Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. Scrambled
    The ending feels way too cookie-cutter perfect. Scrambled is a worthwhile experience, though, as it is a personal tale that aims to empower through laughter.
  2. The Tiger's Apprentice
    The story is just so rushed, there’s barely any time spent on establishing the world we’re introduced to before it’s full-speed ahead.
  3. Argylle
    Argylle is worth checking out for those interested, but don't expect it to be as good as Kingsman: The Secret Service, though it's certainly better than The King's Man.
  4. It's What's Inside
    As ambitious or complicated as the script may get, the film is the ultimate crowd-pleaser, entertaining the idea of horror tropes but structuring the story with clever twists and thrills that defy the genre.
  5. I Saw the TV Glow
    The film gives good insight into the confusion and fear we may face when exploring our sense of self.
  6. Your Monster
    Your Monster is a magical movie experience you do not want to miss. A nice blend of levity and drama, Lindy’s debut assertively makes its mark on the genre.
  7. Presence
    Without relying on cheap jump scares, Soderbergh’s psychological horror thriller is a shattering mystery about instinct that will chill you.
  8. My Old Ass
    The film is endearingly sweet, smart, and funny.
  9. The American Society of Magical Negroes
    Whatever the intent, the execution isn’t all the way there, and that’s the biggest disappointment of all.
  10. Tótem
    Tótem's camera is always studying the actors, exploratory and intrusive in the manner of a child's perceptive gaze.
    • tbd Metascore
    • 40 Critic Score
    Maboroshi
    All in all, Maboroshi is a complete and utter mess of a film. The art, animation, and music are all great, but the story has nothing interesting to say after its first half, and constantly switches between moving too fast and too slow.
  12. The Kitchen
    Ultimately, The Kitchen is a film with its heart set on two stories and only succeeds in telling one.
  13. Fallen Leaves
    Perhaps, Kaurismäki's movie suggests, disaffection is a valid response to this reality we live in. So, when these two people meet and sparks fly, it becomes all the more meaningful.
  14. Which Brings Me to You
    The film is, unfortunately, just another instance of the book being better than the movie.
  15. Founders Day
    With a premise worth engaging with, the film can’t quite grasp what its full intentions are and the execution reflects that.
  16. I.S.S.
    While the plot is suspenseful and unsettling because it’s something that could happen, the film underwhelms when it comes to its dynamics and individual arcs, each character lacking a depth that would have elevated an otherwise solid thriller.
  17. Role Play
    It's the right amount of romantic, funny, and thrilling, and it does what it needs to do to make its narrative feel less derivative and more dynamic and fun.
  18. Lift
    Packed with great action sequences and a cast that is committed to each other and the script, Gray's latest is creative and fun enough to hold attention.
  19. The Book of Clarence
    The sincerity with which The Book of Clarence approaches its story, combined with its sheer boldness, will cement Samuel as a filmmaker who soars to unimaginable heights.
  20. The Beekeeper
    The Beekeeper is an engaging ride, and once the action starts it never lets up.
  21. Night Swim
    The film isn’t trying to hit us over the head with what it’s trying to say, but its themes have depth. When exploring career and glory vs. family, regret and the lengths one will go to return to a life that’s no longer tenable, McGuire gets in a few good swings. If only the horror lived up to these aspects of the film.
  22. Ferrari
    If entertainment is all you're looking for, you'll find it, and you'll even have the fun of debating the accents and VFX as you leave the theater. But there's also a lot more to find beneath its surface pleasures, making it a worthy Christmas capstone for what has been a very good year for adults at the movies.
  23. Aquaman And The Lost Kingdom
    The problem is that the film wants to be too many things. It wants to be an action/adventure that takes its characters to exciting locales, a heart-warming story of family, an incisive commentary on global warming, and a cautionary tale of how vengeance can consume a person.
  24. Migration
    The biggest drawback of Migration is that it doesn't play to its strengths as often as it should.
  25. The Color Purple
    The Color Purple is a resounding success with respect to quality and entertainment. From its messaging about sisterhood and self-love to its stunning filmmaking achievements, it’s a film that's easily enjoyed on the big screen. While the entire cast brings their A-game, Barrino, Henson, and Brooks steal the show with Oscar-worthy performances.
  26. Concrete Utopia
    Concrete Utopia is one of the best thrillers of the year.
  27. The Sacrifice Game
    The plot of the movie works, but the dialogue definitely does not. The style is fine, but the tone is lacking. The Sacrifice Game is a film with the potential to be something cool and eerie, but the final product doesn't live up to that.
  28. Chicken Run: Dawn of the Nugget
    Chicken Run: Dawn of the Nugget is a blast overall. The performances hark back to the original, and while the sense of humor is not as edgy as it once was, it's still very effective.
  29. The Archies
    The Archies is entertaining, educational and original.
  30. Merry Little Batman
    Just in time for the holidays, writers Morgan Evans (Teen Titans Go!) and Jase Ricci have found the perfect balance of heart and hilarity in this cartoon caper.
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