Screen Rant's Scores

For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2002 movie reviews
  1. What I connected to wins out over what I didn't – I have enjoyed sitting with its ideas, and there are a couple flourishes that will stick with me.
    • 57 Metascore
    • 50 Critic Score
    Prieto also does manage to craft some beautiful images in the flashback sequences. While he doesn't harness his cinematography experience often enough to push the story forward visually, it is impossible to deny the power of certain images.
    • 34 Metascore
    • 30 Critic Score
    There's lots of bells and whistles, but in attempting to deconstruct and reconstruct Christmas spirit there's just never enough charm to carry the spell.
  2. With a game cast and thrilling action sequences, Huang’s film offers more than expected to keep us engaged.
  3. Elevation comes across as a mild copycat rather than a compelling project that stands on its own merits.
  4. Even if it's ultimately forgettable, the movie has an undeniable feel-good appeal, and during the cold winter months, there's no reason to take that away from anybody. Flaws and all, there's no question that this movie will find its audience and be celebrated for its nostalgia and pathos.
  5. Hitpig seems to have gone all in on the goofy humor and left the movie with an unappealing and unenthusiastic story that, despite the novelty of a bounty hunter pig, can't make up for a movie with no stakes.
  6. The animators bring this world to life with expert skill.
  7. It’s a film so soulless I questioned the point of it.
  8. It’s an imperfect film that is intriguing until the end.
  9. The film is grounded, avoiding sensationalism and empty indulgences.
  10. The film is unable to sustain any tension and is seemingly afraid of its own potential for violence, despite gesturing toward the creative weapon choice that is practically a bar for entry into the slasher genre.
  11. The Gutter is ultimately an enjoyable throwback to the broad-skewing sports comedies of the '90s.
  12. While Blitz may not be transformative, it isn’t all bad. McQueen is a capable director who deftly moves between different points in time, offering a glimpse into Rita and George’s life before and during the war.
  13. Mielants’ film does a lot with little dialogue, setting the stage for something rich and thought-provoking.
  14. Though competently shot, the storytelling and performances leave much to be desired.
  15. The film offers an inspiring and remarkable story of hope, creativity, and adaptability, through the eyes of Mats and his alter ego, Ibelin.
  16. Memoir of a Snail never asks us or the narrative to compare the depth of sadness or experience. Every experience is treated with equal weight and importance. Even as we realize that Grace's life is becoming a string of misfortunes, it's impossible not to stick with her.
  17. Venom: The Last Dance shows what happens when you let a perfectly cast actor and a director with a lot of affection for the character run wild in a world of Marvel superheroes. You get a movie that's a little weird, a lot silly, and full of fun.
  18. The film brings the drama, but it’s never overdone and the performances from the cast elevate the material, adding dimensions to the characters’ lives.
  19. MadS shows what can be done with a little imagination and faith in the audience.
  20. With the exceptional performances from the cast and several laugh-out-loud moments, this creative film is wildly entertaining.
    • 50 Metascore
    • 80 Critic Score
    It's hard to pick out exactly what was supposed to be funny when you take the slapstick away, and it occurs to me finally that Brothers was never actually a comedy at all, it's an indie drama wearing a clown costume for no discernible reason.
  21. As a story of parental reckoning, Goodrich lacks the interrogative instinct of something like Sofia Coppola's On the Rocks, and it rushes Grace's catharsis as a result. But as a story of a man's late-stage awakening, it strikes a more resonant chord.
  22. The film effectively illustrates how hazing is not singularly a university issue.
  23. Even though it doesn’t take its own storyline seriously enough, Smile 2 is entertaining. Don’t expect the horror film to have the best commentary on mental health issues, but be ready for some jump-scare fun.
  24. The film is melancholic and contemplative in a way that isn’t always the case with romance genre films.
  25. Instead of simply marveling at the beauty of the world, Blink invites us to step out of our comfort zone and explore everything the world has to offer.
  26. House of Spoils is an exploration of witchcraft, land, and the respect it should be given, and a study of the perversion and stress of the restaurant industry.
  27. What the documentary lacks in depth it makes up for with style, creativity, and entertainment value.

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