Hustle succeeds in being exactly the movie it sets out to be: A glimpse inside what it takes to get into, and stay in, the very competitive NBA.

The only real saving grace is the cast, who end up guinea pigs in a test of how difficult it is to overcome underbaked material.

While some aspects might feel slight, Tahara is an engrossing coming-of-age tale bolstered by its distinctive visual style and well-matched leads.

Interceptor checks all the boxes in terms of making an action film that will grab the audience's attention, have one root for the hero, and let out a few chuckles (especially for one horribly done cameo) before promptly forgetting the movie exists.

Audiences are left with a puzzling mosaic of jump scares, one-note characters, and schlocky gore that will certainly disturb but won't leave much impact beyond its slim runtime.

Roberts' film succeeds where much contemporary coverage failed because of how invested it is in the difference between laughing with him, as the audience is taught to do, and laughing at him.

There's nothing worse in horror than predictability and while Unhuman tries to throw some curveballs, it misses the mark more than it hits its target.

Jurassic World Dominion is a messy but fun end to the Jurassic Park sequel trilogy, bringing franchise themes, characters, and nostalgia full circle.

Deep in the Forest certainly has a point of view, but it is ultimately a meandering slog.

There is nothing flashy about Davies' style and the found footage doesn’t feel obtuse; it feels imminent. The film sets out to execute a plan and does so without missing a beat. It is rare to extract so much emotion from a mostly technical achievement, but Benediction does just that.

Crimes of the Future has an intriguing enough setup, but it doesn’t know how to tie everything together, leaving the disparate pieces of the plot adrift and turning the film into a tedious watch.

A Chiara is a movie one not only enjoys watching unfold, but sitting with, mulling over, and discussing with friends in the days that follow. Viewers would do well not to let it pass them by.

Fire Island is a mesmerizing, joyous experience and one of the best modern adaptations of Jane Austen’s Pride and Prejudice. The film has also solidified itself as one of the best romantic comedies to date. It is filled with plenty of hearty laughs, heartfelt sighs, and heartbreaking moments, making it worth revisiting repeatedly.

Sure, the film may feel somewhat tepid in places, and it meanders, but the overwhelming wholesomeness of the picture will make one embrace its simplicity.

The Bob's Burgers Movie struggles to keep up the energetic pace set early on, but overall packs in plenty of jokes and musical numbers for a fun time.

A Perfect Pairing may not stand out to most, but its wholesome aura, charming leads, and beautiful cinematography is enough to warrant an enthusiastic watch. If the goal for any romantic comedy is to fill one with that particular, indescribable warm and fuzzy feeling, then A Perfect Pairing accomplishes that.

The Valet is a charming twist on a classic trope led by two delightful leads, even if it sometimes struggles under the weight of all it has taken on.

Even if it can't quite sustain the highs it reaches early on, On the Count of Three's success relative to its ambition is truly impressive, and those who aren't turned off by its very premise won't regret seeking it out.

Too often, though, the creativity gets bogged down beneath the references and standard mystery. Chip 'n Dale: Rescue Rangers still makes for an entertaining viewing experience, just as long as one doesn't mind the extra baggage.

Explorations of sex are a dime a dozen in Hollywood but Thyberg isn’t interested in sex, she is interested in people who are interested in sex. There is no judgment and no fetishizing. (The film even has time for a boner joke.) What more could one ask for in a film such as this?

Sadly, this adaptation fails to stand out from all the other sci-fi horrors about people being used for experiments. It doesn't even compare to the original 1984 film nor does it stand tall alongside great recent Stephen King adaptations like 2017's IT and 2019's Doctor Sleep. Firestarter is more like Pet Sematary and Carrie, a dull, exhausting remake that doesn't do anything new.

Ricci’s assured and robust lead performance helps build upon some exciting ideas in the script and is ultimately the reason to watch. She is thoroughly captivating and, while the film never reaches her level of excellence, it is still a relatively fun, wonky ride.

While Senior Year has certain moments that are indeed funny, it’s not enough to overcome the film’s many flaws.

Tankhouse might not be for everyone with its outlandish humor, but if viewers are willing to invest in the absurdity, then it's worth watching. Tomaschoff has clearly created this movie out of respect for anyone who has loved spending time in the theater, and with a game cast ready to shoulder the material, it becomes something very sweet underneath all the quirk.

From a superhero perspective, Vogt's movie recaptures that sense of primordial awe that many of today's blockbusters have lost touch with, simply by setting themselves in worlds so obviously distant from everyday life. Whatever its impact upon release, The Innocents seems destined to be remembered, and hopefully the industry will find room for more movies just like it.

Operation Mincemeat is a solid movie, the only reasonable reactions to which are mild. A small smile and a nod of approval on one end of the spectrum, a tilt of the head and a dismissive shrug on the other.

In the end, Escape the Field is tolerable at best. It doesn't shatter any expectations, but it won’t be utterly hated if one decides to give it a go. There are more charming and innovative horror-thrillers about escaping a maze, but Escape the Field tries. For a first feature, it is serviceable for a small-budget venture.

It does not reinvent the wheel, but it engages viewers on a visual and cerebral level. There is a precarious balance between the heavy themes of the script and the upbeat nature of this Bad Boys-esque action film, but somehow it sticks the landing.