Screen Rant's Scores

For 2,025 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2025 movie reviews
  1. While dissecting the world’s ridiculous beauty ideals, Fargeat directs her sensational feat with pungent audacity, fearless humor, and dysmorphic body horror.
  2. The characters are animated with such clarity of expression, and the film is edited so expertly, that lines just aren't necessary.
  3. The film keeps things simple, but it shines like a lighthouse in the darkness nonetheless.
  4. Anora is a lovable tale of rags to riches that comes exploding with chaos, hilarity, raunchiness, and a stupendous performance from Mikey Madison.
  5. A harrowing narrative that contemplates the transition from girlhood to womanhood, Arnold uses magical realism to capture preteen angst with a strong desire for existential freedom.
  6. Atlas is like an artificial sci-fi movie that walks and talks like the real thing, but just isn't.
  7. The sparsely populated funny moments don't make up for the lack of craftsmanship in the story's journey.
  8. At times, it feels as though The Garfield Movie is going through the motions, and it fails to offer anything particularly noteworthy about its main character.
  9. Yorgos Lanthimos’ Kinds of Kindness is a melting pot of anthology narratives that callously spotlight our desperation for affection and acceptance.
  10. With sincerity and style, Schrader offers a thoughtful film about life and legacy.
  11. It's commendable that the narrative never tries to explain the magic system of the world or bring up questions of potential paradoxes. However, it equally avoids questions about the nature of consequences. Without any real stakes or time crunch, the story builds and builds, but ends up going nowhere.
  12. A highly restrained examination of multiple topics, The Second Act is a film about everything and nothing all at once. Perhaps in line with Dupieux’s style, the surreal, dark humor and commentary produce a messy end product that overstays its welcome.
  13. With the documentary Amy painting a more detailed and intimate portrait of the singer’s life, it’s hard to recommend such a stilted, unimaginative biopic that doesn’t do Winehouse any justice.
  14. Megalopolis isn't just a transcendental delight for the senses, it's a manifestation of Coppola's dreams for humanity and his dedication to cinema.
  15. With unnerving tension, this slow-burning horror gradually unveils its alarming context.
  16. The Strangers: Chapter 1 ends with a cliffhanger that paves the way for Chapter 2 , and that, I feel, is where this new trilogy will really get the chance to take off.
  17. Though some may long for a meatier, more dialogue-heavy script, most viewers will appreciate the sumptuous meal offered by Miller's impressive visual storytelling and Taylor-Joy's powerful screen presence.
  18. IF
    Despite the clunkier elements, though, IF pushes through with its warmth and optimistic tone, paving the way for some truly effective moments.
  19. Mother of the Bride's success rests on the filmmakers' abilities to not oversell anything and trust that the collective charisma of the assembled cast will do what it needs to do — and it does, though a flimsy script and one major miscast can be distracting.
  20. It eludes classification, refusing to commit to being one thing and instead asking us to question our relationship with the world around us.
  21. The fascinating characters that populate the film and the masterful buildup of tension that unexpectedly erupts midway through the story more than compensate for any shortcomings.
  22. When it comes to horror, sometimes originality isn't necessary; what's key are the scares, and how everything unfolds. Unfortunately, Tarot falls flat in the former category, and the latter isn't particularly engaging.
  23. As an actor, Bartholomew has a lot riding on her performance, and for the most part, she nails it. Her physicality stands out above all else, as she expertly telegraphs internal changes and anguish to the audience through her body language.
  24. Kingdom of the Planet of the Apes is a rousing action-adventure in the ruins of the human world – traces of the past remain but this is Noa's story.
  25. It's entertaining, and there are a few chuckles to be had. One can appreciate the referential and situational humor as they are timely and apt for the characters. Lester and Gentry are a winning combo.
  26. Where the film lacks realism and sense, it is made up entirely by Hathaway and Galitzine’s sensational chemistry.
  27. Jeanne du Barry is a beautiful story, but lacks emphasis or innovation, which is essential in a period drama's success.
  28. Underneath its weaker spots, Turtles All the Way Down is bolstered by genuine heart and an excellent central performance from Isabela Merced (Madame Web, Instant Family).
  29. For those willing to dig deep, there is a lot to be gained from Sasquatch Sunset about what it means to be alive, our connection to nature, and the enduring power of family and resilience.
    • 68 Metascore
    • 80 Critic Score
    Fortunately, the wait was absolutely worth it as CODE: White joins some of Spy x Family's best missions as one of the franchise's best outings.

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