of characters from nearly 10 TV shows and several films can save it.

It seems like Do Not Open had set up itself for a failure with just its name alone… After a quick glance you might expect an exciting escape room VR experience, which is unfortunately not true. This horror-less, VR-less, empty shell of a rushed game is extremely short, lacks any polish and painfully bores me to my core. At the current stage, not opening it is the only viable option.

As a tycoon, Animal Shelter is such a shallow strategy that it sometimes plays alone. And what the game could easily score - an interactive encyclopedia - completely ignores this and does not teach the player anything, because no education is present here. So who this game is for is a mystery.

Legacy of Kain: Ascendance is a short prequel set in the beloved Nosgoth universe, offering fans a chance to explore Raziel's origin and revisit familiar characters. While the voice acting and music are excellent, the game suffers from a shallow, fan-fiction-like story and bland gameplay. Retro 2D visuals and occasional animated sequences look nice individually, but the mix feels inconsistent. Fans of the series may appreciate the return to Nosgoth, but for newcomers or those seeking engaging mechanics, the experience is underwhelming.