San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,302 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9302 movie reviews
  1. The film presents a compelling portrait of mental illness, but looking at Bale may make audiences feel as though they're watching a documentary.
  2. Shimizu can't quite pull everything together, trying to get off easy with a bargain-bin twist ending that most of the audience will see coming by the time the pile of corpses reaches double digits.
  3. Everything about it is manufactured -- the emotions are false, the sentiments are phony, and the story is a construction of mirthless silliness. It's a product, not a creative expression.
  4. Annoying, soporific and singularly humorless.
  5. Goes disappointingly soft despite two dynamite lead performances.
  6. So fascinating and has so many implications that it balances out some real flaws in the story.
  7. Not always pleasant to watch.
  8. A one-woman show.
  9. Considering the talent on both sides of the camera and a story that worked beautifully the first time around, Shall We Dance? should have been a lot better than OK.
  10. Surprisingly, the results are embarrassing. As puppetry, Team America is stilted. As satire, it's gutless and lazy. And as comedy, it barely delivers laughs.
  11. Imaginative and properly wicked.
  12. Expansive, but succinct. Leigh tells a small story and doesn't try to make something huge of it.
  13. For the silent masses who cherish those "Hallmark Hall of Fame" specials, but wish they had just a little more profanity, the release of Around the Bend is occasion to rejoice.
  14. Director Hiner Saleem has created a magical movie that veers, even within scenes, from love story to tragedy to comic relief.
  15. A pleasant enough movie whose overt charm sometimes works against it.
  16. Actor Woody Harrelson is in his full activist mode in this low-key and loose documentary.
  17. The film rarely matches Crudup's performance, appearing confused itself about whether it's farce or drama.
  18. Compelling.
  19. Doesn't always work, but it challenges, nonetheless.
  20. Raises the bar for movies geared to teens.
  21. An impassioned documentary about a damaged American family, includes moments that seem to cross the line of what is emotionally acceptable to show onscreen.
  22. How one likes Taxi has everything to do with how one responds to the hapless cop character, played by Jimmy Fallon.
  23. Succeeds anyway, by putting a poignant human face on the struggle for equal rights.
  24. An unabashed paean to Kerry's character at a time in the presidential election when Kerry's character is being questioned. It's also a riveting film.
  25. As a film it plays like a heavy-handed morality tale one might come across on a middling cable network.
  26. Remarkable rockumentary.
  27. By avoiding the usual animation cliches, by keeping the story moving, the pictures pretty and the characters consistently amusing, director and co- writer Rob Letterman cobbles together an entertaining 90 minutes.
  28. A risky, foolish, intelligent comedy.
  29. Plays like a war movie made in a time of war: too careful, too programmatic.
  30. Thought-provoking, insightful and entertaining.
  31. First Daughter can be measured in degrees of Holmes' discomfort... There's never a moment when she doesn't appear as if she'd rather be in a different movie.
  32. Squanders its comic capital on redundant bits about her perplexed family and secret society of fellow sex addicts.
  33. Seems to want to be a fierce satire of corporate culture. But by hewing so faithfully to their source, the creators don't let the material pursue its own direction, and the result feels dramatically arbitrary.
  34. The film doesn't always work, but it captures the buzz of moviemaking, and that's infectious.
  35. The picture never comes out from under the weight of its dreariness, despite fine acting, foot chases and conspiracy theories galore.
  36. Unfolds as a masterful chess match of wit and ingenuity, a cat-and-mouse chase of the highest order.
  37. Remarkably fresh and inventive.
  38. A superb film.
  39. The most disingenuous film of the year. A sham. Pathetic. Embarrassing. The people behind this movie, which was made in Afghanistan, should be ashamed of themselves.
  40. A special film.
  41. Enlivens the classic premise of innocent-in-the-city by moving its archetypal characters in unexpected directions.
  42. An idiosyncratic, oddball movie that is funny and moody.
  43. A glossy, stiff melodrama.
  44. A well-deserved 2003 Oscar nominee for best foreign-language film.
  45. The always fierce Bassett is a little too fierce here, reacting with unwarranted emotion to each romantic twist and turn.
  46. A giddy mockumentary.
  47. A movie so filled with contemptible, ugly and unfunny characters that it is physically difficult to watch.
  48. The movie is like one of those newfangled Vegas casinos, where what appears to be open sky is really painted ceiling. What's initially dazzling becomes stifling.
