Seattle Post-Intelligencer's Scores

  • Movies
  • TV
For 2,931 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Peter Pan
Lowest review score: 0 Mindhunters
Score distribution:
2931 movie reviews
  1. A mildly amusing but forgettable and way-too-scatological black farce.
    • 56 Metascore
    • 75 Critic Score
    Scream 3 also has wit and intelligence, but at their core the Scream movies are still slasher films and this one is no exception.
  2. An innocuous, hit-and-miss affair.
  3. Never offers much enlightenment through its message.
  4. It's remarkably bright, funny and sweet for a film that wades through so much sleaze, though it can't escape all of the weirdness it worms through.
  5. Though it does present the facts of Susann's life, it skims them so quickly and with such glorious glee that we never get a sense of who this woman really was.
  6. A perfect example of form without content.
  7. It works because it never tries to be more than the very personal memory piece it is.
  8. After its midway mark, just lumbers until it fizzles out.
  9. Lacks the cohesive flow of "Fantasia" and suffers from an attention deficit that seems to mark and flaw our current fast-paced technological era.
  10. Jewison handles this rich tapestry of non-linear scenes with the skill of the old pro he is, and carefully modulates the drama to create the maximum emotional impact.
  11. A foreign film feel despite its strong American cast.
  12. In this movie, he (Shelton) falls so hard he becomes, for the first time in his career, genuinely offensive.
  13. Gorgeous in its gore and, for all its destruction, despair and death, concludes on an optimistic and vibrantly alive note.
  14. Instead of making fun of the series' fans and their lifestyle, Galaxy Quest targets actors and how an onscreen image can forever lock a performer in a particular role. And that proves to be its saving grace.
  15. It demands people pay attention and look inward to find the private compass that will navigate us through murky sensibilities that are as capable of seducing us as they are Tom Ripley.
  16. As always with Stone, the film has some gritty performances and a certain likable audacity.
  17. It's the first film I know of in which we get to see all five of the top-billed actors vomit
  18. It offers no special insights into its subject, it doesn't connect on any higher level, and it left me feeling vaguely dissatisfied and let down.
  19. As good as it is in many ways, the film is not as emotionally gripping as it should be, and comes off as a rather predictable liberal statement.
  20. For all its somber heaviness and reverential gravity, it never quite pulls all the elements and themes together.
  21. At 160 minutes, it's a bit long and uneventful for anyone who is not at least a moderate fan of the musicals.
  22. It pales in comparison to its two classic predecessors, and also just generally feels like one too many trips to the well.
  23. (Fiennes's) Onegin is clueless to anything other than the sensual world, and is finally more repellent than sympathetic.
  24. Enormously cute, but it doesn't allow us to ever completely suspend our disbelief.
  25. As has been the case with most of Shepard's plays, transfer to the movies spells doom.
  26. Finally becomes a somber, sentimental and rather profound romantic fantasy that is more true to the spirit of the Golden Age of science-fiction writing than possibly any other movie of the '90s.
  27. Quite long and violent enough to have made several critics squirm in their seats during a recent press screening.
  28. Like Spielberg, even if the content is questionable or the performance is missing, his scenes always manage to be visually thrilling.
  29. Sticks in the mind and simply won't go away.

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