Screen Rant's Scores

For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2002 movie reviews
  1. Unpregnant delivers a fun and entertaining road trip comedy about female friendship and abortion, with compelling performances from its two leads.
  2. The Broken Hearts Gallery is overflowing with charm and personality, making it exactly the kind of fun, feel-good romantic comedy needed right now.
  3. Mulan is a perfectly fine live-action adaptation, delivering some Disney magic and gorgeous visuals, but it's ultimately just an average action movie.
  4. Face the Music is clearly a passion project for the minds behind Bill & Ted, and it results in a sequel that coasts by on its goofy humor and heart.
  5. Despite its fair amount of positives, All Together Now feels both too safe and too distant when it comes to its grittier subject matter.
  6. I'm Thinking of Ending Things is a suitably eerie and creepy psychological thriller that ultimately never comes together as a comprehensible whole.
  7. The Binge is as ridiculous as its premise implies, which can be fun at times, while others it's a bit like a wild ride you wish you could get off.
  8. Words on Bathroom Walls deftly balances being part romcom and part mental illness drama, offering a uniquely compelling coming-of-age story.
  9. Between its concise action and Crowe's scenery-chewing, Unhinged makes for an amusingly trashy B-movie, even if its social commentary never congeals.
  10. The One and Only Ivan has a good heart at the center of this mediocre animal tale, which never quite delivers on the requisite Disney magic.
  11. The Silencing is a decently exhilarating thriller movie, even if the twists in the story aren't always well-earned or well thought out.
  12. While it's far from a refined genre-blending thrill ride, there's enough about Project Power that works to partially offset its fundamental problems.
  13. This film was made to introduce Burnett's classic novel to a new generation, and it's easy to imagine young viewers will be entranced by Mary's story. And, truthfully, some older ones might be as well. That's just the magic of the garden.
  14. Netflix's Work It is bogged down by its trite and wholly unoriginal underdog story, but its charismatic young leads help the movie limp to the end.
  15. There's a sense of respect for both the L.A. gang codes and Latinx cultural traditions on display, but they're let down by the the film's plot and characters. Combined with Ayer's continued storytelling missteps, The Tax Collector amounts to a lot of blood and brutality without the soulfulness to match.
  16. An American Pickle is a fun, fleeting buddy comedy that spreads its humorous premise a bit too thin, minimizing the story's impact.
  17. Between its familiar premise and genuine performances, Summerland is occasionally hindered by melodrama, but is overall a very sweet film.
  18. The Kissing Booth 2 has some fun moments, especially for fans, but is ultimately an overwrought, overstuffed and overlong teen romcom sequel.
  19. Yes, God, Yes is an achingly honest and entertaining-as-hell journey through one teen's burgeoning sexuality and personal reckoning with Catholicism.
  20. Along with a sharp sense of humor and compelling performances, Palm Springs delivers an absolutely charming rom-com with a fun sci-fi twist.
  21. The Beach House has some suitably creepy moments, but it's ultimately hamstrung by an underdeveloped script that fails to connect with the audience.
  22. While the movie's sea battles are elegantly staged by cinematographer-turned director Aaron Schneider (helming his second feature here, more than ten years after his acclaimed debut with Get Low), the absence of a compelling character throughline makes it difficult to become emotionally invested in their outcome.
  23. The Hamilton filmed stage production is a stunning showcase of one of Broadway's biggest hits, maintaining all the heart and energy of the musical.
  24. What The Old Guard lacks in well-paced, tightly plotted story, it more than makes up for with compelling characters and slick, thrilling fight scenes.
  25. The Outpost finds success in its thrilling, white-knuckling battle sequence, but rarely digs below the surface of the ones who fought in it.
  26. In Eurovision Song Contest: The Story of Fire Saga, Ferrell's typical schtick is on full display, but wears incredibly thin in this overlong comedy.
  27. You Should Have Left often feels like a watered-down version of The Shining, but Koepp still manages to maintain interest in its mind-bending story.
  28. Despite the clever setup for this (almost) single-setting B-movie, some half-baked plotting and unfortunate stereotyping keep 7500 grounded.
  29. Infamous has a good balance of fun thrills and compelling drama that make for an entertaining watch.
  30. Even with a nuanced performance from Coster-Waldau and beautiful cinematography, Exit Plan is a slow-burn drama that fizzles out in the end.

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