Seattle Post-Intelligencer's Scores

  • Movies
  • TV
For 2,931 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Peter Pan
Lowest review score: 0 Mindhunters
Score distribution:
2931 movie reviews
  1. Andrew Bujalski's refreshingly modest look at life in the directionless netherworld between college and career is the rare film that finds its story in the minor contradictions and simple conflicts of ordinary people doing, well, not exactly nothing, but nothing important.
    • 77 Metascore
    • 83 Critic Score
    The film's wealth in themes provokes unsettling thought, even as it feels meager in thesis.
  2. This is the most impressive directing debut by a "name" British actor in a long, long time.
  3. Well-cast and sporadically gripping.
  4. Very much a '70s-style paranoid thriller, with a mood, tone and cascade of plot twists that are highly reminiscent of his 1975 classic, "Three Days of the Condor."
  5. It is charming and at times disarmingly surprising.
  6. Based on a best-selling book by Fortune magazine writers Bethany McLean and Peter Elkind, the film approaches Enron through the Horatio Alger saga of its founder, Kenneth Lay, the son of a dirt-poor Missouri Baptist minister.
  7. While Madison is earnest and inoffensive, it offers no surprises, few fascinating characters and a hackneyed script.
  8. All the furiousness doesn't really add up to anything, but there is grungy fun to be had in gizmo-laden art direction and the increasingly bizarre battle of wits of the weirdly warped South Korean sci-fi black comedy.
  9. As far as these things go, the film's violence is not outrageously excessive.
  10. As a director, Duchovny is in big trouble every frame of the way. His characters ring false, his scenes seem improperly motivated in a glaring way, and his distasteful obsession with imagery of unflushed cigarette butts bobbing in a toilet is beyond inexplicable.
  11. Deepened by the socioeconomic undercurrent that suggests the lengths to which workers are forced to prostitute themselves to survive corporate downsizing.
  12. Even if you know or care little about the sport, it's a fascinating saga.
  13. Hartley's soft spot for offbeat romances is trumped by irony and sloganeering dialogue.
  14. Aviva emerges undamaged for all of her trauma. That may be the most compassionate, human act Solondz has offered in his career up to now.
  15. The casting is so strong and the overall filmmaking flair of the movie is so captivating that it basically works.
  16. Passably entertaining.
  17. In a farce like this, where the story is merely a string of martial-arts movie cliches lined up to be parodied, that has its own rewards.
  18. Plays like a feature-length sitcom with gay double entendres.
  19. It's so affected and arch it flops into self parody.
  20. It's not sleepy, it's comatose, and writer/director Josh Sternfeld never wakes it up with anything as crass as a plot.
  21. Eloquent and informative.
  22. Sadly, it's still a plodding affair that's low on plausible character motivation and compelling action scenes, and it's still not much of a showcase for its star, Charlton Heston.
  23. The attainment it achieves is in the depths of pointless, mean-spirited exploitation.
  24. Despite the scenic appeal of Mexico's Baja Peninsula, the film may prove too nerve-racking for casual viewers. It is a racing movie for the inside track.
  25. While Look at Me at times falls into familiar plotting, it never offers false hope or false characters.
  26. The script is full of brassy lines.
  27. Surprise! After a clumsy opening, Guess Who goes down very smoothly. Its cast is appealing, its script is often clever and imaginative.
  28. A difficult movie. Its obvious, heavy symbolism, glaring soundtrack and top-heavy themes threaten to make it implode, but it's saved by its performances.
  29. The film dwells more on the sensationalistic aspects than the sport itself but it's impossible to deny the tawdry entertainment value in this compelling film tabloid.

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