San Francisco Examiner's Scores

  • Movies
For 927 reviews, this publication has graded:
  • 49% higher than the average critic
  • 4% same as the average critic
  • 47% lower than the average critic
On average, this publication grades 4.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Big Night
Lowest review score: 0 Luminarias
Score distribution:
927 movie reviews
  1. This splatter film is set in Norway, but rest assured, it sticks with the formula. The young people to be killed off are just as obnoxious as their counterparts in American gorefests.
  2. Besides some fine dogfight sequences, it often feels threadbare, just an exercise in recycling.
  3. If I wanted a Nora Ephron cuddle-ganza, I'd rent one.
    • San Francisco Examiner
  4. Modestly better than last year's awful "End of Days," though it falls well short of Arnold's "Terminator" peak period.
    • San Francisco Examiner
  5. Little Nicky is but a meek gross-out cousin of "The Waterboy."
  6. Good-looking and empty.
  7. It's hard not to like a movie like Men of Honor, but it's entirely possible.
  8. There's more gymnastic yammering in Loving Jezebel than in a season of "Dawson's Creek."
  9. Feels like an interminable pilot for a show to fill that deadly 8:30 slot between "Friends" and "Will and Grace."
  10. There's the world-alteringly scary possibility that (Leder) might be trying to kill us with a star-studded "After School Special."
    • San Francisco Examiner
  11. A weakly performed rehash of master-slave role-reversal tales.
    • San Francisco Examiner
  12. It seems like another misstep - the story just doesn't hold up to Ritchie's treatment.
    • San Francisco Examiner
  13. Not the sweaty midnight stroll through the garden of carnal delights that its title wants you to believe.
  14. Too much of nothing and far from the potentially star-making material that Foxx deserves.
    • San Francisco Examiner
  15. A misfire.
  16. Capably made but simplistic story.
  17. Timely in that it joins an already mammoth list of bad movies about post-hippie static, including the recent "Steal This Movie."
    • 57 Metascore
    • 50 Critic Score
    An impressive low-whistle, hardscrabble look at the world of pool sharks and the people who crisscross their lives.
  18. Tired comedy.
    • San Francisco Examiner
  19. It's often a lapsed, under-informed documentary with restagings.
  20. Fails to be the histrionic bubble bath that you want to carry you away.
    • San Francisco Examiner
  21. Determined to be inoffensively tidy and cute above all else.
  22. Not entirely persuasive, not entirely schmaltzy, "The Tic Code" is one of those well-meant dramatizations... that mysteriously made it all the way to a theater near you.
  23. Doesn't have what it takes to be truly terrible.
    • San Francisco Examiner
  24. Determined to try your patience, asking you to fall in love with it.
  25. An archaic rail-ride into the heart of boredom.
  26. An arthritic failure, genuine only when the two outcast lovers' eyes dart toward each other, then retreat.
  27. Particularly anticlimactic - the film itself seems sprung from molting yuppie catalogs.
    • San Francisco Examiner
  28. The Patriot makes the Revolutionary War look like super-produced studio footage of the L.A. riots.
    • 44 Metascore
    • 50 Critic Score
    With a few quiet, moving scenes and a lovely ending, the film betrays an artist's touch, no matter how hard Kitano tries to make it look easy.

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