Seattle Post-Intelligencer's Scores
- Movies
- TV
For 2,931 reviews, this publication has graded:
-
64% higher than the average critic
-
3% same as the average critic
-
33% lower than the average critic
On average, this publication grades 1 point higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Peter Pan | |
|---|---|---|
| Lowest review score: | Mindhunters |
Score distribution:
-
Positive: 1,824 out of 2931
-
Mixed: 872 out of 2931
-
Negative: 235 out of 2931
2931
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Sean Axmaker
The texture and intensity of the odyssey makes it spellbinding.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
- Seattle Post-Intelligencer
- Read full review
-
- Seattle Post-Intelligencer
- Read full review
-
-
Reviewed by
William Arnold
McCabe is simply one of the most poetic and beautiful films ever made. [18 Feb 1994]- Seattle Post-Intelligencer
-
Reviewed by
-
- Seattle Post-Intelligencer
- Read full review
-
- Seattle Post-Intelligencer
- Read full review
-
-
Reviewed by
Sean Axmaker
Ozon's greatest special effect is holding the camera in tight on the faces of Bruni-Tedeschi (one of the most expressive faces in French cinema) and Freiss.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
William Arnold
Moves along its course and overflows at its climax with that indefinable but unmistakable assurance of a master filmmaker who knows just what he wants to say, is in total command of his medium and is in no mood to make any compromises.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
Sean Axmaker
Secret Ballot is an education hiding in a comedy, a parablelike portrait of the irresistible forces of modernization and democracy meeting the immovable inertia of tradition, culture and power relations written in the blood of the past.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
- Seattle Post-Intelligencer
- Read full review
-
-
Reviewed by
William Arnold
A true gem: perhaps the most thoroughly charming, and completely satisfying, independent film I've seen in the past two or three years.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
William Arnold
Together is a likely candidate to become that one foreign-language film that jumps out of the art houses each year to become a mainstream phenomenon.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
William Arnold
I haven't been so captivated, chilled and surprised by a movie in years.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
Sean Axmaker
There's not a smarter, more demanding American film from the past year.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
William Arnold
At age 37, she's (Bonnaire) developed into a consummate film actress and a unique star whose enigmatic persona has never had a more exhilarating showcase.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
Sean Axmaker
Bujalski's gift for capturing the awkwardness of social relationships and the messy, unkempt details of everyday life is revealing.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
- Critic Score
Maybe because I happen to be reading "Moby Dick" and was therefore more open to the wider world of whale metaphor, I found Chernick's view of Barney and his working entourage riveting.- Seattle Post-Intelligencer
- Read full review
-
- Seattle Post-Intelligencer
- Read full review
-
-
Reviewed by
William Arnold
Like all Jackie Chan films, this one works best as a rousing action film. From beginning to end, Rumble is filled with imaginative and breathtaking stunts (all done by Chan sans stuntman) and a succession of epic fight scenes that are hypnotic, exhilarating, masterfully choreographed and great fun. [23 Feb 1996, p.3]- Seattle Post-Intelligencer
-
Reviewed by
-
-
Reviewed by
William Arnold
It's so fluid and cinematic that it's hard to even envision how the piece worked on stage.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
William Arnold
Awakenings, directed by Penny Marshall, is a curiously engaging, genuinely haunting movie that rises above some dubious handicapped jokes and strange casting decisions to be truly special. [11 Jan 1991, p.5]- Seattle Post-Intelligencer
-
Reviewed by
-
-
Reviewed by
Sean Axmaker
The Dardennes's masterful casting and austere style amplify this simple but powerful parable.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
Bill White
Commentary from shockingly outspoken Watts residents on topics ranging from revolution to infidelity are a vital part of the documentary.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
- Critic Score
James Earl Jones and Richard Harris both gave heartbreaking, virtuoso performances as fathers who find a special bond in this subtle, flawlessly acted, immensely powerful new film version of Alan Paton's classic novel of South Africa. [29 Dec 1995, p. 3]- Seattle Post-Intelligencer
-
-
Reviewed by
Bill White
An allegory of our times, Shotgun Stories is a tragedy of biblical scale and an intimate family drama. Unlike the more lauded films of last year, which glorified a national preoccupation with bloody deeds, Shotgun Stories is a passionate cry to end the violence and a reminder that we, as free individuals, have the power to determine our own destinies.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
Sean Axmaker
Emitai (1971) remains Sembene's masterpiece and his most important achievement. [03 Aug 2001]- Seattle Post-Intelligencer
-
Reviewed by
-
-
Reviewed by
William Arnold
It not only pushes the computer-generated film envelope to the very edge, it's every bit as charming, funny and exciting as the original. In fact, I enjoyed it quite a bit more.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
William Arnold
In a way, Wild Strawberries is a cliche of a Bergman movie, but no cliche ever seemed more perceptive, more gentle, more understanding of human foibles and imperfection, or more humorous. [25 Jul 1997]- Seattle Post-Intelligencer
-
Reviewed by
-
-
Reviewed by
Sean Axmaker
Sensitive and vivid response to the tangled issues of teen violence, race and self-esteem.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by
-
-
Reviewed by
William Arnold
Its dazzling blend of rock magic and 3-D technology just may be ushering in a whole new kind of musical theater.- Seattle Post-Intelligencer
- Read full review
-
Reviewed by