Screen Rant's Scores

For 2,004 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2004 movie reviews
  1. While the movie's sea battles are elegantly staged by cinematographer-turned director Aaron Schneider (helming his second feature here, more than ten years after his acclaimed debut with Get Low), the absence of a compelling character throughline makes it difficult to become emotionally invested in their outcome.
  2. It’s thoughtful and quietly devastating. In its insistence to buck conventions of the queer drama, though, it inevitably falls into some of the very traps it hopes to avoid, landing somewhere between expectations and the underwhelming pic it flirts with becoming.
  3. Synchronic is an interesting, if standard, drama that gets by on the strength of Anthony Mackie's performance and a strong third act.
  4. The film presents a bold vision of what movies can and should be and, ultimately, it's a more exhilarating experience to watch a movie of this scale take risks and fall short than it is to see a blockbuster play it safe and deliver mediocre results.
  5. Before We Forget (originally titled Duino) is a refreshingly intimate film and a classic gay yearning story. It has some twists that subvert genre expectations for an even more staggering emotional effect.
  6. Without offering anything particularly interesting or nuanced, The Guilty still has enough to keep audiences engaged and on the edge of their seats.
  7. Chicken Run: Dawn of the Nugget is a blast overall. The performances hark back to the original, and while the sense of humor is not as edgy as it once was, it's still very effective.
  8. What the documentary lacks in depth it makes up for with style, creativity, and entertainment value.
  9. It strips Nyad of her complexities for something a bit too formulaic.
  10. Ash
    Ash can be horrific and genuinely startling; there’s a specific scene near the end that underscores the apprehension that permeates the film. It’s chilling and memorable. And yet, had the sci-fi thriller given its characters more dimension, it would have been all the stronger.
  11. Though the script fails to follow through on some of its promises, the subtext is there and Elordi, Edgar-Jones, and the rest of the cast give quietly devastating performances as their dreams manifest in ways they cannot predict.
  12. The Electrical Life of Louis Wain is so utterly charming and buoyant that it makes even the frustrating aspects of the film forgivable.
  13. Thankfully, Boon, Graham, and Riseborough do enough to anchor the film and bring it home as it lands on a strangely poignant note both chilling and endearing.
  14. Full of action sequences and an incredibly moving score to pair, this could be the kind of war drama that audiences have been missing. It’s heavy on the violence and anti-war messaging, and contains a beautiful story about survival, humanity, and doing the right thing even when there are countless obstacles in the way.
  15. The film’s characters are human and, while they’re afforded depth and nuance, Ebo isn’t interested in coddling them or excusing Lee-Curtis’ behavior. And it’s in the balanced exploration of characters and religious hypocrisy, the blending of the facetious with the serious that makes the film worth the watch.
  16. First and foremost, this remains a film for the fans. As such, Downton Abbey: A New Era is a triumph. After several tumultuous years, returning to a well-known universe with beloved characters is a balm and anyone who has followed along with the Crawleys will find plenty of enjoyment within the film.
  17. Candy-colored and ebullient, I Want Your Sex is not a bad film, but its hard to think of it positively when we know just how much more effective Araki has been behind the camera. The film is just never sure of what it is.
  18. It's the kind of eccentric true story that seems tailor-made for a movie, and McAvoy brings it to life with plenty of high-spirited energy.
  19. Bolstered by a thoughtful script and beautifully authentic performances, Banana Split provides a fresh take on the coming-of-age romantic comedy.
  20. Your Monster is a magical movie experience you do not want to miss. A nice blend of levity and drama, Lindy’s debut assertively makes its mark on the genre.
  21. With an excellent ensemble cast and intense character dynamics, Knock at the Cabin is a high-stakes horror that delights in the doubt and confusion that arises.
  22. Kiss of the Spider Woman is entertaining and invites us into its fantasy in a bid to forget reality for a while. And for the two hours I was watching, I did.
  23. V/H/S/94 is a solid entry that provides the telltale thrills of gritty found-footage horror mired in '90s nostalgia, though it is flawed and uneven.
  24. While Schrader's directing and the casts' performances are more than up to standard, Master Gardener somehow ends up being less than the sum of its parts.
  25. No disrespect to Foy, who showed with The Crown just how capable she is of revealing entire histories through her open visage, but watching her go through the extremely repetitious (and, one supposes, accurate) steps of training a Eurasian Goshawk is exceptionally tiresome. H is for Hawk induces the same effect as taking a sedative.
  26. The film exceeds expectations with respect to being a Netflix Christmas production, but it is thoughtful and sincere all the same.
  27. Where there could have been thoughtful, poignant commentary about life’s regrets and the turmoil that can continue to permeate a father-son relationship over time, Mortensen drops the ball completely. Without a cohesive story, Falling spirals and offers little beyond good performances.
  28. Keeping us close to the film's talented cast is a decided strength of this, and the performances add nuance to a largely straightforward viewing experience. But it's hard not to wish Fingernails had grander designs. It shows just enough of its full potential to leave us wanting to see those ideas expressed more fully.
  29. There's plenty to admire in Maria, and in Jolie's performance, but my connection to certain scenes shouldn't be mistaken for my being emotionally engrossed. In fact, I typically felt kept at a distance.
  30. Bring Them Down is 105 minutes worth of violence and misery, but it’s great storytelling, nonetheless.

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