San Francisco Chronicle's Scores
- Movies
- TV
For 9,315 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,170 out of 9315
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Mixed: 2,659 out of 9315
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Negative: 1,486 out of 9315
9315
movie
reviews
- By Date
- By Critic Score
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- San Francisco Chronicle
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Reviewed by
Edward Guthmann
The magic here is all in the telling: in the graceful, laconic direction of Jacques Becker.- San Francisco Chronicle
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Jonathan Curiel
A wonderful French offering whose jumping-off point is a bullfight.- San Francisco Chronicle
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Peter Hartlaub
Most moviegoers will have trouble looking past Culkin the actor, who does a decent job of sending up youthful fame in a movie that's barely worth the effort.- San Francisco Chronicle
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Peter Hartlaub
The rare David Spade movie that won't make you hate yourself in the morning.- San Francisco Chronicle
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Mick LaSalle
The movie's promise -- to provide a balanced argument -- goes unrealized, and all we're left with is the spectacle of an idiot bullying a genius.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Ruthe Stein
Emilio Martinez-Lazaro fails to provide a consistent tone for his movie, which totters between earnest realism and camp.- San Francisco Chronicle
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Mick LaSalle
Would be a completely routine horror movie, except that it has a superior director. Watch this film for five minutes, and it's clear that Victor Salva knows how to make movies.- San Francisco Chronicle
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Walter Addiego
It's the work of a very young filmmaker (Lerman is in his late 20s), promising if finally unsatisfying.- San Francisco Chronicle
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Carla Meyer
Tries screwball and gross-out comedy and fails on both counts.- San Francisco Chronicle
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Mick LaSalle
The best of Jackie Chan's American movies, a pleasant little action comedy that makes one wonder how other filmmakers could ever get it wrong.- San Francisco Chronicle
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Walter Addiego
Gains depth from subtle dark humor and a few genuinely emotional moments- San Francisco Chronicle
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Peter Hartlaub
Even at 82 minutes, Stoked gets repetitious, with too much time spent on the rise and not enough on the fall.- San Francisco Chronicle
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Jonathan Curiel
A bittersweet film that tells the story of Palestinian life as eloquently as anything ever done.- San Francisco Chronicle
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Ruthe Stein
Dispiriting mess. The movie is bad in a boring way: tepidly paced, disjointed and lacking any emotional hook.- San Francisco Chronicle
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Mick LaSalle
It's a dishonest satire that manages to be (disingenuously) contemptuous of white people and (unintentionally) condescending toward black people, without ever being funny.- San Francisco Chronicle
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Edward Guthmann
His (Seidl) camera is shocking in its intimacy, his film surprisingly casual in its depiction of extreme behavior and the randomness of violence.- San Francisco Chronicle
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Mick LaSalle
Wood is superb at delineating Tracy's slide into desperate incoherence, but equally impressive is Reed, who has to conceal her writer's intelligence in playing a character who's entirely instinctive and unreflective.- San Francisco Chronicle
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C.W. Nevius
It would help if the plot were more than just an outline with a few convenient turns.- San Francisco Chronicle
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Mick LaSalle
A romantic drama, a rare kind of film these days, even though romantic dramas were once a dominant genre in America.- San Francisco Chronicle
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Mick LaSalle
Considering what the filmmakers had to work with, and the fact that it has all been done before, Freddy Vs. Jason isn't bad. And sometimes not bad is almost good.- San Francisco Chronicle
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Mick LaSalle
It's a humane and witty treatment of an average life that, incidentally, speaks to the worth and inherent drama of average lives.- San Francisco Chronicle
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Carla Meyer
Delightful blend of comedy, kung fu, soccer and special effects.- San Francisco Chronicle
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Mick LaSalle
Open Range veers wildly. It's a movie of beauty and sensitivity, and tedium and absurdity.- San Francisco Chronicle
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Peter Hartlaub
The most humorous actor in the film, Joey Kern as Sweet Lou the cradle-robbing ladies' man, gets laughs only because he's performing a note-for-note rip-off of the Matthew McConaughey character in "Dazed and Confused."- San Francisco Chronicle
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Edward Guthmann
Captures the effervescence and playfulness of Johnson's novel, even as it attempts to shoehorn a tangle of characters and situations.- San Francisco Chronicle
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C.W. Nevius
Will have even the most landlocked goofy-footers wondering why they never learned to surf.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
C.W. Nevius
This is Curtis' film. Looking a little like a combination of Carol Burnett and Annie Lennox, Curtis has this character down.- San Francisco Chronicle
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Reviewed by