Ultimately, Inheritance is a fairly good attempt to branch out into different technical abilities within the spy thriller genre. Hopefully, this method and films like Inheritance continue to inspire such attempts.

The result is a solid entry into the body horror genre.

Alarum fails on all counts, and the few positives aren't successful in bringing the movie out of the gutter.

Overall, Star Trek: Section 31 can best be described as a fun time. And if it sometimes feels a bit hollow, well, not every Star Trek story has to have profound commentary on what it means to be human.

It's a riveting film, but one that left me feeling hollow and ultimately frustrated with the continued way in which much of American cinema tackles crises like the one at the center of September 5.

Birdeater didn't have to be a blood-soaked revenge movie to be more effective, but it took too few risks to be truly thought-provoking.

It's not outright terrible, but it's nothing to get too excited about, either. There's even a sweet subplot about mother and daughters and familial trust. It's an overall cute family movie and anyone who adores Diaz and Foxx will find a way to enjoy it.

If you’re looking for an overall fun time at the movies, One of Them Days delivers.

Garner's performance is the heart of this, and if the movie were told entirely through her eyes, I think you'd have the compelling layer of doubt that the film sometimes seems to want.

It's ultimately Hunter and Brandy's performances that keep The Front Room from feeling like a complete missed opportunity and an occasionally engaging watch.

The film, comprised of over 20 stories, is a cry for help. A cry for humanity. A cry for justice.

Mothers' Instinct is a compelling thriller that elevates Anne Hathaway and Jessica Chastain to incredible heights. The film is a tense and terrifying story of love, loss, and deception that sees people pushed to their limits.

The unfortunate thing about Peter Pan's Neverland Nightmare is that it fluctuates far too much between a sincere thriller and a tongue-in-cheek take on the character that it's just never as fun as it could be.

The spectacle doesn’t mean there’s no heart at the story’s core, and it kept me watching despite being overlong.

The Damned has been made to a high standard. The film is extremely well-crafted; the cast, the period setting, and the eerie and isolated fishing village where the story plays out all help to create a tense and believable story.

Despite some of the movie's flaws, Santosh's cast truly shines, particularly Shahana Goswami in the titular role. Serving as an audience surrogate, Goswami nicely balances the feeling of curiosity and uncertainty as she becomes more embroiled in the case and her job.

A couple more action set pieces would have also helped the pacing from growing too stagnant as, like its predecessor, Den of Thieves 2 is far too long at nearly two and a half hours. It’s bloated and, with nothing too exciting going on, the wait for the heist itself starts to drag. Despite some tension, there’s no real sense of urgency at any point. The film sets up yet another sequel, but Pantera lacks the passion and consistency needed to dredge up any genuine excitement for yet another film in a struggling franchise.

It's artful, atmospheric, and observant; a slice-of-life film told in a hushed tone. It's dedicated to recreating a specific time and place and dropping us into it. There's a gentle steadiness to the way it moves.

The Count of Monte Cristo is as much a swashbuckling adventure as it is a warning about the dangers of letting yourself get lost in the desire for things that don't matter. With a gorgeous score that uplifts every scene, making them more tense, romantic, and devastating, and sets and costumes on par with the best period pieces of the 21st century, everything about the movie is planned and carefully executed.

This story and these women deserve better.

This is a franchise that has treated its supporters with respect while opening its arms to newcomers. Because of that, the weaker elements of the film feel unimportant in the wake of a genuinely entertaining time that will no doubt thrill audiences of all ages.

Ultimately, the film has some heartfelt moments and themes, and while dark and violent, it is, in the end, an uplifting story about family, legacy, and hope.

Assisted by franchise veteran Lebo M., Miranda brings his addictive melodies and spry lyricism to the movie and creates a soundtrack that can hold its own against the original.

The chemistry between Booth and Pill is a large part of what makes Young Werther work.

This hopeful and insightful look into the life of such an icon creates an inspiring and beautiful story that stands tall from the beginning until the very end.

Scrap is ultimately an unflinching and sensitive portrait of a woman faced with the terrifying uncertainty of rebuilding her life. Though some of the harsher realities of being homeless aren't explored in much depth, and the ending is a touch too neat, Kerr crafts a compelling journey for us to go on, one that should linger after it's over.

Egerton's got something in this vein. Cruise-esque exceptionalism, but cut with relatability like he came from the everyday world but clearly wasn't meant to stay there.

After nine years, Aaron Taylor-Johnson returns to Marvel superhero fare, but while Kraven the Hunter has potential, it's a middling origin story.