While the human characters are there for exposition and could’ve used additional development, Godzilla vs. Kong is engaging and visually stunning.

Instead of being the next John Wick, Nobody plays out more as John Wick lite, which could be disappointing for some. It's fun to see Odenkirk try something new at this stage in his career, and Nobody clearly knows what it is and never takes itself too seriously (see: the moments of levity, the soundtrack full of licensed classics). Still, these merits don't truly help elevate the final product beyond fleeting entertainment.

With strong characters and a twist that meaningfully adds to their story, Long Weekend is an engaging romantic tale that offers a satisfying journey.

Despite everything, it has its fair of shining moments. There's a clear direction Snyder's Justice League has that the 2017 version of the film does not, and for that alone viewers can appreciate this film a whole lot more because of it.

Crisis tries its hardest to be like Traffic, but fails in creating a satisfyingly thorough world with enough high stakes or tension.

Moxie has some heart and teeth as its Riot Grrrl-inspired teens smash the patriarchy, but it's more love letter to Gen X than a call to arms for Gen Z.

Lacking narratorial depth, convincing characters, and a plausible storyline, Curse of the Blind Dead utterly fails the original tetralogy on all ends.

There are minimal bursts of potential lurking in Chaos Walking’s messy execution, but it doesn’t deliver much but stagnant characters and dull action.

Despite some genuinely funny and endearingly nostalgic moments, Coming 2 America attempts to do way too much with its plot rather than keep it simple.

Despite a weaker final act, Night of the Kings is spectacular, enthralling, and gripping. It's nearly poetic in its execution and that alone makes it well worth the watch.

The film is bolstered by the strength of Cooke's magnetic performance and is energetically entertaining, heartbreakingly sad, and darkly humorous.

Upholding genre tropes whilst subverting them, Son is an unsettling fever-dream drenched in unspeakable acts that leave viewers on edge until the end.

Although based on an intriguing philosophical conundrum, A Glitch in the Matrix feels unreal on all fronts, poorly-researched, out of touch and vapid.

The Father dives deep into the mind, delivering an engaging film that is unsettling, achingly sad, and is strengthened by Zeller’s assured narrative.

It's certainly a good family-friendly movie for viewers young and old, but those who have enjoyed Disney Animation's offerings in recent years will find plenty to enjoy. With richly detailed animation, exciting action and a compelling story about trust, Raya and the Last Dragon has all the makings of a modern Disney classic.

Cherry is a fairly standard drama that hits the expected beats, but is still elevated by Holland's strong lead performance.

The film has its fair share of intoxicatingly gripping moments and watching Kaluuya as Hampton is visceral and empowering. Unfortunately, it never feels like the story gets out of its own way enough to flourish, nor does it explore the complexities needed to emphasize and humanize the characters in the way that it should.

The Mauritanian is an incredibly powerful, poignant, enraging film, one that is uplifted by an incredibly magnetic lead performance by Tahar Rahim.

It’s fraught with frenetic energy and delightfully charming performances, but Blithe Spirit is not as funny or absurd as it sets out to be.

Flora & Ulysses has all of the right ingredients, but falls short of bringing them all together, leaving the film an uncharismatic and empty shell.

With no buildup, tension, or interesting characters, The Sinners fails in its execution and exploration in the themes it puts forth.

Tonally inconsistent, writer-director J Blakeson takes a big swing and misses with regards to the film’s message. Rosamund Pike gives a fiery, powerhouse performance, but there is something completely missing from I Care a Lot that makes it a hard pill to swallow.

Nomadland might tell an unconventional story, but thanks to Zhao's careful hand and McDormand's performance, it will resonate with all audiences.

Silk Road has the makings of a gripping thriller, but it surprisingly lacks the tension required for it to work.

The film does an outstanding job elevating its horror with a sprinkling of disconcertment, but it takes a wrong turn by offering a muddled message.

The film is overly long, dragging out its story unnecessarily, with Daniels haphazardly shifting focus away from Holiday constantly. The film is unbalanced, generally failing to center on the song driving the story while romanticizing an affair between Holiday and a FBN agent.

Despite its drawbacks the kids will still love it, it's still epic and entertaining for adults, and the movie still manages to say something inspired and meaningful - even if it takes a little longer to do so.

Visceral and uncompromising in its vision, PVT Chat etches a gritty portrait of eroticism in the digital age with great nuance and authenticity.