Screen Daily's Scores

  • Movies
For 3,737 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 3.7 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Oppenheimer
Lowest review score: 10 The Emoji Movie
Score distribution:
3737 movie reviews
  1. A Quiet Place Part II proves to be an even fiercer and more emotional experience than the first instalment. Expanding its world slightly without losing sight of the elements that made the original so effective, this superb piece of mainstream horror filmmaking is bolstered by some terrific performances, most notably Millicent Simmonds as a deaf daughter assuming the role of family protector in the wake of her father’s death.
  2. With a terrific lead from screen and stage veteran Hélène Vincent, this is Ozon in his fine-wine register, but with acerbic notes.
  3. Wildly uneven, sporadically brilliant, occasionally unbearable, Alex Ross Perry’s sprawling portrait of a self-destructive rock star is carried by a performance by Elisabeth Moss which is turned all the way up to eleven, and beyond.
  4. As Hans Zimmer’s propulsive score juices the drama and thrill of Paul’s quest, Part Two achieves the sort of big-screen momentousness that is too rarely dared in contemporary cinema. Anyone swept away by the 2021 film will hunger to return for a second helping — and be richly rewarded.
  5. The prolific French director clearly needed to breeze through this one – and the breeziness is infectious.
  6. However sceptical you feel about Brügger’s approach, and his findings, this is an arresting, troubling work – and, for all the horror, an intensely entertaining one too.
  7. Scripted with heightened literary cadences by Ron Hansen and Jim Shepard, the film is well crafted in every respect, and marks an acting career high for Katherine Waterston, as well as a fine showcase for the ever more impressive Vanessa Kirby.
  8. At once a documentary about the band and its recent live reunion, and a fictional embroidery around its status (and missed opportunities), Pavements is a joyous, slyly subversive celebration that, while unlikely to persuade newcomers to the music, nevertheless catches the band’s wayward spirit, as well as the downright ordinariness that came as an alternative to the bloated rock band ethos.
  9. The combination of knock out performances, in particular from newcomer Eden Dambrine as Léo, and direction of uncommon sensitivity from Dhont makes for a picture which is intimate in scope but which packs a considerable emotional wallop.
  10. A political thriller charged with anger and sexual tension, this is as timely as it is bracingly entertaining.
  11. Allen-Miller achieves the Holy Grail of all great rom-coms in making us desperate to see the pair get together for good, while simultaneously not wanting this first flush of romance to end.
  12. With this seductive, serpentine neo-noir, Park Chan-wook raises the bar on the 2022 Cannes competition programme and reasserts his position as a peerless visual stylist. But there’s nothing superficial or superfluous about his style here: it’s all in the service of the film’s mercurial and at times disorientating blend of crime and passion.
  13. Layering the life of Irish folk singer Joe Heaney through a flickering lens and leaning on the natural, unadorned voice of the sean nos [old style] singer, this doc/feature hybrid film isn’t perfect, but it is quite perfectly-made.
  14. The heartbreaking plunge into sisterhood and grief that is His Three Daughters is an intensely composed elegy about the devastating effect of saying goodbye to a parent.
  15. Jessica Beshir’s hypnotic, immersive and very beautiful documentary marks an impressive feature debut.
  16. It’s a blast. Last Night In Soho is the kind of good time which isn’t over until someone’s either crying or bleeding. And oh, how we’ve all missed those nights!
  17. Director Julien Faraut, who oversees the French Sport Institute’s 16mm film collection, showcases masterful command of the documentary form. His insightful, entertaining and often humorous film will appeal to fans of McEnroe, tennis and sport in general.
  18. This is a ruthlessly controlled drama that achieves its powerful effect by holding back when its dramatic content is most intense.
  19. The child’s eye view of a seismic time of political upheaval is not an entirely new storytelling approach, but Davies breathes fresh life into the device.
  20. Raw
    The young cast, from the newbie leads to an army of go-for-it extras, are terrific, and Marillier is something else – ferociously expressive in a performance that’s no-holds-barred on every front.
  21. This remarkably assured debut ... uses the medium of cinema to its fullest extent, both visually and aurally.
  22. Crucially, underneath the music and the soft-focus romance Been So Long makes some poignant observations about community, family and the importance of connection.
  23. Deadwyler is the heart and soul of a film whose every inch is deeply felt.
  24. It’s to the credit of Isabelle Huppert, who excels in the role of philosophy teacher Nathalie, and to the deft handling by Hansen-Løve that the film wears its wealth of ideas so lightly.
  25. You Won’t Be Alone’s strength lies in Stolevski’s ability to balance the gore with the humanity.
  26. The bittersweet fact that money can buy many things but love and talent aren’t among them is explored with often-thrilling artistry in Marguerite.
  27. A powerful and troubling drama about the Stalin era. ... This is a film to revel in, and to argue about – and for some, no doubt, to recoil from – but it’s one of the most original works of the year, and a stand-out of what is proving a rich spell in Russian cinema.
  28. A wildly entertaining, modern-day screwball comedy ... Baker continually ups the ante on the picture’s unruly humour and propulsive pacing.
  29. The action scenes are predictably magnificent, and an excellent supporting turn from fetching new cast member Rebecca Ferguson helps make this a sexy, propulsive, top-notch thriller.
  30. The space battles and lightsaber duels are appropriately exciting, but Johnson keeps a close eye on the human element that girds this galactic odyssey. Rather than simply regurgitating Star Wars’ past, The Last Jedi emphatically builds on it.

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