Screen Rant's Scores

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For 2,036 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 3.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 896 out of 2036
  2. Mixed: 979 out of 2036
  3. Negative: 161 out of 2036
2036 movie reviews
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  1. Almost Cops
    It's kind of disappointing just how in the middle Almost Cops is when it comes to how safe it plays, even with its mature rating.
  2. Tornado
    The film does a serviceable job of creating a revenge story, but leaves some meat on the bone in terms of narrative and visuals. Scenes come to a standstill and make a very short movie drag in places it shouldn’t. That being said, the final showdown makes it all worth it.
  3. Ice Road: Vengeance
    Ice Road: Vengeance is an overall excellent action film, with all the qualities of a Hollywood blockbuster.
    • tbd Metascore
    • 40 Critic Score
    Dora and the Search for Sol Dorado
    For families and kids who don't mind watching a predictable formula being followed mostly adequately (which is a pleasure in and of itself, if the genre suits you), they could do much worse than Dora and the Search for Sol Dorado.
    • tbd Metascore
    • 60 Critic Score
    Zombies 4: Dawn of the Vampires
    I recognize that saying Zombies 4: Dawn of the Vampires is good at what it's doing hardly counts as a complaint. I would just personally prefer boldly uneven to generically good any day.
  6. Nuked
    It may not be the most original, but it still proves to be a funny enough endeavor.
  7. Ziam
    Delivering the blood, gore, and guts you would expect from the classics of the genre, Ziam has no intention of reinventing anything, unabashedly leaning into the tropes of these stories that audiences know well.
  8. Abraham's Boys: A Dracula Story
    Abraham’s Boys wants to drive home a message about violent legacies and the never-ending cycle of generational trauma, but the payoff feels incongruous with the setup, the final kill feels unearned, and the B-movie execution makes it unintentionally funny.
  9. Brick
    Brick is still a gripping thriller. It's well-made, but there is something lacking overall that could have been made better by diving deeper into the relationships of the central characters.
  10. Sovereign
    The movie's memorable moments and tackling of a sensitive, real-world subject were expertly done, something that makes it stand out from other true story films that have been released in recent years.
  11. Push
    It's elevated by a captivating lead performance from Sanz, whose terror when events start ramping up feels very realistic.
  12. Don't Let's Go to the Dogs Tonight
    The movie is Davidtz's feature debut. What she crafts is something imperfect, but as nuanced as a discussion of this topic from the white perspective can be.
  13. To a Land Unknown
    It is focused on its small-scale story about the main characters who are burdened by pain and dead-ends, but carefully works in the broader injustices it wants the audience to see.
    • tbd Metascore
    • 50 Critic Score
    Hot Spring Shark Attack
    The movie's boldness helps craft an entertaining ride that is incredibly zany. Is this among the best shark movies? Absolutely not. But by the time Hot Spring Shark Attack was over, I couldn't help but smile.
  15. Before We Forget
    Before We Forget (originally titled Duino) is a refreshingly intimate film and a classic gay yearning story. It has some twists that subvert genre expectations for an even more staggering emotional effect.
  16. Daniela Forever
    Because of some questionable decisions, the film's key messages aren’t as effective as they could be.
  17. Superman
    James Gunn's Superman movie launches the DC Universe in spectacular fashion, with a fun-filled romp that requires refreshingly little homework.
  18. The Old Guard 2
    The Old Guard 2 is a film that feels longer than it should be and not long enough. It strikes an odd balance, but there’s luckily more here that works than doesn’t, even if the plot is thin.
  19. Jurassic World Rebirth
    Going back to basics was the best thing it could have done. With a straightforward narrative and characters we care about who don't overcomplicate the plot, the film crafts something more timeless.
  20. Ponyboi
    It doesn't reinvent the wheel, and it shouldn't have to. What it does prove is that queer stories, more often than not, add new layers to narratives that have been done before.
  21. Heads of State
    Without Cena and Elba’s committed and charming performances, as well as great supporting turns from Considine and Carla Gugino as Vice President Elizabeth Kirk, Heads of State wouldn’t be worth discussing
  22. Sorry, Baby
    Sorry, Baby is the kind of movie that will linger and stick with you. It is far more than a story about trauma; it's also about friendship and growing up, concepts that will feel deeply relatable to anyone.
  23. M3GAN 2.0
    M3GAN 2.0 doesn't lose this completely, but the more polished and grown-up world doesn't fit as easily into the silly sense of humor that made M3GAN so popular.
  24. Familiar Touch
    It's carefully crafted and spectacularly emotional.
  25. Don't Tell Larry
    Don't Tell Larry is a dark comedy that tries hard to deliver a unique brand of comedy, only to fall short in the storytelling.
    • tbd Metascore
    • 40 Critic Score
    Alma and the Wolf
    While I do appreciate it when a film shoots for the moon and tries something different, Alma and the Wolf missed.
  27. 28 Years Later
    Though it's more of a reboot than a sequel, 28 Years Later pays homage to the original film without sacrificing its originality & fresh spirit.
  28. Bleeding
    While the story at the center of it all proves intriguing, the execution dulls the narrative to the point of ruin.
  29. Bonjour Tristesse
    The setting and the drama of Bonjour Tristesse complement each other, but the finale is incongruous when the premise and the presentation seem to be on different terms. While the movie has a rich personality, it is moderately aimless and should have better established how it wanted to be different from the original.
  30. Diablo
    Sadly, Diablo is not a special B-movie, but it is one with great fights.
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