San Francisco Chronicle's Scores
- Movies
- TV
For 9,316 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,171 out of 9316
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Mixed: 2,659 out of 9316
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Negative: 1,486 out of 9316
9316
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mick LaSalle
Bezucha made something perverse, a feel-bad holiday film about a repellent family, with a milquetoast dad and a smug, devious harpy of a mom.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The film is dreadfully slow without much in the way of rewards.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Most of the bits and performances have a hard time making the transition from stage to screen.- San Francisco Chronicle
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Reviewed by
Walter Addiego
Hoodwinked is a computer-animated, "Shrek"-style satire of "Little Red Riding Hood" that offers a few laughs but overall is pretty tired.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
On its own terms, the film is overlong, repetitive and lacks impact. Even if this were the first gorilla-in-love movie ever made, audiences would come away vaguely dissatisfied, suspecting there was an intriguing idea buried somewhere in here, but it didn't quite come off.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Too labored and cliched to incite passion in an audience.- San Francisco Chronicle
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Ruthe Stein
Has an old-fashioned feel, as if it had been made in the period of its setting. I mean this as a compliment.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A movie of intelligence and power, of beauty, universality and largeness of spirit.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The World's Fastest Indian might be the world's worst title for a charming, slice-of-life biopic.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Transamerica provides the frame and the occasion for one of the year's best performances, Felicity Huffman's as a woman trapped in a man's body who's passing for female while awaiting a sex-change operation.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Walter Addiego
Well made, but it's a talkfest that wears its stage origins on its sleeve.- San Francisco Chronicle
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Joel Selvin
Tender but unsparing, heartfelt and unapologetic.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
G. Allen Johnson
The film is so pitch perfect and realistic, it seems you are there with these people, watching their lives unfold before you as it happens.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
The casting, at least, is magical. Plowright shows both her character's strength and her heartbreaking vulnerability, sometimes at once.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
May be a good tactical move for the artist's career, but it's a bad movie.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Neva Chonin
There is little debauchery to be had in Laurence Dunmore's adaptation of The Libertine. In fact, hedonism has never looked so bleak.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
It's hard to get swept away when you're struggling to figure out who's doing what to whom and why.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
Ruthe Stein
Offers a brew of wondrous chimera combined with the wonders of human nature.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A passionate, chronicle of an extraordinary artist, and a love story that can't be beat.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
Known for his visual images, Jordan outdoes himself in "Breakfast,'' a feast for the eyes.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
By focusing on one family's dilemma, the movie brings home the messy Middle Eastern situation in a way easier to relate to than the headlines and opinion pieces.- San Francisco Chronicle
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Reviewed by