Bayona remains a director whose work should be anticipated, and A Monster Calls is a solid fantasy drama.

With Stewart, we arrive at the only saving grace of Seberg, but a genuine saving grace. She is the only reason to see the movie, but she’s a really good reason.

Nonstop crudeness, vulgarity and unpleasantness. It's without any redeeming social value whatsoever. And it's funny from beginning to end.

Well made, provocative and compelling.

Too slick but amusing marital farce.

In watching The American Nurse, I saw myself not so much in the nurses but in their patients. It occurs to me the nurses are always there, from our birth to death and in between. That in the current pandemic they would need to beg for personal protective equipment is on us as a society. They are our better angels.

The action is not just big — big is easy. It’s creative. It’s choreographed. It’s unexpected and delightful. It’s lots of fun and a stark contrast to the previous film, “Furious 7,” which was huge but flat, just commotion without inspiration.

If anything, this modest but entirely charming movie may deserve a tiny slice of immortality by showing the kind of goofy, escapist fun that can be created even in a grim time.

Isn't an instant classic, but it bumps along agreeably.

Think of Enigma as a cerebral thriller about the horror of war and the hope that people had in spite of it.

Ultimately is less a horror film than a valentine, from a daughter to a father, and a sweet portrait of a man going gently into that good night.

For the most part, however, Proxima enthralls with its deep dive into the mechanics of astronaut training. Green presents a woman with the right stuff for it, but maybe she can’t give up the parts of herself the job demands. It’s a stress test the actress passes with flying colors.

What's exciting is that the Sprechers have delved into territory that is normally the domain of literature and have emerged with a film that's neither overly literary nor simplistic.

Instead of concealing it, I'll just come out and say that I find it difficult to be enthusiastic about this well-acted and gracefully directed movie, but for reasons that might be called philosophical.

A loose, lighthearted romp that's a notch above the usual buddy comedies.

The best teenage werewolf movie ever made.

Not a masterpiece that will change your life, but you’ve probably had your life changed enough lately. It’s 90 minutes of thoughtful, atmospheric, well-made entertainment, and that’s more than good enough.

Doesn't poke fun at anyone's beliefs.

Funny, affectionate documentary.

A peppy, bouncy documentary that is watchable and informative, although Tickell's celebrity name-dropping at times detracts from the serious message.

Aimed directly at your inner 8-year-old, and it strikes home.

A joyous first feature by director Kwyn Bader, is a charmer.

It's an impressive achievement: The film reveals things about each person's inner world, and how it looks to the other, without making us feel as if we're lost in a house of mirrors.

It's so joyful and confident in its own premise that it practically dares you not to walk out of the theater with a smile on your face, strutting like a peacock.

Provocative, audacious.

A millennial medley to the max.

It's a passionate, beautifully mounted film -- but the agenda she sets for herself is too large and the conflicts she portrays too complicated to be illustrated in a single drama.

In the end, Sully is a broadly crowd-pleasing movie, at a time when we could use the straight-forward entertainment.