Screen Daily's Scores

  • Movies
For 3,730 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 4 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Oppenheimer
Lowest review score: 10 The Emoji Movie
Score distribution:
3730 movie reviews
  1. Terrence Malick often wrestles with the cosmic, the spiritual and the eternal, but with A Hidden Life, the meditative writer-director attacks his usual themes from a rewardingly timely and urgent perspective.
  2. Mixing tough US social realism with butch femme poses is an intriguing exercise, although this small, sincere drama never quite resolves the awkwardness of the meld.
  3. Joan of Arc is in some ways a more conventional drama than its predecessor, but is still intransigently individual. Yet even with a subject as eternally popular as Joan, it’s hard to imagine the film making waves with a mainstream audience or bringing new revelations to Dumont’s long-term followers.
  4. An exhilarating cocktail of bloodbath violence and tar-black humour that will be catnip to Midnight Madness programmers and Miike devotees.
  5. How much a viewer will enjoy the convincingly cringe-making portrait on display here will depend on whether one feels empathy for Sophia’s inability-come-reluctance to access the ramp to adulthood or would prefer to reach into the screen and shake her.
  6. The film displays intense emotional seriousness and is finely performed and directed; but further shaping could have revealed the more focused work that’s begging to emerge.
  7. The effect is a patchwork rather than an interwoven whole; the wistfully self-reflexive tone will appeal to fans of the less emphatic, more meditative end of the Almodovar spectrum.
  8. An angry skewering of today’s gig economy as well as a moving drama about a loving family on the verge of implosion which is easily is one of Loach’s very best films.
  9. Beats brilliantly captures the nervy, joyful terror of turning up at a derelict warehouse equipped with a soundsystem and woefully inadequate toilet facilities. And it’s a testament, too, to the uncomplicated platonic love between two lads who both know, deep down, that they are too flakey to stay in contact.
  10. Boldly synthetic in its approach, in everything from colour palette to performance style, this film won’t be for everyone. And the fact that it defies easy categorisation might present a marketing challenge. But for those who engage with it, this oddly off-kilter piece of storytelling should exert a pull every bit as mesmerising as any genetically modified mood-enhancing shrub.
  11. The film is a bracingly confrontational commentary on the direction the country is taking in the Bolsonaro era. Propulsive storytelling doesn’t come at the expense of the vividly sketched personality of the community.
  12. This sloppy horror comedy under delivers on both shocks and laughs.
  13. Rocketman is so energetic that it’s possible to be swept away by its enthusiasm for putting Reg on a pedestal. Too often, though, the film just flattens you, demanding fealty to Sir Elton.
  14. An intense romance notable for the craft of the filmmaking and Diop’s original approach to complex issues of love, loss and the forces for change that can rise from the ashes of tragedy.
  15. A slow-burn drama with familiar contours but a sure sense of place and a great deal of restrained empathy.
  16. The modest running time ... means that it does feel a little slight and underdeveloped in places. However, there are enough sparks of originality and comic invention throughout to capture those in search of something winningly offbeat and unexpected.
  17. Sometimes a bad film is just a bad film, but Depp is most likely to pay the price.
  18. The film’s scattershot humour doesn’t always land, but even when it does it’s merely masking what is ultimately a gloomy portrait of our walking-dead existence.
  19. If this focus on fleeting pleasures occasionally risks exoticizing the subject, Mayfair’s sensory approach to illustrating an almost unbearable absence of female fulfillment achieves a powerful universal resonance.
  20. The bleak warning of this environmental parable notwithstanding, this is arresting, frequently unsettling, cinema.
  21. Like the strong-minded but somewhat petulant Martina herself, the film delivers plenty of heady sensuality but is mainly skin deep and, ultimately fails to satisfy.
  22. Feel free to ignore the nonsensical plot and tortured musings on honour, revenge, loyalty and destiny. All that matters is how director Chad Stahelski concocts his usual litany of flinty fight scenes, and how Keanu Reeves invests the material with his wonderfully spacey stoicism.
  23. A celebration of scientific excellence and an account of a discovery which has ramifications for natural environments the world over, The Serengeti Rules makes for compelling viewing.
  24. The feature’s heart is in the right place, especially in advocating that age shouldn’t be a barrier. But Poms is a by-the-numbers feature which couples its empowering message with routine gags and muddled conflict.
  25. The human testimony is undoubtedly the most engaging aspect of Another Day Of Life, but the animated sequences earn their place when they provide a sense of the emotional turmoil that Kapuscinski experienced as he faced the chaos and horrors of a war that would continue until 2002.
  26. What you get in these performances is intelligence, emotion and physicality, and when they come together as combustively as they do here, what you get is something extremely rare - a film that catches the messy, hot complexity of life and love.
  27. A though-provoking journey through the search for truth and reconciliation, The Silence of Others emerges as a moving salute to the small victories of determined individuals.
  28. A multi-layered and thought-provoking work of art.
  29. Yesterday is a film we’re all familiar with, for better or worse.
  30. There’s a fine line between giving a voice to the victims of honour killings and putting words into the mouths of people who are no longer able to speak for themselves. The slightly contentious issue with A Regular Woman is how closely allied it is with the real case of Hatun Aynur Sürücü. There is no distance afforded by a layer of fictionalisation and, ultimately, it’s impossible to know how closely the voice of the character in the film matches that of the young woman who lost her life.

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