Seattle Post-Intelligencer's Scores
- Movies
- TV
For 2,931 reviews, this publication has graded:
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64% higher than the average critic
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3% same as the average critic
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33% lower than the average critic
On average, this publication grades 1 point higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Peter Pan | |
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| Lowest review score: | Mindhunters |
Score distribution:
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Positive: 1,824 out of 2931
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Mixed: 872 out of 2931
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Negative: 235 out of 2931
2931
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Sean Axmaker
What it lacks is an intensity, a passion at the center...It is, nonetheless, a lovely and often powerful film.- Seattle Post-Intelligencer
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Bill White
The soundtrack is a mess, with period music out of sync with the period, as when the 1967 song, "White Rabbit," underscores a 1965 acid trip.- Seattle Post-Intelligencer
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Sean Axmaker
The lack of irony, let alone ambiguity, in an upside world in which mobsters are the underdogs, should sink the film, but Lumet's laid-back professionalism and Diesel's big-hearted performance give it an affable buoyancy.- Seattle Post-Intelligencer
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- Critic Score
Most of the laughs are due to Bynes, a vibrant young actress with excellent comedic chops.- Seattle Post-Intelligencer
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William Arnold
It's the strangest comic-book superhero movie you're likely to see this year. For anyone looking for something totally different in this most overworked of Hollywood genres, this is it.- Seattle Post-Intelligencer
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Sean Axmaker
A sly, smart and very funny caricature of corporate politics and image culture.- Seattle Post-Intelligencer
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Bill White
Actors Laia Marull and Luis Tosar explore the intricate details of a relationship based on the laws of attraction and repulsion, in which the intellect is repeatedly devastated by primal passion.- Seattle Post-Intelligencer
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Sean Axmaker
For all of its minor pleasures, this encore lacks the depth of its conviction.- Seattle Post-Intelligencer
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Reviewed by
Sean Axmaker
It's a simple film with a direct message, but the glimpses of the surrounding social culture that has adapted to the horrors give this Third World "How Green Was My Valley" its identity.- Seattle Post-Intelligencer
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William Arnold
Somehow the screwball concoction does not jell. The stars are pleasant but unexciting, the goofy ensemble has a few moments of hilarity but never catches fire, the laughs are very scattered and the film's title is a self-fulfilling prophecy.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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William Arnold
The movie is just this side of terrible. It misses all the charm and fun of the original. Allen's mugging is incorrigibly unfunny.- Seattle Post-Intelligencer
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William Arnold
Farrell is badly miscast as an ethnic Italian with an inferiority complex, the star-crossed love story has very little emotional pull, and even the (heavily CGI-enhanced) period atmosphere ultimately seems rather forced and self-conscious.- Seattle Post-Intelligencer
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Sean Axmaker
The spirits of Jim Jarmusch and Kevin Smith hover over this breezy slacker comedy set on a comatose Sunday afternoon.- Seattle Post-Intelligencer
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Sean Axmaker
The results are shapeless, excessively lurid and often unpleasant, with Argento shamelessly vamping the white-trash junkie mother and truck-stop hooker. She apparently forgot whose story she was telling.- Seattle Post-Intelligencer
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Bill White
This unusual journey behind prison bars is not only a plea for the rehabilitation of incarcerated criminals, but a testament to the redemptive powers of art.- Seattle Post-Intelligencer
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Sean Axmaker
Though it's rarely dull, first-time feature director Yasuo Inoue has a better eye for intriguing and unusual imagery than dramatic staging, and he illustrates his points long before he runs out of un-endings.- Seattle Post-Intelligencer
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Sean Axmaker
Never quite transcends its origins as a high-concept action thriller, but the clean professionalism of Donner's direction, the low-key turn by Willis and the street-level heroics make it a satisfying piece of genre filmmaking.- Seattle Post-Intelligencer
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- Critic Score
If "Splash" was a movie for grownups and "The Little Mermaid" was a film for kids, it's safe to say that the latest flick to feature a mermaid is aimed directly at those who are neither adults nor children, but rather lost somewhere in that awkward middle zone in between.- Seattle Post-Intelligencer
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Bill White
The film doesn't shy away from the political side of hip-hop.- Seattle Post-Intelligencer
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William Arnold
The overall saga is moving, the performances are first-rate, the production values (which do not rely on the usual cartoonish CGI effects) are strong, and Carion captures the special insanity of stalemated trench warfare with an unusual horrific flair.- Seattle Post-Intelligencer
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Sean Axmaker
Behind the dry humor is a sense of hollowness in the two men who obliviously fall back into old patterns of reckless, loveless sex without missing a beat.- Seattle Post-Intelligencer
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Bill White
Never more than a dull and confused film about Bolivia's 2003 presidential election.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Bill White
Writer/director Wayne Kramer's approach to storytelling is to withhold any information that might give away the plot.- Seattle Post-Intelligencer
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Bill White
While a fascinating subject, Bruce is a bit of a poseur, keenly aware of how he comes across on camera.- Seattle Post-Intelligencer
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William Arnold
An Americanized remake of the 1983 Japanese movie, "Antarctica," which told the true story of a pack of huskies that somehow managed to survive a brutal winter by themselves at Japan's East Antarctica station in 1957.- Seattle Post-Intelligencer
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William Arnold
Like most Price movies, it's challenging, engaging and free of the usual thriller cliches.- Seattle Post-Intelligencer
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Sean Axmaker
Some audiences will find it an endurance test and Reygadas doesn't make it easy with his confrontational imagery, but he provokes emotions not often explored on screen.- Seattle Post-Intelligencer
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Sean Axmaker
Bekmambetov's tone is so gravely serious that the drama tends to become arch and theatrical, despite sardonic punches of dark humor. But his imagery is striking (his imagination overcomes his limited budget), his style is assured and he's given the subtitle adaptation a dramatically dynamic dimension by giving the words the presence of an incantation taking physical form.- Seattle Post-Intelligencer
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