Seattle Post-Intelligencer's Scores

  • Movies
  • TV
For 2,931 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Peter Pan
Lowest review score: 0 Mindhunters
Score distribution:
2931 movie reviews
  1. Ultimately feels hollow and slapdash.
  2. Fascinating, visually gorgeous cinematic study that will frustrate some viewers by its ambiguity.
  3. Sommers is a pure pop Steven Spielberg who's put his deft technical skills in the service of the ultimate rollercoaster movie ride. It's sometimes more exhausting than exciting.
  4. In its best moments, resembles a bad high school production of "Grease," without benefit of song.
  5. A spirited, screwball crime-thriller with a sly heart.
  6. What it doesn't have is a script that has anything original, cohesive, or, gasp -- funny -- to say.
  7. The restraint so magnificently applied in "The Remains of the Day" has simply fallen into disconnection.
  8. Between Stallone's soap opera of a script and Renny Harlin's speed-obsessed visuals, we're never really shown much more than fast cars and obsessed drivers.
  9. From Harry's perspective, it's a grotesque life, a dead end for his new protege Michel, but Moll also shows the sensitivity beneath the sniping and that's where With a Friend Like Harry ... really scores
  10. Refreshingly old-fashioned.
  11. I can't think of another movie that more fluently communicates the special agony and ecstasy of the game of chess.
  12. Covers this exact same territory, but does it with such refreshing, clearheaded honesty and skill it seems like a revelation.
  13. Sober and serious and downright glum, ultimately an all-too-familiar portrait of lonely souls unable to break through their own isolation.
  14. The most pure of Mamet's works to come to the screen.
  15. A good-faith effort, if not completely successful.
  16. An endearing comedy that could well end up being one of the year's big hits.
  17. A mix of the poetic and the polemic, the film is oddly abstract and untethered.
  18. A new millennium version of "A Hard Day's Night" without any wit to balance the silliness.
  19. Cranks up the hysteria to screechy sitcom levels.
  20. Much ado about very little because it takes no stand and gives little insight into the Chopper's psyche.
  21. Melancholy, haunting and riveting true-crime saga.
  22. It's a superior film in every way to its predecessor "Kiss the Girls."
  23. Pitches itself somewhere between "Bound" and "Lock, Stock, and Two Smoking Barrels," trying to add a feminist twist to the spate of Britain's bloody gangster thrillers and never quite succeeding.
  24. Achieves its social commentary through passion and poetry.
    • 56 Metascore
    • 100 Critic Score
    It rolls in waves over the sedentary crowd until there's not a single soul left who's not keeping the beat.
  25. Not as funny as the original, not nearly as funny.
  26. Never quite builds the compulsive emotional power it needs to be an unforgettable personal drama.
  27. Energetic and inventive, it's a satirical, smart, grown-up thriller.
  28. One lousy little movie -- utterly devoid of any real originality or charm.
  29. So witless, sit-com shallow and bad in every way that it's just not worthy of much discussion.

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