  49. Has plenty to satisfy fans and bring in new admirers.
  50. There's no hiding a hokey love story that undercuts the picture's compelling tennis scenes.
  51. Wildly uneven, with long stretches as dull as Dickie.
  52. The director has a natural's gift for storytelling and eye for casting.
  53. The problems lie not with the actors but with a glib approach that exposes the flaws of the original story.
    • 34 Metascore
    • 50 Critic Score
    Heavy on the eye candy, light on plot and logic.
  54. Distressingly predictable and not a tad scary. But as a parody of the genre, it's a scream, like the "Scream'' franchise, only funnier. It's as if all the ingredients for a thriller coagulated into Silly Putty.
  55. Another art film that's more pretentious than it needs to be.
  56. It's just too bad that almost nothing in the movie seems original. The "Thriller" video may have featured hokey dancing zombies, but at least someone was making an effort.
  57. As drama it's thin stuff. Aiming for simplicity, it ends up simplistic.
  58. It's all so cute -- except that Weber wants this to be a thoughtful film.
  59. Often is on the verge of spilling over into melodrama, but that doesn't bother me because life is the same way.
  60. Eminently watchable, with enough majestic vistas and heroic derring-do to get by. It could have been so much more.
  61. An intense, powerful film.
  62. The studio behind Wicker Park bills it as a "romantic thriller.'' But it's actually an example of an even more unusual subgenre: the dumb, suspense- free and undersexed stalker drama.
  63. An unflinching -- yet overlong and overindulgent -- film.
  64. Yet something's missing in director Mira Nair's treatment -- specifically, a point of view about the material, a compelling reason for this historical excavation beyond the fact that Reese Witherspoon makes a convincing Becky Sharp.
  65. The most compelling reason to see this movie is the profile we get of the horrors of war.
  66. It's merely adequate, with one riveting element but limited chills.
  67. An idiosyncratic document of sexual obsession and guilt, it alienates as easily as it mesmerizes.
  68. The film is a damning look at a key Bush operative.
  69. Not as profound as it is pretty, Hero nevertheless gives us something to ponder beyond Zhang's feat in mounting such a magnificent production.
  70. The sequel might have the formula down, but it lacks everything that made "Anaconda'' fun.
  71. Spending an hour and a half inside a uterus might be more entertaining than this tiresome sequel.
  72. The semiserious comedy by director Sven Pape is in its own category, and unfortunately it's not always an interesting one.
  73. Bright Leaves' takes on a sizable foe -- in this case, big tobacco -- but with such grace and wit that his message never seems medicinal.
  74. Details the group's raucous history with humor and a minimum of hero worship.
  75. Worth seeing.
  76. One of very few films to accurately portray the experience of growing up male.
  77. A witty, energetic adaptation.
  78. A thorough indictment of the Bush administration's focus on Iraq.
  79. An eerily affecting domestic drama combining elements of "The Lost Weekend'' with "Lost Highway.''
  80. While the fourth "Exorcist" movie may have unmitigated disaster written all over it, the finished product is somehow sort-of-kind-of not all that bad.
  81. A dreary, distasteful exercise, "Off the Leash'' favors dogs over humans, framing canine high jinks with an ugly story of domestic abuse.
  82. Dax Shepard from MTV's "Punk'd," in his first major big-screen role, steals Without a Paddle. Not that it's too hard to do.
  83. Take a wretched premise. Imagine the worst picture that could be made from it. Then imagine something even worse. That's Alien vs. Predator.
  84. One of the greatest of all epics.
  85. A movie for adults, of a kind that usually isn't made in America,
  86. With no subtitles to explain what's going on in Yu-Gi- Oh!: The Movie, there's no reason for adults to come anywhere near it.
  87. Danny Deckchair offers some welcome cinematic comfort food in a summer filled with bloated special-effects movies and bad teen comedies.
  88. Offers enough glossy good cheer to appeal to everyone.
  89. While the battle scenes are impressive, they are repetitive; and while the characters are likable, they never rise above the level of cliche.
  90. A hell of a movie.
  91. Capable of astonishing even the already cynical.
  92. An extremely good picture that, with a little tweaking, might have been a great one.
  93. Updates a classic premise -- the struggle for personal freedom -- by pairing it with ethical and moral quandaries.
  94. An awkward and aggressively unfunny film.
  95. The nagging desire to help these people underscores the involvement of the audience in this superbly told story. You can almost taste the saltwater, and the fear.
  96. Collateral is a good idea for a movie, backed up by expert execution... It's straight-up entertainment, not something to see and then talk about a month later, but definitely something to enjoy.
  97. Must-see cinema for any serious rock fan.
  98. Stay far, far away.
  99. A fun afternoon for preteen moviegoers that has just enough charm, humor and game- for-anything actors to keep parents halfway interested as well.

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