San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,317 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9317 movie reviews
  1. Now comes this American version, which turns out to be the exception, an American remake that's better than the European original.
  2. The similarity between the children is the most striking part of the movie.
  3. Word of warning: Don’t go to the theater with a full stomach. Some of the images of animal abuse are graphic and hard to watch, although this is rather tame compared with other documentaries on the same subject.
  4. Sweet and deeply moving.
  5. The film doesn't explore the nature of ghosts, as it promises to initially, but it's fun to watch Del Toro confront death and fear with such energy and humor.
  6. Opens up a world of words.
    • 64 Metascore
    • 75 Critic Score
    Jake finally looks like a catch, of all things, and you can hear half the audience whispering that they’ll have what Lainey’s having.
  7. The result is an original picture, not entirely successful, but successful enough, and delightful in its ability to surprise viewers, and juggle tones and keep every ball in the air. The World's End has the aura - and this might only be an attractive illusion - of something imagined whole, in a burst of inspiration, rather than as something labored over.
  8. For all its dazzling computer-generated sequences, "Museum'' wouldn't be nearly the delight it is without the talents of some of the best comedians in the business.
  9. Lee
    Still, “Lee,” based on Antony Penrose’s biography of his mother, “The Lives of Lee Miller,” is an interesting look at an artist whose true importance, unfortunately, became apparent only many years after her death.
  10. It's a movie to feel. Even when the thinking isn't all there, the emotions are, all the way to the film's poignant last seconds.
  11. The movie keeps a snappy pace and the suspense pot boiling. The snippy interplay between the two cops adds enjoyable twists of comic chemistry. Constant rain and slick streets, though a cliche, set a moody tone. [07 Oct 1996, p.D2]
    • San Francisco Chronicle
  12. Not Fade Away is a movie by a filmmaker who treasures his memories, cares about social history and relishes getting it right.
  13. A zingy self-empowerment fantasy for kids.
  14. Lucky Grandma isn’t a feel-good comedy at all, but has a parched-dry dark comic approach, keeping Grandma Wong at an emotional remove.
  15. A well-deserved 2003 Oscar nominee for best foreign-language film.
  16. That irresistible thing - a movie about the making of a movie - combined with a bit of a history and a political message.
  17. Belle isn't a perfect movie; in some ways it's obvious. But even if it's not true to history, it's true to that painting and worthy of its inspiration.
  18. Although it holds some of the same contrivances as the original, Hulu’s new remake also maintains tension and features a masterful performance, this time by Mary Elizabeth Winstead as the mother.
  19. Eventually, the imperfect Honey Boy — it could have used more from the older Otis; Hedges is almost wasted — achieves a raw, hard-won honesty.
  20. For Pérez Biscayart, it’s the sound equivalent of a masterful silent-film performance, and for Perelman, it’s the welcome return of an important filmmaker.
  21. An entertaining film that's true to its world.
  22. With a thriller like this, details almost don't matter. It's entertaining enough to watch it get to where it's got to go. Liotta is seedy and creepy as the obsessed cop, disintegrating before our eyes. ''The only problem I have is sleazy, low-life whores like you,'' he tells a woman he picks up. Officer Pete has some hostility issues he needs to work on. [26 June 1992, p.G1]
    • San Francisco Chronicle
  23. Like the King of Pop himself, “Michael” is unashamedly a crowd-pleaser.
  24. As a piece of filmmaking, the trick of Operation Varsity Blues is that it provides first-rate entertainment even as it incites sputtering rage.
  25. Still, as Dylan biopics go, this is probably the best imaginable.
  26. The veteran filmmakers, siblings Lisa and Rob Fruchtman, accentuate the positive, while acknowledging the obstacles. They also realize Rwanda's trauma can't be denied - a handful of women recount harrowing stories of their experiences during the genocide and its aftermath. Some have parents or husbands still in prison for war crimes.
  27. After the heights of "Casino Royale," the series falls back into routine with this above-average thriller, filled with over-the-top action, familiar Bond atmosphere and a story that's impossible to follow - and why bother anyway? Daniel Craig is still the coolest man in the universe. That definitely helps.
  28. Often silly but it's an honest, unselfconscious exploration of the conflict between a man's physical and psychological age.
  29. For some viewers, it will be more than they want to know, but for Lynch’s many partisans, it’s required watching.

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