The problem is the script, which, in scene after scene, contains no surprises.

The movie is modest in its ambition and powerful in its reverberations.

The temptation arises to say something nice about Grown Ups 2 just because it doesn't cause injury. But no, it's a bad movie, too, just old-school bad, the kind that's merely lousy and not an occasion for migraines or night sweats.

If this is the best we can do in terms of movies - if something like this can speak to the soul of audiences - maybe we should just turn over the cameras and the equipment to the alien dinosaurs and see what they come up with.

What Sweetgrass lacks in context it makes up for in voyeuristic camera work that reveals a gritty beauty in the landscape, along with the human and livestock characters.

It represents 2 1/2 of the longest hours on record, a jumbled botch that is so confused in its purpose and so charmless in its effect that it must be seen to be believed, but better yet, no. Don't see it, don't believe it, not unless a case of restless leg syndrome sounds like a fun time at the movies.

Eventually, though, these scenes get repetitive, and the muddled final act neither builds nor gets scary. Writer-director Peter Strickland is much more interested in the atmospherics, so when Gilderoy plunges into the abyss (or wherever), we are left confused, and not in a satisfying, David Lynch kind of way.

There may be better examples of cinematic art in 2013, but for a good time at the movies, it's hard to imagine anything beating this action extravaganza, from director Roland Emmerich, about a very Obama-like president.

Don't believe the weak coming-attractions trailer. The inspired pairing of Sandra Bullock and Melissa McCarthy makes for a successful action comedy.

The latest in the wonderful "Before" series does three important things: It breaks out of the courtship formula, yet retains the series' quality, and it moves the lives of Celine (Julie Delpy) and Jesse (Ethan Hawke) forward in ways that are satisfying and believable. True, a romance you once envied might now be a relationship you'd not want to be in, but as long as Celine and Jesse are still talking, there's hope.

The ending takes an unfortunate detour that stretches the running time, but this is still quality Pixar work.

Exciting, truly harrowing and smartly directed apocalyptic thriller from Marc Forster ("Monster's Ball"). It's the scariest zombie movie in many years.

This is a pretty good action movie that justifies bringing back the Superman franchise -- a dubious proposition to begin with -- by taking the plight of the superhero seriously. Henry Cavill is charismatic in the lead role, Amy Adams is an ideal Lois Lane and, as the villain, Michael Shannon does the best Michael Shannon impersonation you've ever seen.

There are flaws, but also some fun surprises. Much closer to Hitchcock than "Hostel," this is what can happen when a pile of trash falls into the hands of a talented and resourceful director (James DeMonaco).

This vaguely funny film is also the saddest and most depressing movie of 2013.

Jaden is not ready for his solo spotlight, and the film is the same action over and over. Another bad movie from Shyamalan.

Well-polished and well-intentioned, this human-among-the-fairies adventure is filled with plenty of rousing action for short attention spans. But the beautiful visuals are paired with a mediocre script. The pacing is off and scenes become repetitive. While Epic has broad appeal, it's hard to imagine this will be anyone's favorite movie in 5 or 10 or 20 years.

It's stupid but glorious -- Dominic (Vin Diesel) and his crew of high-spirited street racers are hired by an FBI agent to hunt down an international terrorist in London. Ridiculous and entertaining from start to finish.

If the first "Hangover" movie were this awful, there never would have been a Part Two. This is a joyless, unfunny mix of comedy and drama, a complete waste of time, with exactly one good joke in the entire movie. It comes in the first minute. After that, you can leave.

Twixt is fun, but fairly flimsy - it doesn't have the ambition of his previous film, the black-and-white character piece "Tetro." It's also not really scary, although there are some nice creepy visuals here and there.

Full of humor, some exciting scenes and some intelligent parallels between the world of the film and the political and moral issues facing us today.

The good news about Baz Luhrmann's adaptation of the Fitzgerald masterpiece is that he doesn't use the novel as a mere pretext for his own visual invention, but genuinely tries to capture the Fitzgeraldian spirit, and for the most part, despite some vulgar lapses, he succeeds.

Violent and nonsensical, with story elements in contradiction, it is lifted up by the efforts of the actors, who try to put a human face on the blockbuster machinery and almost succeed.

It's a homemade protein-and-steroids smoothie of a plot, combining elements of gore, self-parody, 1990s nostalgia overload and an attempt to say something -- while actually saying absolutely nothing -- about the American dream.

Most of this huge-cast extravaganza is a botched farce. When that doesn't work, it turns sentimental. The presence of liked and familiar actors helps make it watchable, but there is no disguising that this is a weak, badly constructed comedy. At least it's short.

After a slow start, this is the rare film that gets better as it goes along. The story, about two scientists working in a post-apocalyptic New York, deepens and builds an intense rooting interest. The action sequences are too much out of a video game, but this is intelligent science fiction -- and it benefits enormously from Tom Cruise in the lead role.

One of the rare films that directly responds to and expresses modern anxieties, this debut feature from director Henry Alex Rubin interweaves the stories of three sets of people, whose lives are upended through various bad things that happen over the Internet -- including bullying and identity theft. A fascinating and riveting thriller.

A superior sports movie, dealing honestly with a great American story.